This book deals with the "Book of Splendor" (Sefer ha-Zohar), the greatest achievement of Kabbalah and one of the most influential sources of Western mysticism. This book offers a new interpretation of the Zohar, analyzing both its theoretical content and its historical context; it also brings the theory and the history together by indicating the personal and autobiographical elements in the Zohar's teachings. The author delves into the issues of the messianic elements of the Zohar, the way it was written, and its relationship to Christianity, Gnosticism, and Talmudic literature.

This book deals with the "Book of Splendor" (Sefer ha-Zohar), the greatest achievement of Kabbalah and one of the most influential sources of Western mysticism. This book offers a new interpretation of the Zohar, analyzing both its theoretical content and its historical context; it also brings the theory and the history together by indicating the personal and autobiographical elements in the Zohar's teachings. The author delves into the issues of the messianic elements of the Zohar, the way it was written, and its relationship to Christianity, Gnosticism, and Talmudic literature.

This book deals with the “Book of Splendor” (Sefer ha-Zohar), the greatest achievement of Kabbalah and one of the most influential sources of Western mysticism. This book offers a new interpretation of the Zohar, analyzing both its theoretical content and its historical context; it also brings the theory and the history together by indicating the personal and autobiographical elements in the Zohar’s teachings. The author delves into the issues of the messianic elements of the Zohar, the way it was written, and its relationship to Christianity, Gnosticism, and Talmudic literature.

This is the first translation with commentary of selections from The Zohar, the major text of the Kabbalah, the Jewish mystical tradition. This work was written in 13th-century Spain by Moses de Leon, a Spanish scholar.

Please see the Zohar Home Page for ancillary materials, including the publication schedule, press release, Aramaic text, questions, and answers.

In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in contemporary times. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text, or to formal appreciation of its status as one of the great works of religious literature. The Art of Mystical Narrative offers a critical approach to the zoharic story, seeking to explore the interplay between fictional discourse and mystical exegesis. Eitan Fishbane argues that the narrative must be understood first and foremost as a work of the fictional imagination, a representation of a world and reality invented by the thirteenth-century authors of the text. He claims that the text functions as a kind of dramatic literature, one in which the power of revealing mystical secrets is demonstrated and performed for the reading audience. The Art of Mystical Narrative offers a fresh, interdisciplinary perspective on the Zohar and on the intersections of literary and religious studies.

Nathaniel Berman’s Divine and Demonic in the Poetic Mythology of the Zohar: The “Other Side” of Kabbalah offers a new approach to the central work of Jewish mysticism, the Sefer Ha-Zohar (“Book of Radiance”). Berman explicates the literary techniques through which the Zohar constructs a mythology of intricately related divine and demonic personae. Drawing on classical and modern rhetorical paradigms, as well as psychoanalytical theories of the formation of subjectivity, Berman reinterprets the meaning of the Zohar’s divine and demonic personae, exploring their shared origins and their ongoing antagonisms and intimacies. Finally, he shows how the Zoharic portrayal of the demonic, the “Other Side,” contributes to reflecting on alterity of all kinds.