This book deals with the "Book of Splendor" (Sefer ha-Zohar), the greatest achievement of Kabbalah and one of the most influential sources of Western mysticism. This book offers a new interpretation of the Zohar, analyzing both its theoretical content and its historical context; it also brings the theory and the history together by indicating the personal and autobiographical elements in the Zohar's teachings. The author delves into the issues of the messianic elements of the Zohar, the way it was written, and its relationship to Christianity, Gnosticism, and Talmudic literature.

This book deals with the "Book of Splendor" (Sefer ha-Zohar), the greatest achievement of Kabbalah and one of the most influential sources of Western mysticism. This book offers a new interpretation of the Zohar, analyzing both its theoretical content and its historical context; it also brings the theory and the history together by indicating the personal and autobiographical elements in the Zohar's teachings. The author delves into the issues of the messianic elements of the Zohar, the way it was written, and its relationship to Christianity, Gnosticism, and Talmudic literature.

This book deals with the “Book of Splendor” (Sefer ha-Zohar), the greatest achievement of Kabbalah and one of the most influential sources of Western mysticism. This book offers a new interpretation of the Zohar, analyzing both its theoretical content and its historical context; it also brings the theory and the history together by indicating the personal and autobiographical elements in the Zohar’s teachings. The author delves into the issues of the messianic elements of the Zohar, the way it was written, and its relationship to Christianity, Gnosticism, and Talmudic literature.

This book deals with the nature and development of Jewish myth from the Talmudic period through Kabbalah to Hasidism. It describes the changes in this myth in its various stages and the external influences on it. The author shows that myth is in the essence of the Jewish religion and that, rather than being created out of external influences, Kabbalah is one of its manifestions. The book also deals with the related subject of Messianism, and delves into the special spiritual personalities of some messianic figures in Jewish history to show how myth was incarnate in them.

In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in contemporary times. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text, or to formal appreciation of its status as one of the great works of religious literature. The Art of Mystical Narrative offers a critical approach to the zoharic story, seeking to explore the interplay between fictional discourse and mystical exegesis. Eitan Fishbane argues that the narrative must be understood first and foremost as a work of the fictional imagination, a representation of a world and reality invented by the thirteenth-century authors of the text. He claims that the text functions as a kind of dramatic literature, one in which the power of revealing mystical secrets is demonstrated and performed for the reading audience. The Art of Mystical Narrative offers a fresh, interdisciplinary perspective on the Zohar and on the intersections of literary and religious studies.

Please see the Zohar Home Page for ancillary materials, including the publication schedule, press release, Aramaic text, questions, and answers.

This is the first translation with commentary of selections from The Zohar, the major text of the Kabbalah, the Jewish mystical tradition. This work was written in 13th-century Spain by Moses de Leon, a Spanish scholar.