This collection of essays covers a hundred-year history of Russian-language literature in Israel, including the pre-state period. Some of the studies are devoted to an overview of the literary process and the activities of its participants, others—to individual genres and movements. As a result, a complex and multifaceted picture emerges of a not quite fully defined, but very lively and dynamic community that develops in the most difficult conditions. The contributors trace the paths of Russian-Israeli prose, poetry and drama, various waves of avant-garde, fantasy, and critical thought. Today, in Russian-Israeli literature, the voices of writers of various generations and waves of repatriation are intertwined: from the "seventies" to the "war aliyah" of the recent times. Both the Russian-Israeli authors and their critics often hold different opinions of their respective roles in Israel’s historical and literary storms. While disagreeing on the definition of their place on the map of modern culture, Russian-Israeli writers are united by a shared bond with the fate of the Jewish state.

This book proposes that the idea of the Jews in European cultures has little to do with actual Jews, but rather is derived from the conception of Jews as Christianity's paradigmatic Other, eternally reenacting their morally ambiguous New Testament role as the Christ-bearing and -killing chosen people of God. Through new readings of canonical Russian literary texts by Gogol, Turgenev, Chekhov, Babel, and others, the author argues that these European writers—Christian, secular, and Jewish—based their representation of Jews on the Christian exegetical tradition of anti-Judaism. Indeed, Livak disputes the classification of some Jewish writers as belonging to "Jewish literature," arguing that such an approach obscures these writers' debt to European literary traditions and their ambivalence about their Jewishness. This work seeks to move the study of Russian literature, and Russian-Jewish literature in particular, down a new path. It will stir up controversy around Christian-Jewish cultural interaction; the representation of otherness in European arts and folklore; modern Jewish experience; and Russian literature and culture.

Edited by Maxim D. Shrayer, a leading specialist in Russia’s Jewish culture, this definitive anthology of major nineteenth- and twentieth-century fiction, nonfiction and poetry by eighty Jewish-Russian writers explores both timeless themes and specific tribulations of a people’s history. A living record of the rich and vibrant legacy of Russia’s Jews, this reader-friendly and comprehensive anthology features original English translations. In its selection and presentation, the anthology tilts in favor of human interest and readability. It is organized both chronologically and topically (e.g. “Seething Times: 1860s-1880s”; “Revolution and Emigration: 1920s-1930s”; “Late Soviet Empire and Collapse: 1960s-1990s”). A comprehensive headnote introduces each section. Individual selections have short essays containing information about the authors and the works that are relevant to the topic. The editor’s opening essay introduces the topic and relevant contexts at the beginning of the volume; the overview by the leading historian of Russian Jewry John D. Klier appears the end of the volume. Over 500,000 Russian-speaking Jews presently live in America and about 1 million in Israel, while only about 170,000 Jews remain in Russia. The great outflux of Jews from the former USSR and the post-Soviet states has changed the cultural habitat of world Jewry. A formidable force and a new Jewish Diaspora, Russian Jews are transforming the texture of daily life in the US and Canada, and Israel. A living memory, a space of survival and a record of success, Voice of Jewish-Russian Literature ensures the preservation and accessibility of the rich legacy of Russian-speaking Jews.

The first concise history of Russian-Jewish literary prose, this book discusses Russian-Jewish literarature in four periods, analyzing the turning points (1881–82, 1897, 1917) and proposing that the selected epoch (1860–1940) represents a special strand that was unfairly left out of both Russian and Jewish national literatures. Based on theoretical sources on the subject, the book establishes the criteria of dual cultural affiliation, and in a survey of Russian-Jewish literature presents the pitfalls of assimilation and discusses different forms of anti-Semitism. After showing the oeuvre of 18 representative authors as a whole, the book analyzes a number of characteristic novels and short stories in terms of contemporary literary studies. Many texts discussed have not been reprinted since their first publication. The material offers indispensable information not only for comparative and literary studies but for multicultural, historical, ethnographic, Judaist, religious and linguistic investigations as well.

This volume focuses on several Russian authors among many who immigrated to Israel with the "big wave" of the 1990s or later, and whose largest part of their works was written in Israel: Dina Rubina, Nekod Singer, Elizaveta Mikhailichenko and Yury Nesis, and Mikhail Yudson. They are popular and active authors on the Israeli scene, in the printed and electronic media, and some of them are also editors of the renowned journals and authors of literary and cultural reviews and essays. They constitute a new generation of Jewish-Russian writers: diasporic Russians and new Israelis.

Music from a Speeding Train challenges the view that there was no Jewish culture in the Soviet Union by exploring over one hundred Russian and Yiddish works from the 1920s to the turn of the 21st century.

Between 1988 and 1996 more than 750,000 Russian Jews arrived in Israel, a "Great Immigration" that has gone largely unnoticed in Israeli public life. This study analyzes the situation of the new Russian-Jewish immigrants and their interactions with other Israeli citizens. It shows how the newcomers were able to exploit their capacity for political mobilization, resist bureaucratic control and cultural assimilation, and create new institutions and formations of class and leadership. Annotation copyrighted by Book News, Inc., Portland, OR