Bringing together nearly one hundred tales translated from fourteen languages, Folktales of India opens the vast narrative world of Indian folklore to readers of English. Beck includes oral tales collected from tribal areas, peasant groups, urban areas, and remote villages in north and south India, and the distinctive boundary regions of Kashmir, Assam, and Manipur. The tales in this collection emphasize universal human characteristics—truthfulness, modesty, loyalty, courage, generosity, and honesty. Each story is meant to be savored individually with special attention given to the great range of motifs presented and the many distinct narrative styles used. Folktales of India offers a superb anthology of India's bountiful narrative tradition. "This collection does an excellent job of representing India. . . . It is the type of book that can be enjoyed by all readers who love a well-told tale as well as by scholars of traditional narrative and scholars of India in general."—Hugh M. Flick, Jr., Asian Folklore Studies "The stories collected here are representative, rich in structural subtlety, and endowed with fresh earthy humor."—Kunal Chakraborti, Contributions to Indian Sociology

A.K. Ramanujan's outstanding selection is an indispensable guide to the richness and vitality of India's ageless oral folklore tradition.

The first single volume collection of classic Hindi folktales by translators William Crooke and Pandit Ram Gharib Chaube. In 1891, at a time when the study of India was primarily based on ancient texts, coins, and material remains, William Crooke dared to focus on living India—its everyday culture, age-old customs, and fictional narratives. With Pandit Ram Gharib Chaube, he recorded and published, over a period of six years, a remarkable collection of folktales from northern India. The tales reflect the tapestry of social and personal lives of this region, the epicenter of a revolt against British rule in 1857. Although many of the tales were published in British ethnographic journals, a number of the manuscripts, in Chaube's handwriting, were unpublished; others existed only as old microfilm in a New Delhi library. Never before have they appeared as a single volume or been available in any one library or archive.

16 delightful tradition stories, including "Palwahn the Wrestler," "How Princess Maya got her Deserts," "The Munificent Miser," "The End of the World," and 12 other traditional tales.

Folk tales from India.

Oral tales establish relationships between storytellers and their listeners. Yet most printed collections of folktales contain only stories, stripped of the human contexts in which they are told. If storytellers are mentioned at all, they are rarely consulted about what meanings they see in their tales. In this innovative book, Indian-American anthropologist Kirin Narayan reproduces twenty-one folktales narrated in a mountain dialect by a middle-aged Indian village woman, Urmila Devi Sood, or "Urmilaji." The tales are set within the larger story of Kirin Narayan's research in the Himalayan foothill region of Kangra, and of her growing friendship with Urmilaji Sood. In turn, Urmilaji Sood supplements her tales with interpretations of the wisdom that she discerns in their plots. At a moment when the mass-media is flooding through rural India, Urmilaji Sood asserts the value of her tales which have been told and retold across generations. As she says, "Television can't teach you these things." These tales serve as both moral instruction and as beguiling entertainment. The first set of tales, focussing on women's domestic rituals, lays out guidelines for female devotion and virtue. Here are tales of a pious washerwoman who brings the dead to life, a female weevil observing fasts for a better rebirth, a barren woman who adopts a frog and lights ritual oil lamps, and a queen who remains with her husband through twelve arduous years of affliction. The women performing these rituals and listening to the accompanying stories are thought to bring good fortune to their marriages, and long life to their relatives. The second set of tales, associated with passing the time around the fire through long winter nights, are magical adventure tales. Urmilaji Sood tells of a matchmaker who marries a princess off to a lion, God splitting a boy claimed by two families into two selves, a prince's journey to the land of the demons, and a girl transformed into a bird by her stepmother. In an increasingly interconnected world, anthropologists' authority to depict and theorize about distant people's lives is under fire. Kirin Narayan seeks solutions to this crisis in anthropology by locating the exchange of knowledge in a respectful, affectionate collaboration. Through the medium of oral narratives, Urmilaji Sood describes her own life and lives around her, and through the medium of ethnography Kirin Narayan shows how broader conclusions emerge from specific, spirited interactions. Set evocatively amid the changing seasons in a Himalayan foothill village, this pathbreaking book draws a moving portrait of an accomplished woman storyteller. Mondays on the Dark Night of the Moon offers a window into the joys and sorrows of women's changing lives in rural India, and reveals the significance of oral storytelling in nurturing human ties.