This unique collection of essays applies significant critical approaches to the mythological poetry of the Poetic Edda, a principal source for Old Norse cosmography and the legends of Odin, Loki, and Thor. The volume also provides very useful introductions that sketch the critical history of the Eddas. By applying new theoretical approaches (feminist, structuralist, post-structuralist) to each of the major poems, this book yields a variety of powerful and convincing readings. Contributors to the collection are both young scholars and senior figures in the discipline, and are of varying nationalities (American, British, Australian, Scandinavian, and Icelandic), thus ensuring a range of interpretations from different corners of the scholarly community. The new translations included here make available for the first time to English speaking students the intriguing methodologies that are currently developing in Scandinavia. An essential collection of scholarship for any Old Norse course, The Poetic Edda will also be of interest to scholars of Indo-European myth, as well as those who study the theory of myth.

Authoritative, comprehensive reference incorporating the latest research on tales, literary and oral sources, and the broad-reaching cultural legacy of Norse mythology. The book describes the pagan origins of Scandinavia, the interaction between the Vikings and other Europeans, and the concept of time in Norse mythology, and gives a dictionary of deities, themes, and concepts. With 200 entries of up to four pages each, the dictionary includes both well-known characters like Thor and minor figures such as Gleipnir, the "fetter with which the wolf Fenrir was finally bound." It also includes further references about Viking and medieval Scandinavia, archaeology, etymology, the conversion of Iceland, other encyclopedias, and more.

Norse Mythology explores the magical myths and legends of Norway, Sweden, Denmark, Iceland and Viking-Age Greenland and outlines the way the prehistoric tales and beliefs from these regions that have remained embedded in the imagination of the world. The book begins with an Introduction that helps put Scandinavian mythology in place in history, followed by a chapter that explains the meaning of mythic time, and a third section that presents in-depth explanations of each mythological term. These fascinating entries identify particular deities and giants, as well as the places where they dwell and the varied and wily means by which they forge their existence and battle one another. We meet Thor, one of the most powerful gods, who specializes in killing giants using a hammer made for him by dwarfs, not to mention myriad trolls, ogres, humans and strange animals. We learn of the ongoing struggle between the gods, who create the cosmos, and the jötnar, or giants, who aim to destroy it. In the enchanted world where this mythology takes place, we encounter turbulent rivers, majestic mountains, dense forests, storms, fierce winters, eagles, ravens, salmon and snakes in a landscape closely resembling Scandinavia. Beings travel on ships and on horseback; they eat slaughtered meat and drink mead. Spanning from the inception of the universe and the birth of human beings to the universe's destruction and the mythic future, these sparkling tales of creation and destruction, death and rebirth, gods and heroes will entertain readers and offer insight into the relationship between Scandinavian myth, history, and culture.

This history of the Nordic peoples in the period 750-1050 focuses on their homelands and colonies, demonstrating the fluidity and incoherence of the world in which they lived. Considers the Nordic peoples in Viking times without undue recourse to developmental theories. Guides readers through some of the scholarly controversies surrounding these peoples. Illustrated by reference to runic, poetic and archaeological evidence.

The first group of essays in this volume explores the links between early Norse literature, from the 9th to the 13th century, and the learned world of medieval Europe. In the second group the focus is upon the range of theme and style in Norse mythological poetry. Some of the key texts are considered in relation to Anglo-Saxon poetry as well as to the wider and more archaic Indo-European cultural inheritance. The third group offers detailed analyses of early Norse heroic poetry, of the formatic role of verse in the Icelandic sagas and of the final perfecting of prose as the ultimate saga medium. The 16 essays, taken together, are essential reading for all scholars, critics and historians who seek to understand the development of one of the world's most unusual and sophisticated literatures.