This study offers a new perspective on unusual and unsettling experiences that are often interpreted as “mental illnesses” and on the techniques through which literary representations invite readerly responses and engagement. The book examines how four Finnish modernist writers, Helvi Hämäläinen, Jorma Korpela, Timo K. Mukka, and Maria Vaara, construct experiences of shattering and distress as bodily experiences that are embedded in the social and material world and entangled with social and cultural norms that govern subjectivity, gender, and sexuality. Drawing on narrative theory, theories of embodied cognition, phenomenology of illness, and feminist theory, the analyses show how literary works can invite readers to respond emotionally and to reflect on our views of the human mind and its interaction with the world. The book sheds light on the fictional portrayals and techniques of representation and on the ethics of narrating and reading about painful experiences. It also illuminates the ways the mind, body, consciousness, and mental distress are discussed in Finnish modernist literature and situates the texts in the international modernist tradition.

This anthology ‘The Culture of the Finnish Roma’ is a highly needed collection of articles intended for a wide audience, in Finland and internationally. The editors of the anthology, when participating in many international conferences and seminars, have often been asked: Is there Roma research in Finland? What is it like? Which perspectives does it utilize? The main function of this anthology is to reply to those questions. It compiles an array of contemporary Roma research done in present day Finland, both by Finnish, Finnish Roma, and international scholars. It will be of interest to both academic as well as lay readers interested in Roma culture and Roma life in Finland, past and present. The chapters focus on the research and the life of Roma in Finland. Bringing to light the various sides of the Romani way of life, scholars from different fields include historians, linguists, anthropologists, and cultural and social researchers. Many of the previous books have suffered from a recycling of materials that mythologize and stereotype Romani people. Including the viewpoint of Roma scholars and diverse research branches ranging from culture, language, religion, and gender, the anthology aims at overcoming the stereotypes and bring knowledge of aspects of Romani life. The eternal contemplation and negotiation of identities lies in the heart of any culture. We hope that the way The Culture of the Finnish Roma discusses these issues brings forth interesting topics to consider for any reader, regardless of national or ethnic origin.

Versification describes the marriage of language and poetic form through which poetry is produced. Formal principles, such as metre, alliteration, rhyme, or parallelism, take precedence over syntax and prosody, resulting in expressions becoming organised as verse rather than prose. The aesthetic appeal of poetry is often linked to the potential for this process to seem mysterious or almost magical, not to mention the interplay of particular expressions with forms and expectations. The dynamics of versification thus draw a general interest for everyone, from enthusiasts of poetry or forms of verbal art to researchers of folklore, ethnomusicology, linguistics, literature, philology, and more. The authors of the works in the present volume explore versification from a variety of angles and in diverse cultural milieus. The focus is on metrics in practice, meaning that the authors concentrate not so much on the analysis of the metrical systems per se as on the ways that metres are used and varied in performance by individual poets and in relationship to language.

Genetic criticism investigates creative processes by analysing manuscripts and other archival sources. It sheds light on authors' working practices and the ways works are developed on the writer's desk or in the artist's studio. This book provides a cross-section of current international trends in genetic criticism, half a century after the birth of the discipline in Paris. The last two decades have witnessed an expansion of the field of study with new kinds of research objects and new forms of archival material, along with various kinds of interdisciplinary intersections and new theoretical perspectives. The essays in this volume represent various European literary and scholarly traditions discussing creative processes from Polish poetry to French children's literature, as well as topical issues such as born-digital literature and the application of forensic methodology to manuscript studies. The book is intended for scholars and students of literary criticism and textual scholarship, together with anyone interested in the working practices of writers, illustrators, and editors.

This volume considers the linguistic borders between languages and dia­lects, as well as the administrative, cultural and mental borders that reflect or affect linguistic ones; it comprises eight articles examining the mental borders between dialects, dialect continua and areas of mixed dialect, language ideologies, language mixing and contact-induced language change. The book opens with Dennis R. Preston’s review article on per­ceptual dialectology, showing how this field of study provides insights on laymen’s perceptions about dialect boundaries, and how such perceptions explain regional and social variation. Johanna Laakso problematizes the common notion of languages as having clear-cut boundaries and stresses the artificialness and conventionality of linguistic borders. Vesa Koivisto introduces the Border Karelian dialects as an example of language and dialect mixing. Marjatta Palander and Helka Riionheimo’s article examines the mental boundaries between Finnish and Karelian, demonstrated by the informants when recalling their fading memories of a lost mother tongue. Niina Kunnas focuses on how speakers of White Sea Karelian perceive the boundaries between their language and other varieties. Within the framework of language ideology, Tamás Péter Szabó highlights the ways in which linguistic borders are interactionally (co)constructed in the school environment in Hungary and Finland. Anna-Riitta Lindgren and Leena Niiranen present a contact-linguistic study investigating the vocabulary of Kven, a variety lying on the fuzzy boundary of a language and a dialect. Finally, Vesa Jarva and Jenni Mikkonen approach demographically manifested linguistic boundaries by examining the Old Helsinki slang, a mixture of lexical features derived from Finnish and Swedish. Together, the articles paint a picture of a multidimensional, multilingual, variable and ever-changing linguistic reality where diverse borders, boundaries and barriers meet, intertwine and cross each other. As a whole, the articles also seek to cross disciplinary and methodological boundaries and present new perspectives on earlier studies.

In present-day Africa chiefs interact fluently with modern states, international organizations, and business corporations, and traditional chieftaincy is perceived essentially as a secular institution. Consequently, social scientists have started paying serious attention to the role of traditional authorities in contemporary political landscapes. Yet it was only a few decades ago that classic ethnographers were characterizing chiefs as priests, magicians, diviners, rainmakers, and the like. What happened to the divinity of African chiefs and kings? Drawing on his research on the Asante people of Ghana, West Africa, Timo Kallinen explores how the colonial and postcolonial states have attempted to secularize the sacred institutions of chiefship and kingship, a process which is by no means complete. Furthermore, it has frequently proved a problematic undertaking with regards to a number of burning issues in contemporary Ghanaian society, such as Pentecostal-Charismatic Christianity, nationalism, international development aid, civil society participation, coup d'états, and witchcraft.