As if in a Bright Mirror -- Conclusion -- Notes -- Abbreviations -- Bibliography of Cited Works -- Index

The definition and notion of frontiers changed in the process of the transformation of the Roman world. This volume goes beyond topography to explore the meaning and impact of new frontiers as they were establised. It becomes clear that the transformation of frontiers was not a linear process in which the imperial frontiers were abandoned and the means of controlling them declined, but depended on specific circumstances. Four of the contributions deal with the frontiers of the Carolingian Empire in their political and military aspects, as well as in the context of Christian conversion and missions. Three of the contributions discuss Roman frontiers and their perception in late antiquity, demonstrating that they were not simply defence lines, but also a basis for offensive operations, a focus in elaborate exchange networks and a means of internal control. Other papers describe the frontiers of early medieval kingdoms, two of which propose theoretical models, whereas others analyse the construction and the blurring of frontiers between the empire and the kingdoms of the Visigoths, Lombards and Avars.

. By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons - the result of the author's recent archival research in Florence.

One of the most widely respected theological dictionaries put into one-volume, abridged form. Focusing on the theological meaning of each word, the abridgment contains English keywords for each entry, tables of English and Greek keywords, and a listing of the relevant volume and page numbers from the unabridged work at the end of each article or section.

Inverting rules with obvious relish, Florentine artist Piero di Cosimo (1462–1522) is known today—as he was in his own time—for his highly personal visual language, one capable of generating images of the most mesmerizing oddity. In this book, Dennis Geronimus overcomes the scarcity of information about the artist’s life and works—only one of the nearly sixty known works by Piero is actually signed and dated—and pieces together from extensive archival research the most complete and accurate account of Piero’s life and career ever written. Unfettered imagination was the sign under which Piero exercised his pictorial invention, and yet the complicated artist was also a product of his culture. The book fills gaps in the artist’s biography and provides intensive analysis of Piero’s protean imagery, discusses his various patrons and commissions, and lists his extant, lost, and uncertainly attributed works.