This book introduces new methods of research for studying the Alexiad, aiming primarily at analysing Anna Komnene's literary expression.

Byzantine princess Anna Komnene is known for writing history and plotting to become empress by murdering her brother. This book explains how Anna broke her culture's rules for women's behavior by writing history, her efforts to be acceptable, and how her writing nonetheless fired the story of her bloodthirsty ambition.

A revised edition of Anna Komnene's Alexiad, to replace our existing 1969 edition. This is the first European narrative history written by a woman - an account of the reign of a Byzantine emperor through the eyes and words of his daughter which offers an unparalleled view of the Byzantine world in the eleventh and twelfth centuries.

"The Alexiad, written in the twelfth century by a Byzantine princess, Anna Komnene, tells the story of the Byzantine Empire during the reign of her father, offering accounts of its political and military history, including its involvement with the First Crusade. Structure and Features of Anna Komnene's Alexiad: Emergence of a Personal History introduces new methods of research for studying the Alexiad, aiming primarily at analysing Anna Komnene's literary expression. The book's approach focuses mainly on the author, the subject, the structure and the inner stylistic features, as well as the genre itself. The result is a substantially new outlook on the main Byzantine historiographical work of the twelfth century."--Bloomsbury Publishing.

Traces the history of the Greek language from the immediately postclassical or Hellenistic period to the present day. In particular, the historical roots of modern Greek internal bilingualism are traced. First published by Hutchinson in 1969, the work has been substantially revised and updated.

A critical appraisal of the literary art of a great Byzantine text by the first woman historian, Anna Komnene.

Samuel P. Müller offers here the first book-length study of the image of Latins in Byzantine historiography of the long twelfth century, arguing that this image is more complex and ambivalent than often claimed.