In this beautifully crafted collection of poems, Karen Kilcup writes about how isolation due to covid brought nature to our doors, examining human kindness and cruelty as it encroaches. In “Squunck” the skunk observes us as well. “I live / in open air, uncontained / by the doors like coffin lids / that suffocate you inside /your fancy boxes.” Kilcup also laments isolation. In “On Not Being Touched” she writes, “I envy the river rocks / for the water curling over / their backs.” In “Belgian Mare and Foal” Kilcup celebrates a birth: “A flurry of legs / the pour of a creamy tail, / the flash of a russet back. / The mare observes, and nods.” I am enamored of Karen Kilcup’s work and am honored to have had the chance to publish two of the poems from this collection. —Lee (Lori) Desrosiers, author of The Philosopher’s Daughter, Sometimes I Hear the Clock Speak, and Keeping Planes in the Air, and editor of Naugatuck River Review and Wordpeace All too often we humans are guilty of a “habit / of not seeing what’s there,” as Karen Kilcup claims in her poem “The Sixth Cat.” But in these poems, she pays attention. Red Appetite is filled with close looks at the myriad of creatures that share our planet, from the tiny water striders that “cannot see / the quick shadow / that glides beneath / the river’s lucent skin, / the gulf that lies / below” to the bobcat, the “graceful spotted ghost,” that “leaves behind a chill that never / eases.” From a deep observation of the small lives we often glimpse in our wild and more-domesticated spaces, these poems deftly straddle a first-time gardener’s fierce frustration with the wild pillagers that seek the same bitter greens in spring as we do, and the often humorous empathy for those small lives we too often overlook. —Katherine Solomon, author of Tempting Fate Red Appetite is a taxonomy of the joy and quirks of animals that live around us, haunted all the while by death and the COVID lockdown. In these tight, lyrical poems, mortality hunts the speaker like the bobcat that stalks the barnyard and the woodchuck that undermines the garden. These poems echo Maxine Kumin’s ethical introspection while others hint at the starkness of Robinson Jeffers’ animal poems. The music here allows the reader a taste of the sublime in the midst of a world that is always falling and rising: The neighbor’s ornamental cherry tree / sags with blooms. Too soon, / they’ll wash the dark ground / with pink, soft underfoot, as if / someone holding her breath / exhaled. Red Appetite is a focused meditation on how we are reflected in these animals, both domesticated like the barnyard cat or mare, and more wild like the possum, junco, and bobcat. Kilcup’s collection is a nuanced read that leads one to rejoice in spring and reflect that new life is due only to the coldness brought by winter. —Gregory Byrd, author of The Name for the God Who Speaks, winner of the 2018 Robert Phillips Prize

St. Nicholas has been called the best children's magazine ever published, particularly during the tenure of its founding editor, Mary Mapes Dodge. From 1873 to 1905, Dodge worked to create what she called a "pleasure ground" for children--a magazine that would have great impact on several generations of children. The list of authors who wrote for her includes Louisa May Alcott, Frances Hodgson Burnett, Henry Wadsworth Longfellow, Rudyard Kipling, Theodore Roosevelt, and Mark Twain. The quality of the magazine's illustration was equally high. The magazine was also the launching pad for a new generation of authors and artists, such as F. Scott Fitzgerald, E.B. White, Jack London, and Eudora Welty. This anthology of critical writing on St. Nicholas includes some of the most influential articles already published and newly commissioned essays on a variety of subjects, including the impact of the St. Nicholas league, the utopian thrust of the magazine's fiction, and the story of the long and productive literary partnership between Dodgeand Alcott. Essays also analyze Dodge's relationship with her readers, her editorial practice, the illustrations, American family life as seen by young British readers, war and military life, advertising, and the middle-class preoccupation with "change of fortune" tales. The work places St. Nicholas in American cultural history, and analyzes how it both influenced and was influenced over thirty years. Essential documentary material presently unpublished or inaccessible and illustrations from the magazine are also included.

The first new biography in twenty years of a beloved New England writer.

In this provocative study, Paulette D. Kilmer examines the ways in which the national preoccupation with success and its attendant anxieties have been manifested in popular culture. Her focus is on the late nineteenth and early twentieth centuries - an era in which industrial growth and urbanization wrought enormous changes in the country.