Oliver Goldsmith's 'Adventures of a Strolling Player' explores the fickleness of fame. This rollicking, exuberant tale flows effortlessly from the pen of the great 18th century master storyteller and from the lips of T. P. McKenna, whose Irish brogue suits the story perfectly. It is the uproarious story of a travelling player who likes to embellish things somewhat.

What is the relationship between touring and other kinds of theatre work? How should theatre circulate, and how are we to understand this circulation? What impact do tour routes have beyond the dissemination of what is on stage? Whose travel stories are told within the theatre, and by whom? This concise study argues that we should pay more attention to how, why and where theatre travels. Moving away from prevailing metaphors of 'strolling players' and 'the circuit', this volume examines in more detail what theatre is doing when it tours, and why it matters. Enlivened with a wide range of examples – from Ancient Rome to internet livestreams, solo tours to national theatres, and Shakespeare to post-apocalyptic fiction – Theatre & Travel distinguishes between different versions of theatre touring to uncover both the possibilities and the inequalities that it entails. Proposing that travel is central to our understanding of theatre, the book asks what changes might need to happen to enable theatre to travel better in the world.