Derrick Harriell’s Stripper in Wonderland is a fast-paced collection that draws from hip-hop culture and music. Dark and at times graphic, this collection examines the heartbreak of racism and violence as well as the complexities of Islam and childbirth. Musical lyrics and references to the 1970s era of funk bands infuse this existential body of work with a sense of delight that’s captivating and inspiring.

*Selected as One of the Best Books of the 21st Century by The New York Times* *Named a Best Book of the Year by The New York Times, Publishers Weekly, NPR, Broadly, BuzzFeed (Nonfiction), The Undefeated, Library Journal (Biography/Memoirs), The Washington Post (Nonfiction), Southern Living (Southern), Entertainment Weekly, and The New York Times Critics* In this powerful, provocative, and universally lauded memoir—winner of the Andrew Carnegie Medal and finalist for the Kirkus Prize—genre-bending essayist and novelist Kiese Laymon “provocatively meditates on his trauma growing up as a black man, and in turn crafts an essential polemic against American moral rot” (Entertainment Weekly). In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. Heavy is a “gorgeous, gutting…generous” (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free. “A book for people who appreciated Roxane Gay’s memoir Hunger” (Milwaukee Journal Sentinel), Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family through years of haunting implosions and long reverberations. “You won’t be able to put [this memoir] down…It is packed with reminders of how black dreams get skewed and deferred, yet are also pregnant with the possibility that a kind of redemption may lie in intimate grappling with black realities” (The Atlantic).

Confronting, confessional and wildly entertaining, Sunshine lays bare the business of stripping and what goes on in the backrooms of 'gentlemen's clubs'. Coming to TV in 2021! There are a lot of Ambers in the stripping world. And Aprils and Summers, and Skys and Rains. There are quite a few gems: Sapphires, Diamonds, Rubies and even an Amethyst. And exotic creatures: Tigers, Cheetahs, Phoenixes and Kitties. Plenty of weather conditions, like Misty, Stormy and Cloudy. There are, of course, a selection of fruits: Cherry, Berry, Peaches and Apple. And confectionery to go with it, like Candy, Lolly and Caramel. And then there are the generic hot-girl/sexy names: Lolita, Tiffany, Chanel, Lulu, Sasha and Brigitte. Meet Sunshine. That's her stage name. Follow her downstairs into the shadowy underworld of the so-called Gentlemen's Clubs, where men hide in dark corners and pay gorgeous women like Sunshine to take their clothes off. Follow her to the private rooms where the lap dances happen, the hustle plays out and the real money flows. Sit with her in the back room with the other dancers, her friends and colleagues, who laugh and cry and rake in the dollars and party as though a zombie apocalypse is on the horizon. Sunshine tells us in her own brutally honest and audacious words what it's like to work as a stripper, both in Australia and overseas. Confessional, confronting, revealing, wildly entertaining and often laugh-out-loud funny, Sunshine: The diary of a lap dancer will take you into a world that most of us can only imagine and that others know all too well. But only the dancers know what really goes on - and this book shows you their world stripped bare.

Fictional portrayal of crime and the criminal characters associated with it in the Southern New England area during the latter half of the Twentieth Century. The story follows the life of "Donato 'Danny' Pastore," who suffers through a traumatic event when he's a young boy, affecting his mental health, and the scores of characters and incidents that surround him during his lifetime. The pages flow with the full gauntlet of emotions and the complicated affairs of the criminal elements. There is much to laugh and cry about in the story, along with surprising insights into the criminal world of Southern New England on the way to the fateful denouement. A story to get into, told in nearly 700 pages.

Mississippi has produced outstanding writers in numbers far out of proportion to its population. Their contributions to American literature, including poetry, rank as enormous. Mississippi Poets: A Literary Guide showcases forty-seven poets associated with the state and assesses their work with the aim of appreciating it and its place in today’s culture. In Mississippi, the importance of poetry can no longer be doubted. It partakes, as Faulkner wrote, of the broad aim of all literature: “to uplift man’s heart.” In Mississippi Poets, author Catharine Savage Brosman introduces readers to the poets themselves, stressing their versatility and diversity. She describes their subject matter and forms, their books, and particularly representative or striking poems. Of broad interest and easy to consult, this book is both a source of information and a showcase. It highlights the organic connection between poetry by Mississippians and the indigenous music genres of the region, blues and jazz. No other state has produced such abundant and impressive poetry connected to these essential American forms. Brosman profiles and assesses poets from the twentieth and twenty-first centuries. Grounds for selection include connections between the poets and the state; the excellence and abundance of their work; its critical reception; and both local and national standing. Natives of Mississippi and others who have resided here draw equal consideration. As C. Liegh McInnis observed, “You do not have to be born in Mississippi to be a Mississippi writer. . . . If what happens in Mississippi has an immediate and definite effect on your work, you are a Mississippi writer.”

Moving from first hand interviews with dancers and others, this book broadens into an accessible examination of the popularity of "striptease culture," with sex-saturated media imagery, and stripper aerobics at your local gym. It aims to scrutinize the truth of a industry whose norms are increasingly at the center of contemporary society.