Stripes, Grids and Checks considers the nature of lines and assemblies of lines, including stripes and grids, as well as related phenomena such as checks, tilings and patterns, regular and irregular, repeating and non-repeating. A wide range of examples are drawn from urban and rural environments, at the macro and micro levels, in land- and cityscapes, buildings, and other designed constructions, compositions and objects. Considered conventionally, checks, periodic tilings and regular patterns owe their compositional arrangements to an order imposed by an underlying grid structure. The intention in this book is to analyse, explain and illustrate the nature of each design type, to identify the structural (or geometric) similarities between each and to show how the manipulation of various underlying grid structures can provide innovative compositional frameworks for artists and designers. The discussion is richly illustrated with 400 black and white images and an eight page colour section.

A step-by-step manual for painting and decorating your home.

The Grammar of Pattern describes characteristics of textile and other surface patterns, and identifies, illustrates, and reviews a wide range of pattern types including spotted, striped, checked, tessellating and other types of all-over patterns with original drawings and images. This book includes original black-and-white line drawings and color images. The modular nature of patterns is explored, and attention is focused on the vast diversity of pattern types which can emerge from a small inventory of components. The book features material that is easily accessible with obvious mathematical content kept to a minimum and offers fresh perspectives on the nature of tessellating and other all-over patterns. This book serves as an effective practical guide for both students and professionals. Select sample exercises and student assignments are included, making this an ideal course text for teachers engaged across the full range of design education.

Single and Double Bed Machine Knitting: The Designer's Guide, is an absolute necessity for anyone with a knitting machine. Written in clear and accessible language by an experienced knit designer and educator, and using step-by-step explanations and inspirational examples, this comprehensive guide gives practical insight into knit design and techniques for single bed and double bed knitting. Systematically organised chapters explore the fascinating and inexhaustible possibilities of surface pattern and garment design for machine knitting, with or without a ribber. Written by Dr Vikki Haffenden, an experienced knitted textile designer and educator who holds a doctorate in knitting, this book reveals the possibilities of machine knitting whilst discussing, exemplifying and contextualising creative design approaches. Using over 500 images and step-by-step instructions, Vikki shares her knowledge and understanding of knitted textiles from the basic stitch structures and knit constructions to developing these into your own designs for machine knitting. She discusses suitable fibres and yarns for single bed and double bed knitting using the ribber, and describes the characteristics of these different knits. To enable unique knit developments Vikki discusses sourcing design inspiration and explains how to create your own repeating patterns, punchcards and digital patterns. Owners of the even the simplest machines will be inspired by sections on hand-manipulating stitches, developing your own colour palette, designing with stripes and garment design. With step-by-step instruction and in clear language Vikki explains how to master the ribber, the intricacies of shaping ribs and how to design and knit multi-colour double jacquards and other exciting double bed fabrics. In a complete chapter on garment design she offers practical advice and examples of how to include unique details, and takes the mystery out of calculating shaping with the help of ready-reckoner shaping tables. Throughout the book there are tips on machine maintenance, plus advice on getting the most from your knitting machine whilst creating unique design outcomes.

All too often, the weakest link in the chain of criminal justice is the crime scene investigation. Improper collection of evidence blocks the finding of truth. Now in its second edition, Practical Crime Scene Processing and Investigation presents practical, proven methods to be used at any crime scene to ensure that evidence is admissible and persuasive. Accompanied by more than 300 color photographs, topics discussed include: Understanding the nature of physical evidence, including fingerprint, biological, trace, hair and fiber, and other forms of evidence Actions of the responding officer, from documenting and securing the initial information to providing emergency care Assessing the scene, including search considerations and dealing with chemical and bioterror hazards Crime scene photography, sketching, mapping, and notes and reports Light technology and preserving fingerprint and impression evidence Shooting scene documentation and reconstruction Bloodstain pattern analysis and the body as a crime scene Special scene considerations, including fire, buried bodies, and entomological evidence The role of crime scene analysis and reconstruction, with step-by-step procedures Two appendices provide additional information on crime scene equipment and risk management, and each chapter is enhanced by a succinct summary, suggested readings, and a series of questions to test assimilation of the material. Using this book in your investigations will help you find out what happened and who is responsible.

Every action performed by a crime scene investigator has an underlying purpose: to both recover evidence and capture scene context. It is imperative that crime scene investigators must understand their mandate—not only as an essential function of their job but because they have the immense responsibility and duty to do so. Practice Crime Scene Processing and Investigation, Third Edition provides the essential tools for what crime scene investigators need to know, what they need to do, and how to do it. As professionals, any investigator’s master is the truth and only the truth. Professional ethics demands an absolute adherence to this mandate. When investigators can effectively seek, collect, and preserve information and evidence from the crime scene to the justice system—doing so without any agenda beyond seeking the truth— not only are they carrying out the essential function and duty of their job, it also increases the likelihood that the ultimate goal of true justice will be served. Richly illustrated—with more than 415 figures, including over 300 color photographs—the Third Edition of this best-seller thoroughly addresses the role of the crime scene investigator in the context of: Understanding the nature of physical evidence, including fingerprint, biological, trace, hair and fiber, impression, and other forms of evidence Assessing the scene, including search considerations and dealing with chemical and bioterror hazards Crime scene photography; scene sketching, mapping, and documentation; and the role of crime scene analysis and reconstruction Bloodstain pattern analysis and discussion of the body as a crime scene Special scene considerations, including fire, buried bodies, and entomological evidence Coverage details the importance of maintaining objectivity, emphasizing that every action the crime scene investigator performs has an underlying purpose: to both recover evidence and capture scene context. Key features: Outlines the responsibilities of the responding officer, from documenting and securing the initial information to providing emergency care Includes three new chapters on light technology and crime scene processing techniques, recovering fingerprints, and castings Addresses emerging technology and new techniques in 3-D Laser scanning procedures in capturing a scene Provides a list of review questions at the end of each chapter Practice Crime Scene Processing and Investigation, Third Edition includes practical, proven methods to be used at any crime scene to ensure that evidence is preserved, admissible in court, and persuasive. Course ancillaries including PowerPoint® lecture slides and a Test Bank are available with qualified course adoption.

In Tangle-inspired Botanicals, author and artist Sharla Hicks guides you in exploring and developing your own style of botanical, landscapes, lush foliage, and mixed-media color enhancers. It's not hard to see why drawing tangles continues to grow years after tangles first hit the scene. These types of drawings are easy to pick up, and can be drawn on just about anything. With a focus on simple mark making as well as drawing with the intention to relax and be creative, tangle drawing is a powerful tool for people looking to tap into their inner artist. Tangle-Inspired Botanicals guides you in exploring and developing your own personal style of tangle-inspired botanicals, land and seascapes, leafy foliage, and mixed-media color enhancers. Artist Sharla Hicks uses nature photographs and monoprints embossed with flowers, leaves, and grasses for her inspiration. Tangle-Inspired Botanicals includes more than 200 illustrations, including many finished artworks, along with written instruction.