One of the greatest classics of modern theater concerns a willful young aristocrat's seduction of her father's valet during a Midsummer's Eve celebration. Complete with Strindberg's highly-regarded critical preface.

This eBook features the unabridged text of ‘Miss Julie by August Strindberg - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of August Strindberg’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Strindberg includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Miss Julie by August Strindberg - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Strindberg’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

Frequently reprinted with the same ISBN, but with slightly differing bibliographic data.

German Expressionist Theatre: The Actor and the Stage considers the powerfully stylized, anti-realistic styles of acting on the German Expressionist stage from 1916 to 1921. It relates this striking departure from the dominant European acting tradition of realism to the specific cultural crises that enveloped the German nation during the course of its involvement in World War I. This book describes three distinct Expressionist acting styles, all of which in their own ways attempted to show how symbolic stage performance could be a powerful rhetorical resource for a culture struggling to come to terms with the crises of historical change. The examination of Expressionist script and actor memoirs allows for an unprecedented focus on description and analysis of acting itself.

This volume explores the history of American drama from the eighteenth to the twentieth century. It describes origins of early republican drama and its evolution during the pre-war and post-war periods. It traces the emergence of different types of American drama including protest plays, reform drama, political drama, experimental drama, urban plays, feminist drama and realist plays. This volume also analyzes the works of some of the most notable American playwrights including Eugene O'Neill, Tennessee Williams, and Arthur Miller and those written by women dramatists.

Caryl Churchill's spare and resonant version of Strindberg's enigmatic masterpiece. Written in 1901, a mysterious amalgam of Freud, Alice in Wonderland and Strindberg's own private symbolism, A Dream Play follows the logic of a dream: A young woman comes from another world to see if life is really as difficult as people make it out to be. Characters merge into each other, locations change in an instant and a locked door becomes an obsessive recurrent image. As Strindberg wrote in his preface, he wanted 'to imitate the disjointed yet seemingly logical shape of a dream. Everything can happen, everything is possible and probable. Time and place do not exist.' This version of A Dream Play, from a literal translation by Charlotte Barslund, is by leading playwright Caryl Churchill. It was first performed in the Cottesloe auditorium of the National Theatre, London, in February 2005, in a production directed by Katie Mitchell, with additional material by Katie Mitchell and the company. Also included is an introduction by Caryl Churchill.