"For fifty years, graffiti and street art have been challenging conventions and stimulating debate around our perceptions of what constitutes art. As the genre enters its sixth decade, this ground-breaking book presents a new interpretation of where these alternative artforms are situated today. Introducing the concept of 'Intermural Art' - art in-between the walls - Rafael Schacter presents a genre at a key moment of transition. While many street and graffiti artists are still challenging the orthodoxies of the public sphere, an increasingly prevalent group are reshaping the field by their studio practice. No longer furtively entering the institution, no longer slavishly reproducing exterior works inside, these artists have begun to create a form that articulates graffiti, street and contemporary-art influences, a form beholden on high art techniques and practices whilst simultaneously embracing its non-institutional roots. Through forty profiles of the leading proponents of this new approach from around the globe, Rafael Schacter presents a compelling analysis for 'Intermural Art' while also showcasing some of the boldest work being made within contemporary art today."--Page 4 de la couverture.

"The photographic portrait has two parallel histories that run side by side, from the birth of photography to the twenty-first century; one of portraits made in the studio, the other of those taken in the street. The advent of small, easily concealed cameos allowed photographers to capture subjects in the street unaware. In contrast, the studio offered the opportunity to present carefully composed images to the world, making use of the elaborate staging and technical devices at the photographer's disposal." "With celebrities today expected to pose for the paparazzi in the street, and the studio being used increasingly for informal and intimate shots, these traditions have been subverted. Accompanying a major exhibition at Tate Modern, Street & Studio explores the fascinating contrasts, tensions and connections between these two traditions."--BOOK JACKET.

Containing 20 laser cut stencils from the world's leading street artists, this book is a must for artists, illustrators, and anyone who loves street art. The stencils are printed on perforated card stock so that they can be removed and used. Each artist has created an in-situ photograph to accompany their stencil, showing how they would use it. The book includes an interview with the founder of stencil art, the Paris-based artist Blek Le Rat.

The Art of Spray Paint is a comprehensive guide to the world of spray paint that examines the process, tricks of the trade, and more from artists around the world.

This book is the first systematic cross-disciplinary survey on the use of Jamaican English in Ethiopia, describing the dynamics of language acquisition in a multi-lectal and multicultural context. It is the result of over eight years’ worth of research conducted in both Jamaica and Africa, and is a recognition of the trans-cultural influence of the “Repatriation Movement” and other diasporic movements. The method and materials adopted in this book point to a constant spread and diffusion of Jamaican culture in Ethiopia. This is reinforced by the universalistic appeal of Rastafarianism and Reggae music and their ability to transcend borders. The data gathered here focus on how an Anglophone-based Creole has developed new speech-forms and has been hybridized and cross-fertilized in contact situations and by new media sources. The book focuses on the use of Jamaican English in four particular domains: namely, school, street, family, and the music studio. Its findings are drawn from an exceptional range of sources, such as field-work and video-recordings, interviews, web-mediated communication, artistic performance and relevant transcriptions. These sources highlight five topics of relevance—language acquisition and choice; English and Jamaican speech forms; hegemonic and minority groups, Rastafarian culture and Reggae music—which are explored in further detail throughout the book. These salient features, in turn, interface with the dynamics of influencing factors, reinforcing circumstances, significance and change. The book represents a journey to the “extreme-outer circle” of English language use, following a circular route away from Africa and back again, with all the languages used (and lost) along the slavery route and inside the plantation complex developing into creolized speech forms and Creoles. Such language use is now making its way back to Africa, with all the incendiary creativity of Reggae and resonant with Rastafarian language.