Hong Kong is famous for its vibrant, busy street scene. This book introduces us to two dozen people who provide its outdoor colour. Here you will meet a flower seller, a street musician and a tram driver; a bouncer, a shoe shiner and a gas canister delivery man; a security guard and a lifeguard; a man who makes a living climbing bamboo scaffolding, and a woman who ferries visitors around the harbour on a sampan. Among the interviewees are also mainlanders, and ethnic minorities including those from the Philippines, Africa and India, reflecting the diverse ethnic makeup of today's Hong Kong. These are the working people who are always seen but rarely heard, and in this book they tell their life stories in their own words. Sharp black-and-white portraits immerse the reader in the dynamic streetscape of Hong Kong.

In this book, Jason Wordie takes the reader on fifty tours through the urban and historic places of Hong Kong Island ranging from Central through Wan Chai, to Shau Kei Wan then to Shek O, along the south coast from Stanley to Aberdeen, completing a circuit of the Island through Pok Fu Lam, Kennedy Town to Sheung Wan. Each place is introduced with an essay that describes the area and the way it has changed, then the reader is taken on a walk around the area's streets with the important, interesting, curious and historically illuminating sites described and illustrated.

Where have all the fishballs gone? From a journalist deeply attuned to the subtleties of Hong Kong life comes Borrowed Spaces, a chronicle of the ways in which the grassroots citizens of Hong Kong reshape their city to make up for the shortcomings of their bureaucratic government. Mango trees sprouting on roundabouts, fishball stalls and neon signs: these are just some of the Hong Kong icons that are casualties in the struggle to reclaim public spaces. Christopher DeWolf explores the history of Hong Kong’s urban growth through the daily tug of war between the people’s needs to express themselves and government regulations.

The last work of the internationally known, Booker-shortlisted writer is a memoir of growing up in 1950s Hong Kong.

Hong Kong in 1970 was the fastest expanding city in the world, a city that lived on three levels - the expatriates, nearly always British who lived in almost complete isolation; the vast mass of Chinese residents struggling to get by and improve their lot; and finally the criminal and corrupt underside which not only fought among itself but also affected the life of everyone else in the Crown Colony through fear and corruption. Fighting to hold this in check - and by and large succeeding - were the Hong Kong police force. At the officer level, many were British. Into this heady and dangerous mix steps a young Merseyside policeman, Chris Emmett. His account of those times brings vividly to life the crime, prostitution, drugs, triad street gangs and corruption that was an important part of the fabric of Hong Kong of those days.

In 1997 the United Kingdom returned control of Hong Kong to China, ending the city’s status as one of the last remnants of the British Empire and initiating a new phase for it as both a modern city and a hub for global migrations. Hong Kong is a tour of the city’s postcolonial urban landscape, innovatively told through fieldwork and photography. Caroline Knowles and Douglas Harper’s point of entry into Hong Kong is the unusual position of the British expatriates who chose to remain in the city after the transition. Now a relatively insignificant presence, British migrants in Hong Kong have become intimately connected with another small minority group there: immigrants from Southeast Asia. The lives, journeys, and stories of these two groups bring to life a place where the past continues to resonate for all its residents, even as the city hurtles forward into a future marked by transience and transition. By skillfully blending ethnographic and visual approaches, Hong Kong offers a fascinating guide to a city that is at once unique in its recent history and exemplary of our globalized present.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR An award-winning journalist and longtime Hong Konger indelibly captures the place, its people, and the untold history they are claiming, just as it is being erased. The story of Hong Kong has long been dominated by competing myths: to Britain, a “barren rock” with no appreciable history; to China, a part of Chinese soil from time immemorial, at last returned to the ancestral fold. For decades, Hong Kong’s history was simply not taught, especially to Hong Kongers, obscuring its origins as a place of refuge and rebellion. When protests erupted in 2019 and were met with escalating suppression from Beijing, Louisa Lim—raised in Hong Kong as a half-Chinese, half-English child, and now a reporter who has covered the region for nearly two decades—realized that she was uniquely positioned to unearth the city’s untold stories. Lim’s deeply researched and personal account casts startling new light on key moments: the British takeover in 1842, the negotiations over the 1997 return to China, and the future Beijing seeks to impose. Indelible City features guerrilla calligraphers, amateur historians and archaeologists, and others who, like Lim, aim to put Hong Kongers at the center of their own story. Wending through it all is the King of Kowloon, whose iconic street art both embodied and inspired the identity of Hong Kong—a site of disappearance and reappearance, power and powerlessness, loss and reclamation.