Busted! Jesse "Street Angel" Sanchez, aka Shiraz Thunderbird, gets pinched and must do a stretch in Angel City's infamous juvenile corrections center, Alcatraz, Jr. For the Deadliest Girl Alive, three squares a day and a warm, dry bed aint all bad. Jesse meets a girl gang, besties a superhero sidekick, pushes the lunch lady to the limit, and watches Harriet the Spy! Will juvie break our hero, or will "Shiraz Thunderbird" break OUT of Alcatraz, Jr.? STREET ANGEL GOES TO JUVIE releases alongside the Free Comic Book Day title: STREET ANGEL'S DOG!

Young adult story of a high school student who decides to pick up a gun after his best friend is shot after a party. The moral at the story's conclusion is 'carrying a gun doesn't make you a man' or solve your problems. It only creates further problems.

What if Kal El had been found by the Warriors instead of the Kents? The deadliest girl alive accidentally joins a super violent street gang. Are the Bleeders the family Jesse never had, or is Jesse the child they never wanted? What? Free snacks at the gang tryout party! Also, SCANDAL„one of the Bleeders is a spy!

Jesse "Street Angel" Sanchez is a homeless ninja girl on a skateboard! In between kicking ass and taking sandwiches, she fights bullies, street gangs, ninjas, the man, cocky superheroes, hunger, and the ninja industrial complex. She also rescues a stray dog, makes weird new friends, and saves Christmas!?! This collection includes all of Street Angel's Image Comics adventures, plus a couple of extra stories and behind-the-scenes materials. Collects STREET ANGEL: AFTER SCHOOL KUNG FU SPECIAL, THE STREET ANGEL GANG, STREET ANGEL: SUPERHERO FOR A DAY, STREET ANGEL GOES TO JUVIE, STREET ANGEL VS NINJATECH, STREET ANGEL'S DOG, XMAS SPECIAL, GHOST MONSTER

Winner, 2023 Choice Outstanding Academic Title Chinese Film Classics, 1922–1949 is an essential guide to the first golden age of Chinese cinema. Offering detailed introductions to fourteen films, this study highlights the creative achievements of Chinese filmmakers in the decades leading up to 1949, when the Communists won the civil war and began nationalizing cultural industries. Christopher Rea reveals the uniqueness and complexity of Republican China’s cinematic masterworks, from the comedies and melodramas of the silent era to the talkies and musicals of the 1930s and 1940s. Each chapter appraises the artistry of a single film, highlighting its outstanding formal elements, from cinematography to editing to sound design. Examples include the slapstick gags of Laborer’s Love (1922), Ruan Lingyu’s star turn in Goddess (1934), Zhou Xuan’s mesmerizing performance in Street Angels (1937), Eileen Chang’s urbane comedy of manners Long Live the Missus! (1947), the wartime epic Spring River Flows East (1947), and Fei Mu’s acclaimed work of cinematic lyricism, Spring in a Small Town (1948). Rea shares new insights and archival discoveries about famous films, while explaining their significance in relation to politics, society, and global cinema. Lavishly illustrated and featuring extensive guides to further viewings and readings, Chinese Film Classics, 1922–1949 offers an accessible tour of China’s early contributions to the cinematic arts.

Angel Street tells the story of the Manninghams who live on Angel Street in 19th century London. Under the guise of kindliness, handsome Mr. Manningham is torturing his wife into insanity. He accuses her of petty aberrations that he has arranged himself; and since her mother died of insanity, she is more than half convinced that she, too, is going out of her mind. While her diabolical husband is out of the house, a benign police inspector visits her and ultimately proves to her that her husband is a maniacal criminal suspected of a murder committed fifteen years ago in the same house, and that he is preparing to dispose of her. Then starts the game of trying to uncover the necessary evidence against Mr. Manningham. It is a thrilling and exciting melodramatic game.

Little Pedro, who sings like an angel, is allowed to lead the Christmas procession, known as La Posada, through the old Mexican section of downtown Los Angeles.