Whereas my husband, Enoch Darling, has at sundry times used me in so improper and cruel a manner, as to destroy my happiness and endanger my life, and whereas he has not provided for me as a husband ought, but expended his time and money unadvisedly, at taverns . . . . I hereby notify the public that I am obliged to leave him. Phebe Darling, January 13, 1796 Hundreds of provocative notices such as this one ran in New England newspapers between 1790 and 1830. These elopement notices--advertisements paid for by husbands and occasionally wives to announce their spouses' desertions as well as the personal details of their marital conflicts--testify to the difficulties that many couples experienced, and raise questions about the nature of the marital relationship in early national New England. Stray Wives examines marriage, family, gender, and the law through the lens of these elopement notices. In conjunction with legal treatises, court records, and prescriptive literature, Mary Beth Sievens highlights the often tenuous relationships among marriage law, marital ideals, and lived experience in the early Republic, an era of exceptional cultural and economic change. Elopement notices allowed couples to negotiate the meaning of these changes, through contests over issues such as gender roles, consumption, economic support, and property ownership. Sievens reveals the ambiguous, often contested nature of marital law, showing that husbands' superior status and wives' dependence were fluid and negotiable, subject to the differing interpretations of legal commentators, community members, and spouses themselves.

"This enlightening work investigates the history, incidence, and causes of a unique sexual lifestyle pursued by increasing numbers of couples. The most common terms used to describe it are 'hotwife/cuckold lifestyle.' This sexual practice, a form of sexual nonmonogamy, is distinguished from swinging and polyamory in that the husband rarely seeks sexual contact outside the marriage except for participation in group sex with his wife and other men, while the wife is permitted, and often encouraged, to pursue unrestrained sexual encounters with other men. The author includes interviews and comments from couples living the lifestyle throughout the United States and presents the stories in an attempt to determine the history of this sexual practice and evolutionary underpinnings of this uncommon and socially taboo behavior in an effort to make it more comprehensible to those engaged in the lifestyle and those who are just curious." -- page 4 of cover.

Whereas my husband, Enoch Darling, has at sundry times used me in so improper and cruel a manner, as to destroy my happiness and endanger my life, and whereas he has not provided for me as a husband ought, but expended his time and money unadvisedly, at taverns . . . . I hereby notify the public that I am obliged to leave him. Phebe Darling, January 13, 1796 Hundreds of provocative notices such as this one ran in New England newspapers between 1790 and 1830. These elopement notices--advertisements paid for by husbands and occasionally wives to announce their spouses' desertions as well as the personal details of their marital conflicts--testify to the difficulties that many couples experienced, and raise questions about the nature of the marital relationship in early national New England. Stray Wives examines marriage, family, gender, and the law through the lens of these elopement notices. In conjunction with legal treatises, court records, and prescriptive literature, Mary Beth Sievens highlights the often tenuous relationships among marriage law, marital ideals, and lived experience in the early Republic, an era of exceptional cultural and economic change. Elopement notices allowed couples to negotiate the meaning of these changes, through contests over issues such as gender roles, consumption, economic support, and property ownership. Sievens reveals the ambiguous, often contested nature of marital law, showing that husbands' superior status and wives' dependence were fluid and negotiable, subject to the differing interpretations of legal commentators, community members, and spouses themselves.

Wives not Slaves begins with the story of John and Eunice Davis, a colonial American couple who, in 1762, advertised their marital difficulties in the New Hampshire Gazette—a more common practice for the time and place than contemporary readers might think. John Davis began the exchange after Eunice left him, with a notice resembling the ads about runaway slaves and servants that were a common feature of eighteenth-century newspapers. John warned neighbors against “entertaining her or harbouring her. . . or giving her credit.” Eunice defiantly replied, “If I am your wife, I am not your slave.” With this pointed but problematic analogy, Eunice connected her individual challenge to her husband’s authority with the broader critiques of patriarchal power found in the politics, religion, and literature of the British Atlantic world. Kirsten Sword’s richly researched history reconstructs the stories of wives who fled their husbands between the mid-seventeenth and early nineteenth centuries, comparing their plight with that of other runaway dependents. Wives not Slaves explores the links between local justice, the emerging press, and transatlantic political debates about marriage, slavery and imperial power. Sword traces the relationship between the distress of ordinary households, domestic unrest, and political unrest, shedding new light on the social changes imagined by eighteenth-century revolutionaries, and on the politics that determined which patriarchal forms and customs the new American nation would—and would not—abolish.

Did you know 90% of men earning more than $75,000 a year are unfaithful, 70% of men stray after two years of marriage, 85% of men who cheat on their wives remain in the marriage, 90% of women who suspect their husbands of infidelity are right. We hear evidence of it in the news every night, prominent husbands cheating on their wives. Hillary Rodham Clinton, Jacqueline Kennedy, Princess Diana, and many others chose not to divorce, and continued to lead successful, productive lives within their marriages. But should a woman stand by her cheating man This provocative, groundbreaking study of infidelity has some surprising answers. Dr. Debbie Then, an expert psychologist with expertise in marital behavior, examines the social, personal, and financial forces at work in many marriages. She explains why men cheat, how this behavior affects the marriage, and what a woman can do to survive this humiliating situation. Offering nonjudgemental advice on how to handle infidelity, she emphasizes that whether they stay or go, women have to make their own lives as fulfilling as possible. A husbands cheating may devastate a woman, but it doesnt have to destroy her.

"A perfect beach or weekend read."—Glitter Guide An addictive second mystery novel about book clubs, murder, and the domestic secrets inside every household from the author of Pretty Guilty Women! Three beautiful women. Two wedding bands. One dead husband. When Anne Wilkes, Eliza Tate, and Penny Sands arrive at book club bearing bottles of wine, none of them are plotting to kill. But when the subject of a philandering husband arises, revenge is in the air. By the end of the night, someone is dead. Two women with rings on their fingers and one with stars in her eyes. All of them are hiding something. All of them are lying. What really happened that night? Only the guilty knows. Did one woman take everything too far, or is the truth really more twisted than fiction? A domestic thriller that will keep you guessing, Three Single Wives is compelling mystery for book clubs that devoured The Hunting Wives and love Samantha Downing, Sandi Jones and Lucy Foley. Praise for Three Single Wives: "Will keep you guessing until the last page."—POPSUGAR "[A] divinely original thriller."—Publishers Weekly, starred review "[A] fast-paced and entertaining read, with an unexpected twist at the end."—Library Journal "A nail-biter."—Booklist

During the Pacific War, more than 200,000 Korean girls were forced into sexual servitude for Japanese soldiers. They lived in horrific conditions in “comfort stations” across Japanese-occupied territories. Barely 10 percent survived to return to Korea, where they lived as social outcasts. Since then, self-declared comfort women have come forward only to have their testimonies and calls for compensation largely denied by the Japanese government. Kim Soom tells the story of a woman who was kidnapped at the age of thirteen while gathering snails for her starving family. The horrors of her life as a sex slave follow her back to Korea, where she lives in isolation gripped by the fear that her past will be discovered. Yet, when she learns that the last known comfort woman is dying, she decides to tell her there will still be “one left” after her passing, and embarks on a painful journey. One Left is a provocative, extensively researched novel constructed from the testimonies of dozens of comfort women. The first Korean novel devoted to this subject, it rekindled conversations about comfort women as well as the violent legacies of Japanese colonialism. This first-ever English translation recovers the overlooked and disavowed stories of Korea’s most marginalized women.