Just mere days before Beth, Orson, Nina, Rose, and Kretchmeyer are about to pull off the crime of the century, Orson discovers a fatal flaw in their carefully laid out plan: It's convoluted, confusing, ill-conceived, and riddled with more holes than a can of Spaghetti-O's! Something needs to change and change fast, or they're all going to wind up dead...or worse. But with a gang of partners driven by their own agendas, inner rages, raging hormones, and self-medicating supplementation, that's easier said than done. As he traces the plan through the underbelly of Baltimore, Orson begins to suspect that Spanish Scott may be on to them, and that no matter what they do, it may already be far too late...

A little boy learns too late that running your mouth can get you run over. A young babysitter gets in way over her head when when she's hired to sit by a dangerous man to with a strange request. A young couple's hopeful visit to the city turns anything but when they step into the middle of a mob turf war and watch more than just friends die. And a young man just trying to help his hustler cousin out of a bad spot instead becomes the ultimate killer. These are only some of the eight stories comprising "KILLERS," the newest arc in the ongoing world of STRAY BULLETS. Each story stands on its own but collectively they tell the twisted story of two teen - Virginia and Eli - both scarred by tragic childhood intersections with the Baltimore underworld, drawn together in the sleepy seaside town of Sandcastle, unable to escape their dark pasts.... Collects STRAY BULLETS: KILLERS #1-8.

A little boy learns too late that running your mouth can get you run over. A young babysitter gets in way over her head when she's hired to sit by a dangerous man with a strange request. A young couple's hopeful visit to the city turns anything but when they step into the middle of a mob turf war and watch more than just friends die. And a young man just trying to help his hustler cousin out of a bad spot instead becomes the ultimate killer. These are only some of the eight stories comprising “Killers,” the newest arc in the ongoing world of Stray Bullets. Each story stands on its own, but collectively they tell the twisted story of two teens — Virginia and Eli — both scarred by tragic childhood intersections with the Baltimore underworld, drawn together in the sleepy seaside town of Sandcastle, unable to escape their dark pasts... About the STRAY BULLETS series: Beginning in the 1970s and carrying on into the 1990s, Stray Bullets is a period crime drama with moments of humor and absurdity. David Lapham’s crime noir masterpiece follows the lost lives of people who are savagely torn apart by events beyond their control: The innocent world of an imaginative little girl is shattered when she witnesses a brutal double murder. An introverted young boy on the verge of manhood gets a lesson on just how far is too far when he falls for a needy woman who lives life in the fast lane. Or party with a pair of low-rent hoods who learn what is really important in life just when they shouldn't. What makes Stray Bullets so brilliant is that it’s a crime comic, but it’s also about growing up, about being frustrated with your lot in life, about the disappointment of settling down, and the mundanity of suburban life. Lapham shrewdly presents almost every type of criminal behavior imaginable in stories that can be both unflinchingly honest and heartbreakingly sympathetic. The almost Altman-esque mix of characters provides seemingly endless pathos and drama, and there is a level of realism to the violence that makes it truly startling. If movies like Oceans 11 are about the sexy allure of the criminal worlds, then Stray Bullets is about the desperation and rage of characters whose lives are ultimately defined by a series of bad choices.

in "99 Percent" Virigina and Eli vacation, and meet Boogerman!

William S. Burroughs arrived in Mexico City in 1949, having slipped out of New Orleans while awaiting trial on drug and weapons charges that would almost certainly have resulted in a lengthy prison sentence. Still uncertain about being a writer, he had left behind a series of failed business ventures—including a scheme to grow marijuana in Texas and sell it in New York—and an already long history of drug use and arrests. He would remain in Mexico for three years, a period that culminated in the defining incident of his life: Burroughs shot his common-law wife, Joan Vollmer, while playing William Tell with a loaded pistol. (He would be tried and convicted of murder in absentia after fleeing Mexico.) First published in 1995 in Mexico, where it received the Malcolm Lowry literary essay award, The Stray Bullet is an imaginative and riveting account of Burroughs’s formative experiences in Mexico, his fascination with Mexico City’s demimonde, his acquaintances and friendships there, and his contradictory attitudes toward the country and its culture. Mexico, Jorge García-Robles makes clear, was the place in which Burroughs embarked on his “fatal vocation as a writer.” Through meticulous research and interviews with those who knew Burroughs and his circle in Mexico City, García-Robles brilliantly portrays a time in Burroughs’s life that has been overshadowed by the tragedy of Joan Vollmer’s death. He re-creates the bohemian Roma neighborhood where Burroughs resided with Joan and their children, the streets of postwar Mexico City that Burroughs explored, and such infamous figures as Lola la Chata, queen of the city’s drug trade. This compelling book also offers a contribution by Burroughs himself—an evocative sketch of his shady Mexican attorney, Bernabé Jurado.

Dark and twisted, funny and heartbreaking, intimate and epic SUNSHINE and ROSES tells the story of a boy and a girl, how they fell in love and hatched a scheme to blow up the Baltimore underworld. There is no crime book remotely like STRAY BULLETS, and with SUNSHINE and ROSES, the uncompromising EISNER AWARD-WINNING team of DAVID and MARIA LAPHAM take the series to a new high. Collects STRAY BULLETS: SUNSHINE and ROSES #1-8