The National Book Award Finalist and New York Times bestseller that became a guide and balm for a country struggling to understand the election of Donald Trump "A generous but disconcerting look at the Tea Party. . . . This is a smart, respectful and compelling book." —Jason DeParle, The New York Times Book Review When Donald Trump won the 2016 presidential election, a bewildered nation turned to Strangers in Their Own Land to understand what Trump voters were thinking when they cast their ballots. Arlie Hochschild, one of the most influential sociologists of her generation, had spent the preceding five years immersed in the community around Lake Charles, Louisiana, a Tea Party stronghold. As Jedediah Purdy put it in the New Republic, "Hochschild is fascinated by how people make sense of their lives. . . . [Her] attentive, detailed portraits . . . reveal a gulf between Hochchild's 'strangers in their own land' and a new elite." Already a favorite common read book in communities and on campuses across the country and called "humble and important" by David Brooks and "masterly" by Atul Gawande, Hochschild's book has been lauded by Noam Chomsky, New Orleans mayor Mitch Landrieu, and countless others. The paperback edition features a new afterword by the author reflecting on the election of Donald Trump and the other events that have unfolded both in Louisiana and around the country since the hardcover edition was published, and also includes a readers' group guide at the back of the book.

Strangers to that Land, subtitled 'British Perceptions of Ireland from the Reformation to the Famine', is a critical anthology of English, Scottish and Welsh colonists' and travellers' accounts of Ireland and the Irish from the sixteenth to the nineteenth centuries. It consists exclusively of eyewitness descriptions of Ireland given by writers using the English language who had never been to Ireland before and were seeing the country for the first time. Each extract, where necessary, is set in context and briefly explained. The result is a vivid, continuous record of Ireland as defined and judged by the British over a period of four centuries. In their general introduction the editors discuss the significance of these changing historical perceptions, as well as the impact upon them of literary conventions which played a part in shaping the emerging texts. It is argued that the relationship between Ireland and England within a British context constitutes a unique case study in the procedures of racial stereotyping and colonial representation, the exploration of cultural conflict and the aesthetics of travel writing. There are twenty-one contemporary illustrations

"This book attempts a general history of the anti-foreign spirit that I have defined as nativism. It tries to show how American nativism evolved its own distinctive patterns, how it has ebbed and flowed under the pressure of successive impulses in American history, how it has fared at every social level and in every section where it left a mark, and how it has passed into action. Fundamentally, this remains a study of public opinion, but I have sought to follow the movement of opinion wherever it led, relating it to political pressures, social organization, economic changes, and intellectual interests."--from the Preface, taken from back cover.

The impersonality of social relationships in the society of strangers is making majorities increasingly nostalgic for a time of closer personal ties and strong community moorings. The constitutive pluralism and hybridity of modern living in the West is being rejected in an age of heightened anxiety over the future and drummed up aversion towards the stranger. Minorities, migrants and dissidents are expected to stay away, or to conform and integrate, as they come to be framed in an optic of the social as interpersonal or communitarian. Judging these developments as dangerous, this book offers a counter-argument by looking to relations that are not reducible to local or social ties in order to offer new suggestions for living in diversity and for forging a different politics of the stranger. The book explains the balance between positive and negative public feelings as the synthesis of habits of interaction in varied spaces of collective being, from the workplace and urban space, to intimate publics and tropes of imagined community. The book proposes a series of interventions that make for public being as both unconscious habit and cultivated craft of negotiating difference, radiating civilities of situated attachment and indifference towards the strangeness of others. It is in the labour of cultivating the commons in a variety of ways that Amin finds the elements for a new politics of diversity appropriate for our times, one that takes the stranger as there, unavoidable, an equal claimant on ground that is not pre-allocated.

Now in paperback! Strangers in the Land of Paradise The Creation of an African American Community, Buffalo, NY, 1900–1940 Lillian Serece Williams Examines the settlement of African Americans in Buffalo during the Great Migration. "A splendid contribution to the fields of African-American and American urban, social and family history. . . . expanding the tradition that is now well underway of refuting the pathological emphasis of the prevailing ghetto studies of the 1960s and '70s." —Joe W. Trotter Strangers in the Land of Paradise discusses the creation of an African American community as a distinct cultural entity. It describes values and institutions that Black migrants from the South brought with them, as well as those that evolved as a result of their interaction with Blacks native to the city and the city itself. Through an examination of work, family, community organizations, and political actions, Lillian Williams explores the process by which the migrants adapted to their new environment. The lives of African Americans in Buffalo from 1900 to 1940 reveal much about race, class, and gender in the development of urban communities. Black migrant workers transformed the landscape by their mere presence, but for the most part they could not rise beyond the lowest entry-level positions. For African American women, the occupational structure was even more restricted; eventually, however, both men and women increased their earning power, and that—over time—improved life for both them and their loved ones. Lillian Serece Williams is Associate Professor of History in the Women's Studies Department and Director of the Institute for Research on Women at Albany, the State University of New York. She is editor of Records of the National Association of Colored Women's Clubs, 1895–1992, associate editor of Black Women in United States History, and author of A Bridge to the Future: The History of Diversity in Girl Scouting. 352 pages, 14 b&w illus., 15 maps, notes, bibl., index, 6 1/8 x 9 1/4 Blacks in the Diaspora—Darlene Clark Hine, John McCluskey, Jr., and David Barry Gaspar, general editors

The archbishop of Philadelphia presents a hopeful treatise for Catholics on how to live the faith with confidence in today's post-Christian culture while evaluating the reasons behind declining Catholic numbers.

What did it feel like to be an openly Jewish soldier fighting alongside German troops in WWII? Could a Jewish nurse work safely in a field hospital operating theater under the supervision of German army doctors? Several hundred members of Finland’s tiny Jewish community found themselves in absurd situations like this, yet not a single one was harmed by the Germans or deported to concentration or extermination camps. In fact, Finland was the only European country fighting on either side in WWII that lost not a single Jewish citizen to the Nazi’s “Final Solution.” Strangers in a Stranger Land explores the unique dilemma of Finland’s Jews in the form of a meticulously researched novel. Where did these immigrant Jews—the last in Europe to achieve citizenship status—come from? What was life like from their arrival in Finland in the early nineteenth century to the time when their grandchildren perversely found themselves on “the wrong side” of WWII? And how could young lovers plan for the future when not only their enemies but also their country’s allies threatened their very existence? Seven years researching Finland’s National Archives plus numerous in-depth interviews with surviving Finnish Jewish war veterans provide the background for a narrative exploration of love, friendship, and commitment but also uncertainty and terror under circumstances that were unique in the annals of “The Good War.” The novel’s protagonists—Benjamin, David and Rachel—adopt varying survival strategies as they struggle with involvement in a brutal conflict and questions posed by their dual loyalty as Finnish citizens and Zionists committed to the creation of a Jewish homeland. Tensions mount as the three young adults painfully work through a relationship love triangle and try to fulfill their commitments as both Jews and Finns while their country desperately seeks to extricate itself from an unwinnable war.