A renowned author investigates the dark and shocking history of her prairie house. When researching the first occupant of her Saskatoon home, Candace Savage discovers a family more fascinating and heartbreaking than she expected Napoléon Sureau dit Blondin built the house in the 1920s, an era when French-speakers like him were deemed “undesirable” by the political and social elite, who sought to populate the Canadian prairies with WASPs only. In an atmosphere poisoned first by the Orange Order and then by the Ku Klux Klan, Napoléon and his young family adopted anglicized names and did their best to disguise their “foreignness.” In Strangers in the House, Savage scours public records and historical accounts and interviews several of Napoléon’s descendants, including his youngest son, to reveal a family story marked by challenge and resilience. In the process, she examines a troubling episode in Canadian history, one with surprising relevance today. Published in Partnership with the David Suzuki Institute

A NEW YORK TIMES BESTSELLER Another thrilling domestic suspense novel from the New York Times bestselling author of The Couple Next Door and Not a Happy Family “A Stranger in the House will have you sleeping with the lights on for weeks.” —Bustle “Smart and suspenseful. . . you'll never see the ending coming.” —PureWow In this neighborhood, danger lies close to home. Karen and Tom Krupp are happy—they’ve got a lovely home in upstate New York, they’re practically newlyweds, and they have no kids to interrupt their comfortable life together. But one day, Tom returns home to find Karen has vanished—her car’s gone and it seems she left in a rush. She even left her purse—complete with phone and ID—behind. There's a knock on the door—the police are there to take Tom to the hospital where his wife has been admitted. She had a car accident, and lost control as she sped through the worst part of town. The accident has left Karen with a concussion and a few scrapes. Still, she’s mostly okay—except that she can’t remember what she was doing or where she was when she crashed. The cops think her memory loss is highly convenient, and they suspect she was up to no good. Karen returns home with Tom, determined to heal and move on with her life. Then she realizes something’s been moved. Something’s not quite right. Someone’s been in her house. And the police won't stop asking questions. Because in this house, everyone’s a stranger. Everyone has something they’d rather keep hidden. Something they might even kill to keep quiet.

If present trends in divorce and remarriage continue, before the end of the century the stepfamily will outnumber all other types of family in the United States. In 1980 one out of five children under the age of eight were living in stepfamilies, and there were at least two million households in which the children were relation only by marriage (stepsiblings) or who shared only one parent in common (half-siblings). How are these new kinds of family relationships working out? In particular, how are children faring in these kinds of families? There are a number of books on the successes and difficulties of second marriages that involve children, but most of these look at problems from the perspective of one or both spouses. Popular literature in particular had emphasized the problem of the new spouse who “inherits a family,” without really focusing on the relationships among stepsiblings. Strangers in the House focuses on the children of these marriages- both stepsiblings and half-siblings, and the relationships among them with the parents. It is a report on how they are faring, drawn from the results of original research by the author: case studies of stepfamilies, interviews with stepsiblings and half-siblings, a survey of members of the Stepfamily Association of America, and participation in three step family self-help groups. The result is a vivid portrait of nontraditional family constellations that provides an overview of changes in American families, the increased divorce and remarriage rates, and how stepfamilies differ from other families. Beer identifies major problem areas in stepsibling relations and shows how youngsters are adapting to these special situations. He examines classic rivalries over love, attention, space, and property shows how these are worked out within these special circumstances. The book concludes with an overview of the dynamics of sibling relations in these special families and analyzes how the stepsibling subsystem fits into the larger family structure. Beer shows that in many respects the problems of these families characterize changes in the social structure in postindustrial society.

Dorothy Gallagher’s critically acclaimed memoir, How I Came Into My Inheritance, told of her childhood in 1940s New York as the daughter of left-wing Russian Jewish immigrants. Time magazine called it “a piercingly funny book . . . unsentimental, breezy, blunt.” In Strangers in the House, this brilliant stylist takes us into her adult life and tells us honest, funny, and highly distinctive stories about love, friendship, and responsibilities–stories about ordinary life told in an extraordinarily compelling voice. As she puts it, with typical wryness, “Oh my goodness, the themes you stumble over as you make your way from day to day. Trust, Betrayal, Class, Hypocrisy, Love, Hate, Greed, Sickness, Health. It only needs War and Peace.” Here, among other people and problems, we encounter a man who carries around brass knuckles, hoping to catch the lover Gallagher prefers to him–and whose behavior unexpectedly mirrors Gallagher’s own; the bizarre events that surround the disappearance of a woman with ties to both the Communist Party and Gallagher’s family; and the treachery of a trusted employee who is “bad with money” in more ways than one. The fragility of friendships, the fickleness of love, the marital crisis brought on by chronic illness–Gallagher dramatizes these universal themes with unique feeling, insight, and humor. This is a writer who will turn readers who come to her book as strangers into friends.

Growing up the son of agnostics, John Koessler saw a Catholic church on one end of the street and a Baptist on the other. In the no-man’s land between the two, this curious outside wondered about the God they worshipped—and began a lifelong search to comprehend the grace and mystery of God. A Stranger in the House of God addresses fundamental questions and struggles faced by spiritual seekers and mature believers. Like a contemporary Pilgrim’s Progress, it traces the author’s journey and explores his experiences with both charismatic and evangelical Christianity. It also describes his transformation from religious outsider to ordained pastor. John Koessler provides a poignant and often humorous window into the interior of the soul as he describes his journey from doubt and struggle with the church to personal faith

"The Way of the Strangers is an intimate journey into the minds of the Islamic State's true believers. From the streets of Cairo to the mosques of London, Wood interviews supporters, recruiters, and sympathizers of the group...Wood speaks with non-Islamic State Muslim scholars and jihadists, and explores the group's idiosyncratic, coherent approach to Islam...Through character study and analysis, Wood provides a clear-eyed look at a movement that has inspired so many people to abandon or uproot their families.

Charleston psychic Melanie Middleton discovers the past isn't finished revealing unsettling secrets in the third novel in the New York Times bestselling Tradd Street series. With her relationship with writer Jack Treholm as shaky as the foundation of her family home, Melanie’s juggling a number of problems. Like restoring her Tradd Street house...and resisting her mother’s pressure to ‘go public’ with her talent—a sixth sense that unites them to the lost souls of the dead. But Melanie never anticipated her new problem. Her name is Nola, Jack’s estranged young daughter who appears on their doorstep, damaged, lonely and defiantly immune to her father’s attempts to reconnect. Melanie understands the emotional chasm all too well. As a special, bonding gift Jack’s mother buys Nola an antique dollhouse—a precious tableaux of a perfect Victorian family. Melanie hopes the gift will help thaw Nola’s reserve and draw her into the family she’s never known. At first, Nola is charmed, and Melanie is delighted—until night falls, and the most unnerving shadows are cast within its miniature rooms. By the time Melanie senses a malevolent presence she fears it may already be too late. A new family has accepted her unwitting invitation to move in—with their own secrets, their own personal demons, and a past that’s drawing Nola into their own inescapable darkness...