Traditionally the scene of some of London’s poorest, most crime-ridden neighborhoods, the East End of London has long been misunderstood as abject and deviant. As a landing place for migrants and newcomers, however, it has also been memorably and colorfully represented in the literature of Victorian authors such as Charles Dickens and Oscar Wilde. In Strangers in the Archive, Heidi Kaufman applies the resources of archives both material and digital to move beyond icon and stereotype to reveal a deeper understanding of East End literature and culture in the Victorian age. Kaufman uncovers this engaging new perspective on the East End through Maria Polack’s Fiction without Romance (1830), the first novel to be published by an English Jew, and through records of Polack’s vibrant community. Although scholars of nineteenth-century London and readers of East End fictions persist in privileging sensational narratives of Jack the Ripper and the infamous "Fagin the Jew" as signs of universal depravity among East End minority ethnic and racial groups, Strangers in the Archive considers how archival materials are uniquely capable of redressing cultural silences and marginalized perspectives as well as reshaping conceptions of the global significance of literary and print culture in nineteenth-century London. Many of this book’s subjects—including digital editions of rare books and manuscript diaries, multimedia maps, and other related East End print records—can be viewed online at the Lyon Archive and the Polack Archive.

First published in 1966, and now available once more, this pioneering work examines the relationship between the Chinese civil and military authorities and the British trading community in Guangdong province on the eve of the Taiping Rebellion--one of the most calamitous events in Chinese history. The book explores the various factors that led to the progression of rebellion and the inevitability of revolution.

Amanda couldn’t believe her eyes when she witnessed her fianc? cheating. In despair, she decides to jump off a bridge, but gets saved by Malory, her fianc?’s half brother. The usually cold, stern man shows his kind and supportive side to Amanda during her struggle. Amanda cannot help but feel attracted to his kindness. Eventually, Amanda's cunning ex-fianc? spreads a fake rumor about the two, and Malory proposes an idea. He suggests that he and Amanda pretend to be engaged to stop the gossip!

"Throughout the long history of Ancient Egypt only one man is known to have been given the title of 'a father to Pharaoh' - Yuya, vizier of the Eighteenth Dynasty King Tuthmosis IV. The discovery of this identical title in the Book of Genesis applied to the patriarch Joseph - he of the coat of many colours - started Ahmed Osman on an exhaustive investigation to prove that Yuya and Joseph were the same person. Could it be that the proud, contemplative face of the mummified Yuya is that of one of the founding fathers of the three great religions of the world - Judaism, Christianity and Islam?" "Stranger in the Valley of the Kings is an enthralling piece of inspired research which demolished many of the accepted theories about Egyptian and Old Testament history - with incredible photographs and detailed evidence, it is a fascinating exploration of the mysteries and enigmas of Ancient Egypt."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Introduction: visuality and the archive -- Before the archive: East End discourse out of context -- Archive models: Maria Polack's Fiction without romance transformed -- The noisy archive: A.S. Lyon's East End diaries -- An archive of lies: evidence and the Jews' Orphan Asylum investigations -- Conclusion: strangers in the archive.

The braves of Pocahontas' tribe all speak of war, but when they capture Captain John Smith, Pocahontas feels she must try to save the white man's life.