Stranger in His Homeland completes the long-awaited trilogy of Linus Asong's fictitious village of Nkokonoko Small Monje, separately treated in The Crown of Thorns and its sequel A Legend of the Dead. However, it leads us back not to events after A Legend of the Dead, but to the crisis that created the passionately exciting The Crown of Thorns. Honest, enthusiastic, arrogant and self-righteous, Antony Nkoaleck, the first graduate of his tribe means well. But his society, entrenched in corruption, sees things differently and therefore judges him according to its own norms. Just one or two errors on Antony's part are enough to cost him his job with the government, the coveted throne of Nkokonoko Small Monje, and finally his life. It is a sad story, strongly reminiscent of Myshkin's fate in Dostoevysky's novel The Idiot, a story in which the Russian novelist vividly shows the inability of any man to bear the burden of moral perfection in an imperfect world.

A moving and unsettling exploration of a young man's formative years in a country still struggling with its past As a Jew in postwar Germany, Yascha Mounk felt like a foreigner in his own country. When he mentioned that he is Jewish, some made anti-Semitic jokes or talked about the superiority of the Aryan race. Others, sincerely hoping to atone for the country's past, fawned over him with a forced friendliness he found just as alienating. Vivid and fascinating, Stranger in My Own Country traces the contours of Jewish life in a country still struggling with the legacy of the Third Reich and portrays those who, inevitably, continue to live in its shadow. Marshaling an extraordinary range of material into a lively narrative, Mounk surveys his countrymen's responses to "the Jewish question." Examining history, the story of his family, and his own childhood, he shows that anti-Semitism and far-right extremism have long coexisted with self-conscious philo-Semitism in postwar Germany. But of late a new kind of resentment against Jews has come out in the open. Unnoticed by much of the outside world, the desire for a "finish line" that would spell a definitive end to the country's obsession with the past is feeding an emphasis on German victimhood. Mounk shows how, from the government's pursuit of a less "apologetic" foreign policy to the way the country's idea of the Volk makes life difficult for its immigrant communities, a troubled nationalism is shaping Germany's future.

The National Book Award Finalist and New York Times bestseller that became a guide and balm for a country struggling to understand the election of Donald Trump "A generous but disconcerting look at the Tea Party. . . . This is a smart, respectful and compelling book." —Jason DeParle, The New York Times Book Review When Donald Trump won the 2016 presidential election, a bewildered nation turned to Strangers in Their Own Land to understand what Trump voters were thinking when they cast their ballots. Arlie Hochschild, one of the most influential sociologists of her generation, had spent the preceding five years immersed in the community around Lake Charles, Louisiana, a Tea Party stronghold. As Jedediah Purdy put it in the New Republic, "Hochschild is fascinated by how people make sense of their lives. . . . [Her] attentive, detailed portraits . . . reveal a gulf between Hochchild's 'strangers in their own land' and a new elite." Already a favorite common read book in communities and on campuses across the country and called "humble and important" by David Brooks and "masterly" by Atul Gawande, Hochschild's book has been lauded by Noam Chomsky, New Orleans mayor Mitch Landrieu, and countless others. The paperback edition features a new afterword by the author reflecting on the election of Donald Trump and the other events that have unfolded both in Louisiana and around the country since the hardcover edition was published, and also includes a readers' group guide at the back of the book.

Throughout my book I share my thoughts and feelings of growing up in a complex multicultural society as well as my response to cultural and ethnic diversity. Even though I am not a philosopher and have not yet experienced much compared to some I have always pictured my life as a long bumpy drive. We choose our destination and more importantly the path we take. We might encounter misfortunes along the way but our mission should be to get back on our feet and work towards the target we have set for ourselves. As the famous American baseball/ football player Bo Jackson once said, Set your goals high, and dont stop till you get there.

Tracks meets Wild in this account of Chinese Australian journalist Monica Tan's 6 month odyssey though outback Australia. 'Will I ever really belong to this country? As a Chinese Australian? As a non-Indigenous Australian? . . . I was 32 years old and barely knew the country of my birth. It was time to change that.' What happens when a 32-year-old first-generation Australian woman decides to chuck in a dream job, pack a sleeping bag and tent, and hit the long, dusty road for six months? Thirty-thousand kilometres later, Monica Tan has the answer, and it completely surprises her. In mid-2016, Monica left Sydney, unsure of her place in Australia. As a Chinese Australian city slicker, she couldn't have felt more distant from powerful mythologies like the Digger, the Drover's Wife and Clancy of the Overflow. And more importantly, Monica wondered, how could she ever feel she truly belonged to a land that has been the spiritual domain of Indigenous Australians for over 60,000 years? Stranger Country is the riveting account of the six months Monica drove and camped her way through some of Australia's most beautiful and remote landscapes. She shared meals, beers and conversations with miners, greynomads, artists, farmers, community workers and small business owners from across the nation: some Aboriginal, some white, some Asian, and even a few who managed to be all three. The result is an enthralling and entertaining celebration of the spirit of adventure, a thoughtful quest for understanding, and a unique portrait of Australia and all it means to those who live here.

“I lived the same life as everyone else, the life of ordinary people, the masses.” Sitting in a prison cell in the autumn of 1944, the German author Hans Fallada sums up his life under the National Socialist dictatorship, the time of “inward emigration”. Under conditions of close confinement, in constant fear of discovery, he writes himself free from the nightmare of the Nazi years. He records his thoughts about spying and denunciation, about the threat to his livelihood and his literary work and about the fate of many friends and contemporaries. The confessional mode did not come naturally to Fallada, but in the mental and emotional distress of 1944, self-reflection became a survival strategy. Fallada’s frank and sometimes provocative memoirs were thought for many years to have been lost. They are published here for the first time.

The 1971 East Pakistan tragedy was not just a failure of the military but also a collapse of civil society in the West Wing. The few voices raised against the military action were too feeble to make the army change its course, a course that lead to military defeat and the break-up of the country. At the time, the author was GOC 14 Division in East Pakistan. Apart from his direct narration of the events, his portrayal of the major dramatis personae, such as Field Marshal Ayub Khan, General Yahya Khan, Lt. Gen. Tikka Khan and Lt. Gen. A.A.K. Niazi, are insightful. A necessary text that demands scrutiny from all interested in the course of Pakistan's history.