Long recognized as a master teacher at writing programs like VONA, the Loft, and the Stonecoast MFA, with A Stranger's Journey, David Mura has written a book on creative writing that addresses our increasingly diverse American literature. Mura argues for a more inclusive and expansive definition of craft, particularly in relationship to race, even as he elucidates timeless rules of narrative construction in fiction and memoir. His essays offer technique-focused readings of writers such as James Baldwin, ZZ Packer, Maxine Hong Kingston, Mary Karr, and Garrett Hongo, while making compelling connections to Mura's own life and work as a Japanese American writer. In A Stranger's Journey, Mura poses two central questions. The first involves identity: How is writing an exploration of who one is and one's place in the world? Mura examines how the myriad identities in our changing contemporary canon have led to new challenges regarding both craft and pedagogy. Here, like Toni Morrison's Playing in the Dark or Jeff Chang's Who We Be, A Stranger's Journey breaks new ground in our understanding of the relationship between the issues of race, literature, and culture. The book's second central question involves structure: How does one tell a story? Mura provides clear, insightful narrative tools that any writer may use, taking in techniques from fiction, screenplays, playwriting, and myth. Through this process, Mura candidly explores the newly evolved aesthetic principles of memoir and how questions of identity occupy a central place in contemporary memoir.

Conference report, comparison of the attitudes and reactions of African host countries to migrants, foreigners and migrant workers - discusses social theories, historical and current background, economic policy relating to aliens; covers multinational enterprises, legal status, indigenization, nationalization, conflicts between aliens and citizens (social structure, race relations, ideologies, economic and political aspects, etc.); includes case studies of Ghana and Uganda. Bibliography. Conference held in Belmont 1974 Oct 16 to 19.

We live in a world where our livelihood depends on our ability to relate to strangers. The central quality that defines strangers is that they are unknown. Because strangers are unknown, they represent, in the world outside, the unknown self within. The unknown self is the core of the personality considered as a potential to become something yet to be determined. To be already known is to be determined prior to and independently of our presence in our lives. At the outset of the process of taking form, the individual is, in a sense, a stranger to self and to others. The more this is the case, the greater the openness of the process of self-formation and the more marked the role of freedom from predetermination in that process. Freedom from predetermination exists along three dimensions: the free movement of thoughts and ideas or "inner freedom"; the freedom to relate, which is also the freedom not to relate; and freedom in relating, which is the possibility of maintaining secure self-boundaries in relations with others. In exploring freedom understood in this way, Professor Levine considers such topics as: the nature of inner freedom and its relationship to deliberation and choice; stranger anxiety and its connection to group dynamics and social connection; the internal factors that enable us to make the decisions that shape our lives and through our actions realize the ends embedded in our decisions; how our memories shape our thought processes and therefore the choices we make and the lives we lead that result from them; what makes it possible for us to live comfortably with and depend on people we do not know; concern for the welfare of strangers and how our welfare can be secure in a world where we do not care about others and they do not care about us.

Wealthy hotel heiress Torie Bergstrom comes to Jekyll Island certain her friend Lisbeth's death wasn't an accident—but Torie gets more than she bargained for when the killer begins to play mind games with her in this gripping new novel from USA TODAY bestselling author Colleen Coble. Even though Torie Bergstrom hasn’t been back to Georgia since she was ten, she was happy to arrange a job for her best friend at one of the family properties on Jekyll Island. But when Torie learns that Lisbeth has drowned, she knows it is more than a tragic accident: Lisbeth was terrified of water and wouldn’t have gone swimming by choice. Torie goes to the hotel under an alias, desperate to find answers. When she meets Joe Abbott and his daughter while they are rescuing baby sea turtles, she can only hope they are as trustworthy as they seem. And when someone begins to play mind games with her, proving they know her real identity, Torie couldn’t be more grateful to have an ally. The more Torie and Joe dig, the more elusive the truth seems. But one thing is clear: someone will risk anything—even another murder—to keep their secrets buried. Full-length, stand-alone romantic suspense Also by Colleen Coble: Edge of Dusk, One Little Lie, Two Reasons to Run, Three Missing Days, Strands of Truth, Tidewater Inn Includes discussion questions for book clubs