“’Tis God gives skill, but not without men’s hands: He could not make Antonio Stradivari’s violins without Antonio.” –George Eliot Antonio Stradivari (1644—1737) was a perfectionist whose single-minded pursuit of excellence changed the world of music. In the course of his long career in the northern Italian city of Cremona, he created more than a thousand stringed instruments; approximately six hundred survive. In this fascinating book, Toby Faber traces the rich, multilayered stories of six of these peerless instruments–five violins and a cello–and the one towering artist who brought them into being. Blending history, biography, meticulous detective work, and an abiding passion for music, Faber embarks on an absorbing journey as he follows some of the most prized instruments of all time. Mysteries and unanswered questions proliferate from the outset–starting with the enigma of Antonio Stradivari himself. What made this apparently unsophisticated craftsman so special? Why were his techniques not maintained by his successors? How is it that even two and a half centuries after his death, no one has succeeded in matching the purity, depth, and delicacy of a Stradivarius? In Faber’s illuminating narrative, each of the six fabled instruments becomes a character in its own right–a living entity cherished by artists, bought and sold by princes and plutocrats, coveted, collected, hidden, lost, copied, and occasionally played by a musician whose skill matches its maker’s. Here is the fabulous Viotti, named for the virtuoso who enchanted all Paris in the 1780s, only to fall foul of the French Revolution. Paganini supposedly made a pact with the devil to transform the art of the violin–and by the end of his life he owned eleven Strads. Then there’s the Davidov cello, fashioned in 1712 and lovingly handed down through a succession of celebrated artists until, in the 1980s, it passed into the capable hands of Yo-Yo Ma. From the salons of Vienna to the concert halls of New York, from the breakthroughs of Beethoven’s last quartets to the first phonographic recordings, Faber unfolds a narrative magnificent in its range and brilliant in its detail. “A great violin is alive,” said Yehudi Menuhin of his own Stradivarius. In the pages of this book, Faber invites us to share the life, the passion, the intrigue, and the incomparable beauty of the world’s most marvelous stringed instruments.

A sweeping narrative of the greatest craftsman that ever lived and what became of the instruments he made. It is a dramatic tale of grand artistry, fantastic music, shady dealers, forgery and science.

Antonio Stradivari was a 17th-century legendary Italian luthier and a craftsman of string instruments such as violins, cellos, guitars, violas, and harps. This book tells about his birth and early years, education with Amati, first steps in carving, developing new patterns, first success, and the "Golden Period," old age, death, and burial.

"Blending history, biography, meticulous detective work, and an abiding passion for music, Faber embarks on an absorbing journey as he follows some of the most prized instruments of all time. Mysteries and unanswered questions proliferate from the outset - starting with the enigma of Antonio Stradivari himself. What made this apparently unsophisticated craftsman so special? Why were his techniques not maintained by his successors? How is it that even two and a half centuries after his death, no one has succeeded in matching the purity, depth, and delicacy of a Stradivarius?" "In Faber's narrative, each of the six fabled instruments becomes a character in its own right - a living entity cherished by artists, bought and sold by princes and plutocrats, coveted, collected, hidden, lost, copied, and occasionally played by a musician whose skill matched its maker's." "Here is the fabulous Viotti violin, named for the virtuoso who enchanted all of Paris in the 1780s, only to fall foul of the French Revolution. Paganini supposedly made a pact with the devil to transform the art of the violin - and by the end of his life he owned eleven Strads. Then there's the Davidov cello, fashioned in 1712 and lovingly handed down through a succession of celebrated artists until, in the 1980s, it passed into the capable hands of Yo-Yo Ma." "From the salons of Vienna to the concert halls of New York, from the breakthroughs of Beethoven's last quartets to the first phonographic recordings; Faber unfolds a narrative magnificent in its range and brilliant in its detail. "A great violin is alive," said Yehudi Menuhin of his own Stradivarius. In the pages of this book, Faber invites us to share the life, the passion, the intrigue, and the incomparable beauty of the world's most marvelous stringed instruments."--BOOK JACKET.

'An incredible story of musical instruments, how they're made and what people make of them' - Keith Richards Everyone knows of the legendary quality and unbelievable price tag of a Stradivarius violin. In this, the first popular account of the Stradivari phenomena, Toby Faber explores the life and methods of this unsurpassed craftsman. Following the life of his instruments as they pass through the hands of many of the greatest musicians that have ever lived, we learn how and why they have become objects of such veneration and desire. It is a dramatic tale of grand artistry, fantastic music, shady dealers, forgery and science. 'Fascinating, accessible and enjoyable' - Tracy Chevalier 'A captivating book . . . An extraordinary accomplishment and a compelling read' - TE Cahart, author of The Piano Shop On The Left Bank 'An inspired idea for a book' - Telegraph 'Faber has found in the Strad a delightful leitmotif for an original comedie humaine' - Financial Times 'Faber pitches the story just right, neither patronising nor baffling the reader' - Times

A highly illustrated biography and study of Stradivari, the greatest violin maker, including colour photographs of his most famous instruments.