While the word “gentlemen” suggests that its heroes are adults, The Two Gentlemen of Verona is more intelligible if we think of them as boys, leaving home for the first time. One has a crush on a girl, Julia, though he hasn’t yet told her. Sent to court to learn to be “perfect gentlemen,” Valentine and Proteus are derailed by their attraction to Sylvia, the ruler’s daughter. Valentine’s mental denseness does not deter Sylvia from returning his love, but he is caught, and banished, when he tries to elope with her. Proteus’ desire for Sylvia wipes out his former love, leading him into despicable acts that win scorn from Sylvia and wound Julia, who has pursued him disguised as a boy. When Sylvia follows Valentine into banishment, Proteus follows Sylvia, and Julia follows Proteus, the stage is set for a disturbing ending. But the stage is also set for the “gentlemen” to take small steps toward maturity. The authoritative edition of The Two Gentlemen of Verona from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -The exact text of the printed book for easy cross-reference -Hundreds of hypertext links for instant navigation -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading Essay by Jeffrey Masten The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

In 1314, seventeen year old Pietro Alighieri travels to Verona with his father, the infamous poet Dante, at the invitation of its leader, the legendary Francesco “Cangrande” della Scala. A sneak attack from Padua leads Pietro into his first battle, fighting alongside the charismatic Cangrande, and into a tight friendship with Mariotto Montecchio and Antonio Capulletto. Behind the scenes, repeated attempts are made against the life of a child believed to be Cangrande’s illegitimate son and possible heir. Pietro is drawn into the web of intrigue around the child and the tension building between Mariotto and Antonio over a woman betrothed to one and in love with the other – a situation that will sever a friendship, divide a city, and ultimately lead to the events of the best known tragic romance in the world. Inspired by the plays of Shakespeare, the poetry of Dante, and the events of history, The Master of Verona is a compelling novel of politics, loyalty, conspiracy and star-crossed romance.

After twenty years of living in Italy, Tim Parks, whom Joseph Brodsky has called "the best British author writing today," spent a full year following the fortunes--and misfortunes--of the Verona football--oops! soccer--club. Here is his rollicking report.

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A couple begins an intense affair, only to be separated abruptly-and perhaps irrevocably-in this surprising, suspenseful love story Zeke is twenty-nine, a man who looks like a Raphael angel and who earns his living as a painter and carpenter in London. He reads the world a little differently from most people and has trouble with such ordinary activities as lying, deciphering expressions, recognizing faces. Verona is thirty-seven, confident, hot-tempered, a modestly successful radio show host, unmarried, and seven months pregnant. When the two meet in a house that Zeke is renovating, they fall in love, only to be separated less than twenty-four hours later when Verona leaves abruptly, without explanation, for Boston. Both Zeke and Verona, it turns out, have complications in their lives, though not of a romantic kind. Verona's involve her brother, Henry, who is tied up in shady financial dealings. Zeke's father has had a heart attack and his mother is threatening to run away with her lover, all of which puts pressure on Zeke to take over the family grocery business. And yet he finds himself following Verona to Boston. As he pursues her, and she pursues Henry, both are forced to ask the perplexing question: Can we ever know another person? Deftly plotted and filled with unexpected twists, Livesey's Banishing Verona marks the arrival of another lyrical and wise novel from a writer whose work "radiates with compassion and intelligence and always, deliciously, mystery" (Alice Sebold).

“A timeless novel about love, loss and village life” from the award-winning Dutch author of The Misfortunates and Problemski Hotel (Aesthetica). Years ago, Madame Verona and her husband built a home for themselves on a hill in a forest above a small village. There they lived in isolation, practicing their music, and chopping wood to see them through the cold winters. When Mr. Verona died, the locals might have expected that the legendary beauty would return to the village, but Madame Verona had enough wood to keep her warm during the years it would take to make a cello—the instrument her husband loved—and in the meantime she had her dogs for company. And then one cold February morning, when the last log has burned, Madame Verona sets off down the village path, with her cello and her memories, knowing that she will have no strength to climb the hill again. Poignant, precise and perfectly structured, this is a story of one woman’s tender and enduring love—as a wife, and as a widow. “An intimate, unsentimental portrayal of European rural life . . . In Verhulst’s landscape, nature is ruthless, amoral and never benign, and human memory a cruel mirage . . . His best sentences are gorgeously resonant.”—The Herald “Aging, bereavement and death are somber themes, yet this novel’s treatment of them is agreeably entertaining . . . this tale of enduring love is often preposterous, sometimes poignant and, above all, consistently charming.”—The Independent