Junger's great book matter-of-factly conveys the mysterious glamour of war, the exhilaration of its excess and intensity and, not least, the undeniable glory of men bravely preparing for battle as for "some terrible silent ceremonial that portends human sacrifice."

Originally published in 1920, The Storm of Steel is a first-hand account of World War I trench combat lifted from the diaries of Ernst Jünger, a German infantryman who would become one of Europe's most talented writers. The book was first translated into English in 1929 by Basil Creighton, the acclaimed translator of many other classic works of German literature, and was widely hailed as a masterpiece. The Storm of Steel remains the definitive account of World War I, following Jünger through several major engagements as he develops from an eager young soldier into a battle-hardened officer. Subsequent revisions by the author removed many of the original editions' vivid descriptions of battle, along with his reflections on leadership, patriotism, and the nature of heroism, while later translations failed to compare to the original's compelling and readable prose. The original translation eventually fell out-of-print, and is now being made available for the first time in decades to allow a new generation of readers to experience the classic that introduced millions to one of Europe's greatest voices.

In this fascinating account of the battle tanks that saw combat in the European Theater of World War II, Mary R. Habeck traces the strategies developed between the wars for the use of armored vehicles in battle. Only in Germany and the Soviet Union were truly original armor doctrines (generally known as "blitzkreig" and "deep battle") fully implemented. Storm of Steel relates how the German and Soviet armies formulated and chose to put into practice doctrines that were innovative for the time, yet in many respects identical to one another.As part of her extensive archival research in Russia, Germany, and Britain, Habeck had access to a large number of formerly secret and top-secret documents from several post-Soviet archives. This research informs her comparative approach as she looks at the roles of technology, shared influences, and assumptions about war in the formation of doctrine. She also explores relations between the Germans and the Soviets to determine whether collaboration influenced the convergence of their armor doctrines.

An empire at war. Three fates intertwined. The Magician. Horace has destroyed the Temple of the Sun, but now he finds his slave chains have been replaced by bonds of honor, duty, and love. Caught between two women and two cultures, he must contend with deadly forces from the unseen world. The Rebel. Jirom has thrown in his lot with the slave uprising, but his road to freedom becomes ever more dangerous as the rebels expand their campaign against the empire. Even worse, he feels his connection with Emanon slipping away with every blow they strike in the name of freedom. The Spy. Alyra has severed her ties to the underground network that brought her to Akeshia, but she continues the mission on her own. Yet, with Horace’s connection to the queen and the rebellion’s escalation of violence, she finds herself treading a knife’s edge between love and duty. Dark conspiracies bubble to the surface as war and zealotry spread across the empire. Old alliances are shattered, new vendettas are born, and all peoples—citizen and slave alike—must endure the ravages of storm and steel. From the Trade Paperback edition.

Both memoir and essay, Copse 125 is an engaging and philosophical meditation on the nature of modern warfare in the era of the First World War, through a sustained and unified account of one aspect and episode, the battle at Rossignol Wood in France. Written in the early 1920s, several years after his classic Storm of Steel, Copse 125 also contains the essence of Jünger's thoughts on nationalism and the forging of a people in the furnace of heroic struggle.

A true story of men against the sea.

For most of his life, Ernst Jünger, one of Europe's leading twentieth-century writers, has been controversial. Renowned as a soldier who wrote of his experience in the First World War, he has maintained a remarkable writing career that has spanned five periods of modern German history. In this first comprehensive study of Jünger in English, Thomas R. Nevin focuses on the writer's first fifty years, from the late Wilhelmine era of the Kaiser to the end of Hitler's Third Reich. By addressing the controversies and contradictions of Jünger, a man who has been extolled, despised, denounced, and admired throughout his lifetime, Ernst Jünger and Germany also opens an uncommon view on the nation that is, if uncomfortably, represented by him. Ernst Jünger is in many ways Germany's conscience, and much of the controversy surrounding him is at its source measured by his relation to the Nazis and Nazi culture. But as Nevin suggests, Jünger can more specifically and properly be regarded as the still living conscience of a Germany that existed before Hitler. Although his memoir of service as a highly decorated lieutenant in World War I made him a hero to the Nazis, he refused to join the party. A severe critic of the Weimar Republic, he has often been denounced as a fascist who prepared the way for the Reich, but in 1939 he published a parable attacking despotism. Close to the men who plotted Hitler's assassination in 1944, he narrowly escaped prosecution and death. Drawing largely on Jünger's untranslated work, much of which has never been reprinted in Germany, Nevin reveals Jünger's profound ambiguities and examines both his participation in and resistance to authoritarianism and the cult of technology in the contexts of his Wilhelmine upbringing, the chaos of Weimar, and the sinister culture of Nazism. Winner of Germany's highest literary awards, Ernst Jünger is regularly disparaged in the German press. His writings, as this book indicates, put him at an unimpeachable remove from the Nazis, but neo-Nazi rightists in Germany have rushed to embrace him. Neither apology, whitewash, nor vilification, Ernst Jünger and Germany is an assessment of the complex evolution of a man whose work and nature has been viewed as both inspiration and threat.