Stories, Senses and the Charismatic Relation offers a uniquely intimate and auto-ethnographic exploration of Christian experience, rendering a deep, phenomenological account of how devotional worlds become real – how they are experienced, shaped, constituted and performed by those who live them. The book starts from a reflexive exploration of the author’s own experiences of the divine, considers the spiritual journeys of family members and the ‘spiritual community’ of which he was a part, and draws on ethnographic fieldwork in the southern Balkans where that community was based. Jamie Barnes considers three main elements: firstly, the role that sensory aspects of experience play in constituting one’s lived world and one’s ideas about the kinds of beings inhabiting it; secondly, how stories and metaphors are tactically employed, not only in the process of expressing aspects of past experience, but also in shaping and forming both desired worlds and future pathways; thirdly, how such sensed, narrated and lived worlds are tentatively held together - in hope, trust and love – through charismatic relationships of devotion with a divine Other. This unusual and innovative ethnography offers a unique and reflexive view from within the world of Christian experience.

This book provides a vivid account of the political valence of weaving queer into native positionality and the struggle for decolonisation in the settler colonial context of Palestine, referred to as decolonial queering. It discusses how processes of gender and sexuality that privilege hetero-colonising authority shaped and continue to define both the Israeli-Zionist conquest of Palestine and the Palestinian struggle for liberation, thus future imaginings of free Palestine. This account emerges directly from the voices and experiences of Palestinian activists and artists; particularly, it draws on fieldwork with Palestine’s most established queer grassroots movement, alQaws for Sexual and Gender Diversity in Palestinian Society, and a variety of artistic Palestinian productions (photography, fashion, music, performance, and video art). Offering a comprehensive and in-depth engagement with the situated context, history, and local practices of Palestinian queerness, scholars, students, and activists across (de)colonial, race, and gender/sexuality studies would appreciate its unique insights; its empirical focus also reaches to those academics in the wider fields of Middle Eastern, anthropological, and political studies.

This book provides an inventory of modes of inquiry for ethnographic research and presents fieldwork as an act of relational invention. It advances contemporary debates in ethnography by arguing that the empirical practice of anthropology is and has always been an inventive activity. Bringing together contributions from scholars across the world, the volume offers an expansive vision of the resourcefulness that anthropologists unfold in their empirical investigations by compiling inventive social and material techniques, or field devices, for anthropological inquiry. The chapters seek to inspire both novel and experienced practitioners of ethnography to venture into the many possibilities of fieldwork, to demonstrate the essential creative and inventive practices neglected in traditional accounts of ethnography, and to invite anthropologists to confidently engage in inventive fieldwork practices.

Focusing on everyday experiences of sexuality in the South African province of KwaZulu-Natal, this book considers personal narratives and other queer artefacts to shed light on linguistic and performative strategies of resistance, referred to as queer word- and world-making. Questions of non-normative expressions of gender and sexuality in South Africa refer to the politics of words, and to their contested meanings and valuations reflected in the way that they roll off tongues. If sexualities are not merely acts, feelings, or identities, but embodiments of desires which invoke and influence social contexts, assumptions about sexuality as a realm of situated knowledge cannot be trusted at face-value. Taylor Riley considers the meanings coded in words used to depict same-sexualities and the productive silences which surround them, and how those meanings are embraced, altered, and resisted through labors of everyday existence. The volume sheds new light on and personalizes the highly contested meanings which surround queer life and LGBTI rights in South Africa. It will be of interest to scholars and upper-level students of anthropology, queer studies and African studies.

The genres of sung tales that are the subject of this volume are one of the most striking aspects of the cultural scene in the Papua New Guinea Highlands. Composed and performed by specialist bards, they are a highly valued art form. From a comparative viewpoint they are remarkable both for their scale and complexity, and for the range of variation that is found among regional genres and individual styles. Though their existence has previously been noted by researchers working in the Highlands, and some recordings made of them, most of these genres have not been studied in detail until quite recently, mainly because of the challenging range of disciplinary expertise that is required--in anthropology, linguistics, and ethnomusicology. This volume presents a set of interrelated studies by researchers in all of those fields, and by a Papua New Guinea Highlander who has assisted with the research based on his lifelong familiarity with one of the regional genres. The studies presented here (all of them previously unpublished and written especially for this volume) are of groundbreaking significance not only for specialists in Melanesia or the Pacific, but also for readers with a more general interest in comparative poetics, mythology, musicology, or verbal art.

Bishops are to be understood primarily as representatives of cultures regardless of where their people are territorially located. The vindication of this thesis has implications also for ecumenical reconciliation between episcopal and non-episcopal communions occupying the same geographical territory. The author compares the approaches and insights of both Vatican II and Lambeth 89 on this issue, and then proceeds to a historical and theological analysis of the development of the threefold Order in the early centuries, which he illuminates with the aid of contemporary sociological and cultural theory, in particular that of Durkheim. Key themes in the development of Order are identified in the classical texts of Ignatius of Antioch, Irenaeus, Cyprian, Tertullian and the Church Order literature. The author's conclusion is that we need both to break the geographical and jurisdictional mould in which our understanding of church Order has become set.