The book is divided into 26 chapters and an index. Each chapter deals with a different scientific classification of animal life. The author is keen to point out that much of the knowledge scientists have now has been gleaned through the use of microscopes that can see what the human eye cannot, unaided.

Finally available, a high quality book of the original classic edition of Stories of the Universe- Animal Life. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by B. Lindsay, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have Stories of the Universe- Animal Life in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Stories of the Universe- Animal Life: Look inside the book: Romanes (in his book called 'The Scientific Evidences of Organic Evolution'), 'once reading a very comical disquisition in one of Buffon's works on the question as to whether or not a crocodile was to be classified as an insect; and the instructive feature in the disquisition was this, that although a crocodile differs from an insect as regards every conceivable particular of its internal anatomy, no allusion at all is made to this fact, while the whole discussion is made to turn on the hardness of the external casing of a crocodile resembling the hardness of the external casing of a beetle; and when at last Buffon decides that, on the whole, a crocodile had better not be classified as an insect, the only reason given is, that as a crocodile is so very large an animal it would make 'altogether too terrible an insect.'' ...The Limpet can move about at a very creditable snail's pace when it wishes to do so, and at low-water mark, when the tide is beginning to rise, you may easily find them moving about and off their guard; but during many hours of the day, when the tide is out, the main object of the Limpet is to keep its shell as firmly fixed to the rock as possible. ...So that when it stirs, or floats quietly in the current of the tide, the shells present their sharp edges to the resistance of the water, thus enabling the creature to move like a ship through the sea, or like a knife-blade through bread, with the least possible friction: and specially is this provision for the lessening of friction important, when we consider that many of these bivalve shell-fish have to move, not only through water, but also through sand and mud.

The book is divided into 26 chapters and an index. Each chapter deals with a different scientific classification of animal life. The author is keen to point out that much of the knowledge scientists have now has been gleaned through the use of microscopes that can see what the human eye cannot, unaided.

The acclaimed author of Einstein’s Dreams tackles "big questions like the origin of the universe and the nature of consciousness ... in an entertaining and easily digestible way” (Wall Street Journal) with a collection of meditative essays on the possibilities—and impossibilities—of nothingness and infinity, and how our place in the cosmos falls somewhere in between. Can space be divided into smaller and smaller units, ad infinitum? Does space extend to larger and larger regions, on and on to infinity? Is consciousness reducible to the material brain and its neurons? What was the origin of life, and can biologists create life from scratch in the lab? Physicist and novelist Alan Lightman, whom The Washington Post has called “the poet laureate of science writers,” explores these questions and more—from the anatomy of a smile to the capriciousness of memory to the specialness of life in the universe to what came before the Big Bang. Probable Impossibilities is a deeply engaged consideration of what we know of the universe, of life and the mind, and of things vastly larger and smaller than ourselves.

A provocative scholar delivers the first book on the new science of storytelling: the latest thinking on why we tell stories and what stories reveal about human nature.