I Am a Fugitive from a Georgia Chain Gang! is the amazing true story of one man's search for meaning, fall from grace, and eventual victory over injustice. In 1921, Robert E. Burns was a shell-shocked and penniless veteran who found himself at the mercy of Georgia's barbaric penal system when he fell in with a gang of petty thieves. Sentenced to six to ten years' hard labor for his part in a robbery that netted less than $6.00, Burns was shackled to a county chain gang. After four months of backbreaking work, he made a daring escape, dodging shotgun blasts, racing through swamps, and eluding bloodhounds on his way north. For seven years Burns lived as a free man. He married and became a prosperous Chicago businessman and publisher. When he fell in love with another woman, however, his jealous wife turned him in to the police, who arrested him as a fugitive from justice. Although he was promised lenient treatment and a quick pardon, he was back on a chain gang within a month. Undaunted, Burns did the impossible and escaped a second time, this time to New Jersey. He was still a hunted man living in hiding when this book was first published in 1932. The book and its movie version, nominated for a Best Picture Oscar in 1933, shocked the world by exposing Georgia's brutal treatment of prisoners. I Am a Fugitive from a Georgia Chain Gang! is a daring and heartbreaking book, an odyssey of misfortune, love, betrayal, adventure, and, above all, the unshakable courage and inner strength of the fugitive himself.

In April 1862, 20 Union soldiers crossed Confederate lines to steal a locomotive called the General and destroy a critical Confederate supply line. In the aftermath half the team was executed; the half that escaped received the newly established Medal of Honor. -- publishers description.

"The descriptive material [in the book] is priceless. . . . Any archaeologist who works on Mississippian cultures will want it."--Vin Steponaitis, University of North Carolina Spectacular discoveries at Mound C at the Etowah site in Georgia, the result of excavations from 1925 to 1928, changed the American perspective of the artistic achievements of prehistoric Native Americans in the eastern United States. These discoveries, in a mound that had supposedly already been excavated under the sponsorship of the Smithsonian Institution in 1883, made up the final major field expedition of Warren King Moorehead, a legendary figure in American archaeology. The papers, written in the first person and originally published in 1932, at the end of what is considered the humanistic "golden age" of American anthropology, today offer a fresh understanding of the history of American archaeology and of the cultural heritage of prehistoric Native America. The Etowah site was designated a National Historic Landmark in 1965. Contents I. Exploration of the Etowah Site in Georgia, by Warren King Moorehead II. History and Symbolism of the Muskhogeans, by Charles C. Willoughby III. A Study of the Ceramic Art of the Etowans, by Margaret E. Ashley IV. Comparison between Etowan, Mexican and Mayan Designs, by Zelia Nuttall V. Molluscan Shells from the Etowah Mounds, by Frank Collins Baker Warren King Moorehead (1866-1939) was known during his time as the dean of American archaeology. He was a member of the field staff for Indian exhibits at the Chicago World's Fair of 1893 and was the first curator of the Ohio Historical Society. At the time of his Etowah research he was director of the Robert S. Peabody Museum of Archaeology at Phillips Academy in Andover.

A Handbook to the Reception of Classical Mythology presents a collection of essays that explore a wide variety of aspects of Greek and Roman myths and their critical reception from antiquity to the present day. Reveals the importance of mythography to the survival, dissemination, and popularization of classical myth from the ancient world to the present day Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Offers a series of carefully selected in-depth readings, including both popular and less well-known examples

A valuable collection of folk music and lore from the Gullah culture, Slave Songs of the Georgia Sea Islands preserves the rich traditions of slave descendants on the barrier islands of Georgia by interweaving their music with descriptions of their language, religious and social customs, and material culture. Collected over a period of nearly twenty-five years by Lydia Parrish, the sixty folk songs and attendant lore included in this book are evidence of antebellum traditions kept alive in the relatively isolated coastal regions of Georgia. Over the years, Parrish won the confidence of many of the African-American singers, not only collecting their songs but also discovering other elements of traditional culture that formed the context of those songs. When it was first published in 1942, Slave Songs of the Georgia Sea Islands contained much material that had not previously appeared in print. The songs are grouped in categories, including African survival songs; shout songs; ring-play, dance, and fiddle songs; and religious and work songs. In additions to the lyrics and melodies, Slave Songs includes Lydia Parrish's explanatory notes, character sketches of her informants, anecdotes, and a striking portfolio of photographs. Reproduced in its original oversized format, Slave Songs of the Georgia Sea Islands will inform and delight students and scholars of African-American culture and folklore as well as folk music enthusiasts.