The Ancients believed that Elementals—fairies, sprites, gnomes, and dragons—lived among us. In time, these beings became the stuff of fantasies and legends. But what if, what if they are still alive and living among us? And can only be seen by the young or the young at heart. Or what if we only hope they are still alive? But we only tell stories about them. Sometimes the Elemental interacts with people, preferably children-people or children-like adults; sometimes they interact among themselves; and sometimes, we only hope they are still alive. Here are four short stories that try to answer those questions: one each of fairies, gnomes, sprites, and dragons. If you enjoy short stories, if you enjoy fantasy, you just might enjoy this book.

Welcome to the world of the Faerie Folk Create an idyllic, polymer-clay world filled with fairies, playful sprites, clever gnomes and elves, wise wizards and misunderstood trolls. Whether you are new to polymer clay, or looking to improve your skills, Fairies, Gnomes & Trolls offers everything you need to unlock the characters in your imagination and bring the magic of the fairy to life. Inside you'll find 15 complete projects, including: Isa Rosalia, the flower fairy Dray Van Elm, the elf king Broogen Bogge, the rock troll Ophelia Lilliana, the sprite With an introduction to polymer clay techniques, a complete section on creating polymer clay figures, plenty of tips for working with clay and personalizing your projects, as well as variation projects for many of the characters, Fairies, Gnomes & Trolls is packed with everything you need to create your own fantasy world!

Vols. for 1853- include the transactions of the Royal Photographic Society of Great Britain.

Combining philosophy, science, and literature, Mythic Worlds and the One You Can Believe In examines lingering misconceptions of world history as a continuing source of international tension. Awareness of the natural continuum, currently gauged at some 13.8 billion years overall, disarms sectarian zealotry and, in retrospect, explains some of the difficulties the literary and philosophical traditions have had in accommodating their beliefs to what undeniably exists. To this day, beliefs incompatible with natural history continue to intensify nationalism and support terrorist movements. As a work mainly in natural philosophy, this book uses the consensus natural continuum to critique the more prominent and durable misconceptions.

A collection of essays on the Deresthai culture with accompanying extracts from the Dragon Court archives comprising the official history of the Dragon peoples.

While meditating in her garden, Jessica, a middle-aged woman, happens upon Mabel. One of the many fairies who have been assigned to care for all of the plants, stones, and insects in Jessicas garden, Mabel introduces Jessica to a whole new worldone in which elves have a pot of gold at the end of a rainbow and where the spirits of trees and rocks can communicate with people. But none of these magical creatures is prepared for what happens when an oil drill hits a dragon living underground. The dragon becomes so enraged that he escapes from his lair in a subterranean cave and enters the human world. Jessica knows that many people are in great danger, but she doesnt know how to help. And for quite some time, no one believes that the dragon is real. Luckily, a grizzly bear and mysterious beings try to return the threatening dragon to its home. Full of fantastic creatures and fueled by imagination, Fairies in My Garden is a wonderful story that will introduce you to a multidimensional world where anything is possible.

This is the first full-length study of South African English youth literature to cover the entire period of its publication, from the late nineteenth century to the early twenty-first century. Jenkins' book focuses on what made the subsequent literature essentially South African and what aspects of the country and its society authors concentrated on. What gives this book particular strength is its coverage of literature up to the 1960s, which has until now received almost no scholarly attention. Not only is this earlier literature a rewarding subject for study in itself, but it also throws light on subsequent literary developments. Another exceptional feature is that the book follows the author’s previous work in placing children’s literature in the context of adult South African literature and South African cultural history (e.g. cinema). He also makes enlightening comparisons with American, Canadian and Australian children’s literature.