By National Book Award finalist Jim Shepard, a deeply affecting novel that will join the shortlist of classics about the Holocaust and the children whose lives were caught up in it. For readers of Anne Frank's The Diary of a Young Girl, Kenneally's Schindler's List; Szpilman's The Pianist; Anne Michaels' Fugitive Pieces; Markus Zusack's The Book Thief; the works of Pimo Levi and Elie Weisel and Michael Chabon. When we meet Aron, he is a beguiling and perceptive and not always happy young boy coming into awareness of himself and his family's struggles. When soon they are driven from the countryside into Warsaw, their lives are changed forever. Aron and a group of boys and girls risk their lives scuttling around the ghetto, smuggling and trading things through the "quarantine walls" to keep their people alive, while they are hunted by blackmailers and Jewish and Polish and German police, as gradually things catastrophically worsen, people begin to disappear, and survival is threatened on all sides. Eventually, Aron comes to know Janusz Korczak, a Jewish-Polish doctor famous for his advocacy of children's rights, whose orphanage was relocated to the ghetto once the Nazis swept in. In the end, he and the children he takes care of, Aron among them, are brought to the station to be put on a train to Treblinka. The Book of Aron is a breathtaking novel of extraordinary craft, humanity, and masterful storytelling. Fearless, and devoid of sentimentality, it looks squarely into the face of unspeakable suffering, evil and lawlessness, revealing the persistence and strength of the human spirit despite all odds and the redemptive power of love. It is nothing less than a masterpiece.

Recounts the struggle against the Nazi takeover of Warsaw and provides an account of the author's activities as head courier for the ZOB, the Jewish Fighting Organization.

The Warsaw Ghetto Uprising has become a symbol of heroism throughout the world. A short time before the uprising began, Pawel Frenkel addressed a meeting of the Jewish Military fighters: Of course we will fight with guns in our hands, and most of us will fall. But we will live on in the lives and hearts of future generations and in the pages of their history.... We will die before our time but we are not doomed. We will be alive for as long as Jewish history lives! On the eve of Passover, April 19, 1943, German forces entered the Warsaw ghetto equipped with tanks, flame throwers, and machine guns. Against them stood an army of a few hundred young Jewish men and women, armed with pistols and Molotov cocktails. Who were these Jewish fighters who dared oppose the armed might of the SS troops under the command of SS General Juergen Stroop? Who commanded them in battle? What were their goals? In this groundbreaking work, Israel s former Minister of Defense, Prof. Moshe Arens, recounts a true tale of daring, courage, and sacrifice that should be accurately told out of respect for and in homage to the fighters who rose against the German attempt to liquidate the Warsaw ghetto, and made a last-ditch fight for the honor of the Jewish people. The generally accepted account of the Warsaw Ghetto Uprising is incomplete. The truth begins with the existence of not one, but two resistance organizations in the ghetto. Two young men, Mordechai Anielewicz of the Jewish Fighting Organization (ZOB), and Pawel Frenkel of the Jewish Military Organization (ZZW), rose to lead separate resistance organizations in the ghetto, which did not unite despite the desperate battle they were facing. Included is the complete text of The Stroop Report translated into English.

Inspired by true events, David Safier's 28 Days: A Novel of Resistance in the Warsaw Ghetto is a harrowing historical YA that chronicles the brutality of the Holocaust. Warsaw, 1942. Sixteen-year old Mira smuggles food into the Ghetto to keep herself and her family alive. When she discovers that the entire Ghetto is to be "liquidated"—killed or "resettled" to concentration camps—she desperately tries to find a way to save her family. She meets a group of young people who are planning the unthinkable: an uprising against the occupying forces. Mira joins the resistance fighters who, with minimal supplies and weapons, end up holding out for twenty-eight days, longer than anyone had thought possible.

On the eve of Passover, April 19, 1943, Jews in the Warsaw Ghetto staged a now legendary revolt against their Nazi oppressors. Since that day, the deprivation and despair of life in the ghetto and the dramatic uprising of its inhabitants have captured the American cultural imagination. The Warsaw Ghetto in American Art and Culture looks at how this place and its story have been remembered in fine art, film, television, radio, theater, fiction, poetry, and comics. Samantha Baskind explores seventy years’ worth of artistic representations of the ghetto and revolt to understand why they became and remain touchstones in the American mind. Her study includes iconic works such as Leon Uris’s best-selling novel Mila 18, Roman Polanski’s Academy Award–winning film The Pianist, and Rod Serling’s teleplay In the Presence of Mine Enemies, as well as accounts in the American Jewish Yearbook and the New York Times, the art of Samuel Bak and Arthur Szyk, and the poetry of Yala Korwin and Charles Reznikoff. In probing these works, Baskind pursues key questions of Jewish identity: What links artistic representations of the ghetto to the Jewish diaspora? How is art politicized or depoliticized? Why have Americans made such a strong cultural claim on the uprising? Vibrantly illustrated and vividly told, The Warsaw Ghetto in American Art and Culture shows the importance of the ghetto as a site of memory and creative struggle and reveals how this seminal event and locale served as a staging ground for the forging of Jewish American identity.

In 1940, in the Jewish ghetto of Nazi-occupied Warsaw, the Polish historian Emanuel Ringelblum established a clandestine scholarly organization called the Oyneg Shabes to record the experiences of the ghetto's inhabitants. For three years, members of the Oyneb Shabes worked in secret to chronicle the lives of hundereds of thousands as they suffered starvation, disease, and deportation by the Nazis. Shortly before the Warsaw ghetto was emptied and razed in 1943, the Oyneg Shabes buried thousands of documents from this massive archive in milk cans and tin boxes, ensuring that the voice and culture of a doomed people would outlast the efforts of their enemies to silence them. Impeccably researched and thoroughly compelling, Samuel D. Kassow's Who Will Write Our History? tells the tragic story of Ringelblum and his heroic determination to use historical scholarship to preserve the memory of a threatened people.

The powerful writings and art of Jews living in the Warsaw Ghetto Hidden in metal containers and buried underground during World War II, these works from the Warsaw Ghetto record the Holocaust from the perspective of its first interpreters, the victims themselves. Gathered clandestinely by an underground ghetto collective called Oyneg Shabes, the collection of reportage, diaries, prose, artwork, poems, jokes, and sermons captures the heroism, tragedy, humor, and social dynamics of the ghetto. Miraculously surviving the devastation of war, this extraordinary archive encompasses a vast range of voices—young and old, men and women, the pious and the secular, optimists and pessimists—and chronicles different perspectives on the topics of the day while also preserving rapidly endangered cultural traditions. Described by David G. Roskies as “a civilization responding to its own destruction,” these texts tell the story of the Warsaw Ghetto in real time, against time, and for all time.