Stories from the Street is a theological exploration of interviews with men and women who had experienced homelessness at some stage in their lives. Framed within a theology of story and a theology of liberation, Nixon suggests that story is not only a vehicle for creating human transformation but it is one of God's chosen means of effecting change. Short biographies of twelve characters are examined under themes including: crises in health and relationships, self-harm and suicide, anger and pain, God and the Bible. Expanding the existing literature of contextual theology, this book provides an alternative focus to a church-shaped mission by advocating with, and for, a very marginal group; suggesting that their experiences have much to teach the church. Churches are perceived as being active in terms of pastoral work, but reluctant to ask more profound questions about why homelessness exists at all. A theology of homelessness suggests not just a God of the homeless, but a homeless God, who shares stories and provides hope. Engaging with contemporary political and cultural debates about poverty, housing and public spending, Nixon presents a unique theological exploration of homeless people, suffering, hope and the human condition.

The tombs and graves of the St. Louis Cemeteries rise from the ground, creating labyrinthine memorials aptly dubbed "cities of the dead." Most are in even rows with quaint street names. Some are of crumbling brick and broken marble. Others are miniature mansions clad in decorative ironwork with angelic guardians. Grand or humble, each is a relic of the story of New Orleans. Politicians, pirates, Mardi Gras Indian chiefs and one voodoo queen rest below. In an unprecedented inquiry, author Sally Asher reveals the lives within the mysterious and majestic tombs of the St. Louis Cemeteries.

The moral ambiguities of the detectives' world as they move between the streets and a bureaucratic behemoth is examined through their personal stories, in a collection that captures the real-life exploits, investigations, sensibilities, and consciousness of detectives in an urban environment.

The Book of Acts never ended! Live and Experience the Book of Acts today! Experience the Book of Acts today! Supernatural Christianity never ended! A generation today is asking, Where are all God’s miracles which our fathers told us about? (Judges 6:13). Author of the best-selling book They Told Me Their Stories, Tommy Welchel answered this question, living among the youth of one of the greatest spiritual outpourings ever experienced—the Azusa Street Revival. During this time, Tommy recorded first-hand accounts of the miracles that they had witnessed… and even performed themselves! These testimonies have been shared around the world, and the results have been amazing: Miraculous healings, supernatural phenomena, and impossible situations being turned around by a wonder-working God. As you read about the miracles that God performed during this great move of His Spirit, your faith will be stirred to: • Encourage others that God’s healing power has not passed away • Believe for the miraculous in your life • Release supernatural breakthrough to people who need a touch from God Prepare to experience a fresh outpouring of God’s Spirit… today!

In 1872, Ismail Pasha, the khedive of Egypt, was the first to adopt the European custom of positioning heroic statues on public display as a symbolic message of the continuing authority of the ruling Muhammad Ali dynasty to which he belonged, but it was not until the early twentieth century and the determination of sculptor Mahmoud Mukhtar that such public art gained general acceptance, and today statues stand, ride, or sit in the streets, squares, and gardens of Cairo. Each sculpture adds a piece to the jigsaw of history spanning personalities and events that shaped the city and wider Egypt from 1805 to 1970, and here Cairo-based author Lesley Lababidi provides a unique perspective on Egyptian history through looking at more than thirty statues and monumental sculptures and the stories behind them. Between statues, she explores Cairo's growth and its multidimensional identity, as manifested in the development and changing use of city space over the centuries, and examines the relationship of Cairo's modern denizens with the landscapes, districts, palaces, archaeological sites, cafés, bridges, and gardens of their great and maddening city, the Mother of the World. Illustrated throughout with color photographs and archival pictures, Cairo's Street Stories presents a unique and lively view of the history that fashioned the city's streets and open spaces, and of the many and often unexpected uses to which its inventive inhabitants put them.

Don't ask author Gary Mielo what it was like to grow up in North Bergen, New Jersey. He's likely to relate personal essays and anecdotes that include "the most heinous experience, the one which can easily produce the deepest and most lasting of scars, is an affliction known as the senior prom". He'll evoke "a time when yellow air raid shelter signs, hanging on the walls of virtually all candy stores, ice cream parlors, and other public buildings, reported the way to alleged underground safety". And narrate the demise of his 1955 DeSoto "while traversing one of the world's most heavily trafficked truck routes, the infamous Tonnelle Avenue". Comprised of 44 personal essays, 74th Street Stories extols New Jersey's Hudson County as it and its North Bergen residents lived through two of the most bizarre decades in recent history, namely the Cold War 1950s and the Strung Out 1960s. Nevertheless, the moments of sudden awareness recounted in many of these essays go beyond the merely wistful or the distinctively reminiscent. The characters and incidents described in 74th Street Stories have their roots in a town and a county that nurtured an identity that was nothing less than wonderfully peculiar.

Nearly two decades after it closed, the South Carolina State Hospital continues to hold a palpable mystique in Columbia and throughout the state. Founded in 1821 as the South Carolina Lunatic Asylum, it housed, fed and treated thousands of patients incapable of surviving on their own. The patient population in 1961 eclipsed 6,600, well above its listed capacity of 4,823, despite an operating budget that ranked forty-fifth out of the forty-eight states with such large public hospitals. By the mid-1990s, the patient population had fallen under 700, and the hospital had become a symbol of captivity, horror and chaos. Author William Buchheit details this history through the words and interviews of those who worked on the iconic campus.