A foreword by former soldier and memoirist Brian Turner, author of My Life as a Foreign Country, and an afterword by military wife and memoirist Angela Ricketts, author of No Man's War: Irreverent Confessions of an Infantry Wife, bookend the volume.

The postmodern turn in theology reminds us that religion is imaginative before it becomes prosaic or propositional. Theologians are now joining literary critics, novelists and poets in asking the question, "How Do Stories Save Us?" Claiming that the truth of religion, like the truth of its nearest analogue, art, is primordially a truth of manifestation, this book explores the question in constructive conversation with the hermeneutics of David Tracy. With Tracy's analogical imagination as a guide, Scott Holland takes the reader on an intellectual adventure through narrative theology, literary criticism, poetics, ritual studies and aesthetics in the composition of a theology of culture.

Great journalism relies on a narrative arc to engage and inform the reader. Stories Can Save Us looks at how the best reporters and writers craft narrative literary journalism. Journalist Matt Tullis uses the material he gathered in the more than seventy-five interviews he conducted with the best narrative and literary journalists in the country through his podcast, Gangrey: The Podcast, to show how these professionals conceive and writesuch compelling stories. Through his podcast, Tullis interviewed Pulitzer Prizewinners, National Magazine Awardwinners, and many authors of books of narrative journalism, including New York Times best-selling authors. He also spoke with reporters of different races and backgrounds, styles and strengths—journalists who have been published in the most prestigious newspapers and magazines—to ask: How do they find story ideas? How do they reach out to potential story subjects? What are their interviewstrategies? How do they conduct other information gathering? How do they come up with their amazing and enticing leads? How do they develop story structure? How does the story change in the revision process? How do they make their stories great and make them into the types of stories that people read and talk about for years? Through Tullis’s conversations with these top-tier journalists, we are offered a window into their methods and practices as well as the motivations behind great journalism and how it speaks to the cultural climate of its time. Tullis’s goal was to expand the power and potential of what amazing reporting and narrative writing can do, believing that it can literally change a reader’s mood and, possibly, a reader’s life.

Are you my enemy? Am I yours? Violent stories surround us. Brutal beginnings, horror-filled middles, despair-inducing endings. We need better stories: stories forged in the furnace of conflict, narratives that kindle compassion and ignite hope. In the pages of I Am Not Your Enemy, writer Michael T. McRay visits divided regions of the world and interviews activists, peacebuilders, former combatants about their personal stories of conflict, justice, and reconciliation. In Israel and Palestine, Northern Ireland, and South Africa, he hears from grieving parents who partner together across enemy lines, a woman who meets her father’s killer, and a man who uses theater to counter the oppression of his people, and many more. In a time of heightened alienation and fear, McRay offers true, sacred stories of reconciliation and justice, asking what they can teach us about our own divided states. Must violence be met with violence? Is my belonging complete only when I take away yours? Will more guns, more walls, more weapons keep us safe? We need stories that cultivate empathy and tell the truth. We need stories to save us from our fear.

Interviews with the author of Going After Cacciato and The Things They Carried