Quaker William Penn once described "Charles Town" as “a hotbed of piracy,” full of wayward women “who frequented a tap room on The Bay and infected a goodly number of the militia with the pox.” Since the Carolina Colony was founded and named for Charles II, the Merry Monarch, it’s no surprise that Charlestonians have always had a flair for flouting the rules. In the 18th century, Bostonian Josiah Quincy complained that Charlestonians, “are devoted to debauchery and probably carry it to a greater length than any other people.” In Storied & Scandalous Charleston, storyteller Leigh Jones Handal weaves tales of piracy, rebellion, ancient codes of honor, and first-hand accounts of the madness that ensued as the city fell first to the British in 1780 and then to the Union in 1865. Meet some of the foremost female criminals of the day—lady pirate Anne Bonny and highwaywoman Livinia Fisher. And learn how centuries of war, natural disasters, bankruptcy, and chaos shaped modern Charleston and the Carolina Low Country.

From its earliest days, Charleston was a vital port of call and center of trade, which left it vulnerable to seafaring criminals. The Golden Age of Piracy, encompassing roughly the first quarter of the eighteenth century, produced some of the most outrageous characters in maritime history. The daring exploits of these infamous plunderers made thievery widespread along Charleston's waterfront, but determined citizens would meet the pirate threat head-on. From the "Gentleman Pirate," Stede Bonnet, to Edward "Blackbeard" Teach and famed pirate hunter and statesman William Rhett, the waters surrounding the Holy City have a history as rocky and wild as the high seas. Join author and tour guide Christopher Byrd Downey as he tells the tales of Charleston during piracy's greatest reign.

A guide to more than two hundred of the most famous, infamous, and influential individuals now interred in the iconic Charleston landmark Charleston is a city of stories. As in any city of historical significance, some of its best stories now lie buried with its dead. Ted Ashton Phillips, Jr., was custodian of many of the stories of those Charlestonians interred in Magnolia Cemetery, the picturesque burial ground located along the Cooper River north of downtown. Phillips's fascination with Magnolia began at the age of sixteen, when he worked there as a groundskeeper and assistant gravedigger. He followed his passion into the research represented in this collective biography of more than two hundred representative Charlestonians from many eras, now buried among the thirty thousand permanent residents of Magnolia Cemetery. Taking its title from the poem that William Gilmore Simms delivered at the 1850 consecration of the cemetery, City of the Silent is a unique guide to some of the complex personalities who have contributed to the Holy City's rich culture. The book includes entries on writers, artists, statesmen, educators, religious leaders, scientists, war heroes, financiers, captains of industry, slave traders, socialites, criminals, victims, and others. Some of these men and women are as distinguished as author Josephine Pinckney, civil rights champion J. Waties Waring, and artist Alice Ravenel Huger Smith. Others are as notorious as bootlegger Frank "Rumpty Rattles" Hogan, adulterous killer Dr. Thomas McDow, and brothel-keeper Belle Percival. Most of Phillips's subjects achieved prominence while alive, but a few are better known for their manner of death. The members of the third and final crew of the Confederate submarine H. L. Hunley, interred with great ceremony in 2004 after the discovery of their vessel in Charleston harbor, are among the newest Magnolia residents depicted in the portrait gallery. Each authoritative profile offers a vivid depiction of a memorable individual rendered in conversational tone with refreshing wit and apt anecdotes. These artfully braided stories describe an intricate network of family ties, civic institutions, business enterprises, and local landmarks. Together the biographies provide an affectionate, insightful history of an influential society and establish Magnolia as a center of community traditions that extend from the mid-nineteenth century to the present. City of the Silent is a celebration of intertwining lives and an engrossing account of Charleston's past as witnessed by those no longer able to tell their own tales. In addition to the biographical sketches, City of the Silent includes a foreword by Josephine Humphreys, Charleston writer and longtime friend of the author, and an afterword by Phillips's daughter Alice McPherson Phillips. The volume also features an introductory essay by historian Thomas J. Brown examining how the cemetery became a leading site of historical memory in the aftermath of the Civil War, and sets of maps and thematic tours that invite visitors to locate the featured graves within Magnolia's evocative grounds.

Often called the most "Southern" of Southern cities, Charleston was one of the earliest urban centers in North America. It quickly became a boisterous, brawling sea city trading with distant ports, and later a capital of the Lowcountry plantations, a Southern cultural oasis, and a summer home for planters. In this city, the Civil War began. And now, in the twentieth century, its metropolitan area has evolved into a microcosm of "the military-industrial complex." This book records Charleston's development from 1670 and ends with an afterword on the effects of Hurricane Hugo in 1989, drawing with special care on information from every facet of the city's life—its people and institutions; its art and architecture; its recreational, social and intellectual life; its politics and city government. The most complete social, political, and cultural history of Charleston, this book is a treasure chest for historians and for anyone interested in delving into this lovely city, layer by layer.

"The little-known story of a British diplomat who serves as a spy in South Carolina at the dawn of the Civil War, posing as a friend to slave-owning aristocrats when he was actually telling Britain not to support the Confederacy"--

In this colorful memoir, a South Carolina game warden recounts a quarter-century of adventure patrolling the woods and waters of the Palmetto State. Ben McC. Moïse served with distinction as a South Carolina game warden for nearly a quarter century. In this career-spanning memoir, the cigar-chomping, ticket-writing scourge of lowcountry fish-and-game-law violators chronicles grueling stakeouts, complex trials, hair-raising adventures, and daily interactions with a host of outrageous personalities. With a lawman's eye for fine details, a conservationist's nose for the aroma of pluff mud, and a seasoned storyteller's ear for the rhythms of a good southern yarn, Moïse recounts his stout-hearted and steadfast efforts to protect the lowcountry landscape and bring to justice those who would run roughshod over fish and game laws on the Carolina coast. Along the way he paints a vivid portrait of evolving attitudes and changing regulations governing coastal conservation.

The waltz, perhaps the most beloved social dance of the 19th and early 20th centuries, once provoked outrage from religious leaders and other self-appointed arbiters of social morality. Decrying the corrupting influence of social dancing, they failed to suppress the popularity of the waltz or other dance crazes of the period, including the Charleston, the tango, and "animal dances" such as the Turkey Trot, Grizzly Bear, and Bunny Hug. This book investigates the development of these popular dances, considering in particular how their very existence as "taboo" cultural fads ultimately provided a catalyst for lasting social reform. In addition to examining the impact of the waltz and other scandalous dances on fashion, music, leisure, and social reform, the text describes the opposition to dance and the proliferation of literature on both sides.