Dave Courtney has been a legend in criminal circles in South London since the days of the Krays. It was Dave Courtney to whom the family turned when Ronnie Kray's funeral was held, to organize the security and keep the peace between London's fighting firms that day. Now Courtney's life as a villain is over, this volume chronicles his shady and immoral past, his time in jail, the violent encounters that put him there, and why he has decided that it's time to get out of the business. Along the way there are machete-wielding Chinese waiters, unlicensed boxing promoters and debt collectors; Dave is bitten, beaten, stabbed and shot; and prison only makes him more determined to get better - better at not getting caught, that is.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

This is a unique write about a sheltered church girl curious about life, that became a teenage mother turned drug dealer, turned drug user in the cold windy, war torn, poverty stricken streets of Chicago's West Side. With the loss of her children to the system she thought she had nothing left but to die..."Rock, blows, Park! Rang out like happy slogans of advertisements from dealers to fiends..." With death and the police lurking close by he closed her eyes to retract: How did I get here?...and the ongoing presence of failure, loss and disdain licking at her heels she saw no way out. Had God somehow forgotten about her? Nothing seemed to matter... Be inspired by her unfiltered and uncensored writing of poetry where she found her lesson and her blessing!

Meet Jess, she is eighteen and has been for many, many years. She has a secret you know, one that she shouldnt tell but just has to.She has kept this a secret for a very long time and now its time for her to let others know of their existence, of her existence. This time there is something else out there. Something which you may already be aware of, thats if you choose to believe. This book attempts to deal with peoples beliefs and emotions by questioning them and keeping readers involved throughout the story. By the end not only will those who hear Jesss story know her secret but things they simply didnt understand before will have been explained and the greatest comfort of all will be knowing that with their every move, their every journey in life, Jess will be there.

In the number one-selling crime autobiography, Stop the Ride, I Want to Get Off, Dave Courtney wrote about his life of crime and how he had decided to put that all behind him, moving into the world of the media. This proved harder than he thought, as he details in his long awaited latest book, The Ride's Back On. For Dave faces a fierce test as he is accused by a corrupt policeman of being a grass, and although the court case ends up with Dave going free (and the policeman in jail), nevertheless Dave's reputation needs defending. He defends it here in the best possible way: telling the world about what really goes on, both in court (dressed as a jester, and punching out the corrupt officer, for starters) and out of it - gunfights in Tenerife, porn films in LA, taking his own movie, Hell To Pay, to the Cannes film festival, plus getting caught in gang warfare. With Dave at the wheel, the ride's guaranteed to be a wild one.

Writer Danielle Joseph and illustrator Olivier Ganthier's I Want to Ride the Tap Tap is a day-of-the-week picture book about a Black family who ride the taxi-bus service—called a tap tap—in Haiti, and the fascinating people they meet along the way, illustrated by a Haitian artist known for his vibrant street art. Monday through Saturday, Claude and Manman walk Papa to the tap tap stop, where Claude meets all sorts of interesting people waiting for the tap tap. Claude wants to join Papa, but Claude has classes at school and chores at home... On Sunday, Manman and Papa have a surprise for Claude—a ride on the tap tap! They go to the beach, where they meet a lady selling mangoes, a fisherman, a straw-hat maker, a steel drummer, and an artist. They show Claude how to fish, make hats, play the drums, and paint. With Haitian Creole words sprinkled throughout and a glossary at the end, I Want to Ride the Tap Tap is a warm and lively portrayal of everyday life in Haiti.