Story of Joseph Farah, founder of WorldNetDaily (WND), the largest independent news service on the Internet and discusses how independent journalists have changed the way people view and access news.

""Stop the presses ..." is a communications survival manual for the Internet Age. With over 50,000 copies in print, the second edition of this acclaimed book is a must-read for C-Suites, legal counsel, and communications specialists. Updated text includes fresh material covering the online media that are now so decisive for brand and reputation management, along with extensive discussion of recent industry crises, from product recalls to data security breaches. "Stop the presses" defines the best communications practices for corporations, countries, and high-profile individuals facing trials by fire in the Court of Public Opinion. Here are the dos and don'ts of crisis planning and media relations-print and broadcast as well as blogs and other online media-with in-depth analyses of cross-border issues, SEC investigations, law firm crises, product liability, antitrust, health care, and more. "Stop the presses" now includes an insightful preface by legendary brand guru Jack Trout." --Descripción del editor.

Real News on real paper. Newspapers-- a free press-- were the cornerstone of the Founding Fathers' working model of democracy. And they remain so. Whether read at the kitchen table, in the boardroom, or on a laptop on the subway, newspapers-- as has been said of them for more than a half-century-- are "the first draft of history."Veteran journalist Patt Morrison proves it, and then some, in the pages of Don't Stop the Presses! Truth, Justice, and the American Newspaper.

Nero Wolfe and Archie Goodwin have a lot of boldfaced names on their suspect list when New York’s most hated gossip columnist is murdered. There are few people Nero Wolfe respects, and Lon Cohen of the New York Gazette is one of them. So when Cohen asks for a favor, the famously brilliant—and notoriously lazy—detective is inclined to listen. According to Cohen, someone wants to kill the Gazette’s gossip columnist, Cameron Clay. Death threats are a regular hazard for Clay, who’s hurled insults and accusations at every bold-faced name in the five boroughs. But the latest threats have carried a more sinister tone. The columnist has narrowed his potential killers down to five people: an egomaniacal developer, a disgraced cop, a corrupt councilman, a sleazy lawyer, and his own ex-wife. But when Clay turns up dead, the cops deem it a suicide. The bigwigs at the Gazette don’t agree, so they retain Wolfe and his indefatigable assistant, Archie Goodwin, to figure out which of the suspects had the mettle to pull the trigger. In this “outstanding” mystery, Robert Goldsborough, author of Murder in E Minor, “once again demonstrates an impressive ability to emulate Rex Stout’s narrative voice” (Publishers Weekly, starred review).

The final book in the groundbreaking Voices from the Underground series, Stop the Presses! I Want to Get Off!, is the inspiring, frenetic, funny, sad, always-cash-starved story of Joe Grant, founder and publisher of Prisoners’ Digest International, the most important prisoners’ rights underground newspaper of the Vietnam era. From Grant’s military days in pre-Revolutionary Cuba during the Korean War, to his time as publisher of a pro-union newspaper in Cedar Rapids and his eventual imprisonment in Leavenworth, Kansas, Grant’s personal history is a testament to the power of courage under duress. One of the more notorious federal penitentiaries in the nation, Leavenworth inspired Grant to found PDI in an effort to bring hope to prisoners and their families nationwide.

There is a story that no one in the media seems willing to tell, one in which journalists have a vested interest: the death of newspapers. Traditionally known to break the biggest headlines, to chase the rumours to their source, and to undertake the most in-depth reporting, newspapers are now grappling with the most formidable challenges since the advent of print. Reporter Rachel Buchanan started work at The Age in 1993, as a subeditor. In 2012, after a decade out of the newsroom, she returned to subediting, but in a markedly different environment: along with a host of other jobs in newspaper production, the role had been outsourced. The title of subeditor no longer exists at the paper. In this insightful, passionate book, Buchanan chronicles her experiences, providing a unique insider’s perspective on the rise and slow decline of the printed newspaper. She exposes the brutal cost-cutting measures of companies intent on squeezing every drop of profit from print before they turn to digital, and examines the consequences for those affected — for it is not only the journalists and editors who are losing their jobs, but also printers, paper-makers, and distributors whose livelihood is disappearing. Investigating one of the most fundamental transitions in the Australian media today, Stop Press is a brilliant account from a journalist at the front lines of history.