Is your child autistic or ADHD? S.E.N.D. in the Clowns is a family guide to help you through the primary education years, and the run-up to secondary school. With clear explanations, practical ideas and friendly advice, this book guides you through the post-diagnosis fog.S.E.N.D in the Clowns is a play on the acronym Special Educational Needs and Disability hinting that these children's behaviour may look like they are either the sad clown sitting quietly in the corner or the zany clown performing slap stick tricks to make everyone in the classroom laugh. The reality is more poignant, these neurodiverse children are highly sensitive individuals who mask the pain and confusion of their neurodiversity in a school environment that is often frightening and confusing.

A gorgeously rendered graphic novel of Daniel Alarcón’s story City of Clowns. From the author of The King Is Always Above the People, which was longlisted for the 2017 National Book Award for Fiction. Oscar “Chino” Uribe is a young Peruvian journalist for a local tabloid paper. After the recent death of his philandering father, he must confront the idea of his father’s other family, and how much of his own identity has been shaped by his father’s murky morals. At the same time, he begins to chronicle the life of street clowns, sad characters who populate the violent and corrupt city streets of Lima, and is drawn into their haunting, fantastical world. This remarkably affecting story by Daniel Alarcón was included in his acclaimed first book, War by Candlelight, and now, in collaboration with artist Sheila Alvarado, it takes on a new, thrilling form. This graphic novel, with its short punches of action and images, its stark contrasts between light and dark, truth and fiction, perfectly corresponds to the tone of Chino’s story. With the city of Lima as a character, and the bold visual language from the story, City of Clowns is moving, menacing, and brilliantly vivid.

Lance Alexander Sr., also known as The Necromancer, cunningly infiltrates a circus in order to ensnare a nefarious killer vampire clown who not only takes innocent lives but also flees the scene with the entire circus troupe. In order to catch the killer, Lance disguises himself as a sword-swallowing clown.

Haunted houses are scary enough without knife-wielding clowns. Especially murderous knife-wielding clowns. So thinks Ellison Russell, single mother, artist, and reluctant sleuth. Now death wears a red nose and Ellison is up to the blood-stained collar of her new trench coat in costumes, caffeine, and possible killers. Who stabbed Brooks Harney? And why? Money? Jealousy? Drugs? With Mother meddling, her father furious, and her date dragged downtown for questioning, turns out Ellison's only confidante is Mr. Coffee.

Lance Alexander Sr., also known as The Necromancer, cunningly infiltrates a circus in order to ensnare a nefarious killer vampire clown who not only takes innocent lives but also flees the scene with the entire circus troupe. In order to catch the killer, Lance disguises himself as a sword-swallowing clown.

Send in the Clowns presents interviews with twenty-four pioneering humanitarian and activist clowns and thought leaders working in hospitals, refugee camps, orphanages and war zones, and at the sites of street protests and locations of social unrest across the world. This book is built around interviews with some of the world’s leading practitioners of clowning for change, justice, and health outside of the entertainment mainstream, featuring artists and organizations including Patch Adams (US), the Dream Doctors Project (Israel), Clown Me In (Lebanon), and Doutores da Alegria (Brazil). Situating the topic in relation to indigenous and ritual clowning, investigating the various functions of the clown in early societies, and centering the discourse around interviews with key practitioners, the book explores a wide range of clown applications across the globe. This includes the special significance of the clown archetype in socially, politically, and culturally challenging situations, the successes and challenges of the art activists who are at the forefront of this movement, and the modern humanitarian clown’s relationship to original forms of clowning that can be traced back through history. This is a vital resource for anyone studying, teaching, or practicing clown work in applied contexts, from health care to conflict resolution.

A long-out-of-print classic by a master of underground comics In the late 1980s, the idiosyncratic Chester Brown (author of the much-lauded Paying For It and Louis Riel) began writing the cult classic comic book series Yummy Fur. Within its pages, he serialized the groundbreaking Ed the Happy Clown, revealing a macabre universe of parallel dimensions. Thanks to its wholly original yet disturbing story lines, Ed set the stage for Chester Brown to become a world-renowned cartoonist. Ed the Happy Clown is a hallucinatory tale that functions simultaneously as a dark roller-coaster ride of criminal activity and a scathing condemnation of religious and political charlatanism. As the world around him devolves into madness, the eponymous Ed escapes variously from a jealous boyfriend, sewer monsters, the Royal Canadian Mounted Police, and a janitor with a Jesus complex. Brown leaves us wondering, with every twist of the plot, just how Ed will get out of this scrape. The intimate, tangled world of Ed the Happy Clown is definitively presented here, repackaged with a new foreword by the author and an extensive notes section, and, as with every Brown book, astonishingly perceptive about the zeitgeist of its time.