The captivating story of Mary John (who passed away in 2004), a pioneering Carrier Native whose life on the Stoney Creek reserve in central BC is a capsule history of First Nations life from a unique woman's perspective. A mother of twelve, Mary endured much tragedy and heartbreak--the pangs of racism, poverty, and the deaths of six children--but lived her life with extraordinary grace and courage. Years after her death, she continues to be a positive role model for Aboriginals across Canada. In 1997 she received the Order of Canada. This edition of Stoney Creek Woman, one of Arsenal's all-time bestsellers, includes a new preface by author Bridget Moran, and new photographs. Shortlisted for the Roderick Haig-Brown Regional Prize Now in its 14th printing.

Judgement at Stoney Creek has been released in a new edition of an aboriginal studies classic: an engrossing look at the investigation into the hit-and-run death of Coreen Thomas, a young Native woman in her ninth month of pregnancy, at the wheels of a car driven by a young white man in central BC. The resulting inquest into what might have been just another small-town tragedy turned into an inquiry of racial tensions, both implicit and explicit, that surfaced not only on country backroads but in the courtroom as well, revealing a dual system of justice that treated whites and aboriginals differently. First published in 1990, Judgement at Stoney Creek has been hailed for its moving and deeply personal depiction of a controversial subject that continues to make news today--how the justice system has failed Canada's aboriginal people. This new edition includes a new preface by the author, who returns to the area to discover how much racial relations, and the relationship between Natives and the justice system, have changed.

In 1964, social worker Bridget Moran attracted widespread attention and the wrath of the BC government with her open letter to Premier W.A.C. Bennett, charging the welfare department with gross neglect in addressing the problems of the province's needy. This very public dispute formed a small part of Bridget Moran's "little rebellion" against a system she felt did not, and does not, respond to the needs of those it was designed to help. A Little Rebellion is a moving portrait of a fiery and outspoken woman whose ongoing activism is inspired by a deeply-felt desire for social and political justice. Now in its 4th printing.

What elements of American political and rhetorical culture block the imagining—and thus, the electing—of a woman as president? Examining both major-party and third-party campaigns by women, including the 2008 campaigns of Hillary Clinton and Sarah Palin, the authors of Woman President: Confronting Postfeminist Political Culture identify the factors that limit electoral possibilities for women. Pundits have been predicting women’s political ascendency for years. And yet, although the 2008 presidential campaign featured Hillary Clinton as an early frontrunner for the Democratic presidential nomination and Sarah Palin as the first female Republican vice-presidential nominee, no woman has yet held either of the top two offices. The reasons for this are complex and varied, but the authors assert that the question certainly encompasses more than the shortcomings of women candidates or the demands of the particular political moment. Instead, the authors identify a pernicious backlash against women presidential candidates—one that is expressed in both political and popular culture. In Woman President: Confronting Postfeminist Political Culture, Kristina Horn Sheeler and Karrin Vasby Anderson provide a discussion of US presidentiality as a unique rhetorical role. Within that framework, they review women’s historical and contemporary presidential bids, placing special emphasis on the 2008 campaign. They also consider how presidentiality is framed in candidate oratory, campaign journalism, film and television, digital media, and political parody.

Winner, Trillium Book Award In Téa Mutonji’s disarming debut story collection, a woman contemplates her Congolese traditions during a family wedding, a teenage girl looks for happiness inside a pack of cigarettes, a mother reconnects with her daughter through their shared interest in fish, and a young woman decides on shaving her head in the waiting room of an abortion clinic. These punchy, sharply observed stories blur the lines between longing and choosing, exploring the narrator’s experience as an involuntary one. Tinged with pathos and humor, they interrogate the moments in which femininity, womanness, and identity are not only questioned but also imposed. Shut Up You’re Pretty is the first book to be published under VS. Books, a series of books curated and edited by writer-musician Vivek Shraya featuring work by new and emerging Indigenous or Black writers, or writers of color. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

Explores a radicalized feminist agenda in the latter part of the 20th century. Cast of 16 women and 3 men.

When Nikki R. Van Hightower stepped into the position of Women's Advocate for the City of Houston in 1976, she quickly discovered that she had very little real power. And when the all-male city council cut her salary to $1 a year after she spoke at a women's rights rally, she gained full appreciation for just what she was up against. Nonetheless, before the job was abolished altogether two years later, Van Hightower went on to help orchestrate the enormously successful 1977 US National Women's Conference in Houston as part of the 1975 International Woman's Year, to help found the Houston Area Women's Center and establish its rape crisis and shelter programs, and to host a radio show where she publicly discussed issues of gender, race, and human rights. This eye-opening memoir offers a window into the world of Texas history and politics in the 1970s, where sexual harassment was not considered discrimination, where women's shelters did not exist, where no women were elected to city government, where women in the parks department were prohibited from working outdoors, and where women paid to use airport toilets while men did not. That world that may seem distant and slightly unreal today, so all the more reason to read Van Hightower's journey as a feminist. Her story will remind us that while much has been achieved in gender relations and women's rights, there is much that remains to be done.