John Burroughs Medal for Distinguished Natural History Book PEN/Martha Albrand Award Finalist “[Green’s] prose rings with the elemental clarity of the ice he knows so well.” —PEN Awards Committee citation A classic of contemporary nature writing, the award-winning Water, Ice & Stone is both a scientific and poetic journey into Antarctica, addressing the ecological importance of the continent within the context of climate change. Bill Green has been traveling to this remote and primordial place at the bottom of the Earth since 1968. With this book he focuses on the McMurdo Dry Valleys—an area that is deceptively timeless as a stark landscape of rock and ice. Here, Green delves into the geochemistry of the region and discovers a wealth of data, which vividly speaks to the health and climate of the larger world. Bill Green is a geochemist and professor emeritus at Miami University in Oxford, Ohio. He first traveled to Antarctica in 1968 and began conducting research there in 1980. He is also the author of Boltzmann’s Tomb: Travels in Search of Science.

Private Investigator Sharon McCone goes undercover to investigate the murders of two Indigenous women in remote Northern California in this gripping, atmospheric mystery in the New York Times bestselling series. When the bodies of two Indigenous women are found in the wilderness of northern California, it is only the latest horrific development in a string of similar crimes in the area. Despite all evidence to the contrary, officials rule the deaths isolated incidents, which soon join the ranks of countless other unsolved cases quickly dismissed by law enforcement. In a town where too many injustices are tolerated or brushed under the rug, only a few people remain who refuse to let a killer walk free. But Private Investigator Sharon McCone is one of those few. She is hired by an organization called Crimes against Indigenous Sisters to go undercover in Meruk County—a community rife with secrets, lies, and corruption—to expose the truth. In an isolated cabin in the freezing, treacherous woods, McCone must work quickly to unravel a mystery that is rooted in profound evil—before she becomes the killer’s next target.

Most people do not think to observe geology from the sidewalks of a major city, but all David B. Williams has to do is look at building stone in any urban center to find a range of rocks equal to any assembled by plate tectonics. In Stories in Stone, he takes you on explorations to find 3.5-billion-year-old rock that looks like swirled pink-and-black taffy, a gas station made of petrified wood, and a Florida fort that has withstood three hundred years of attacks and hurricanes, despite being made of a stone that has the consistency of a granola bar. Williams also weaves in the cultural history of stone, explaining why a white fossil-rich limestone from Indiana became the only building stone used in all fifty states; how in 1825, the construction of the Bunker Hill Monument led to America’s first commercial railroad; and why when the same kind of marble used by Michelangelo clad a Chicago skyscraper it warped so much after nineteen years that all 44,000 panels of it had to be replaced. This love letter to building stone brings to life the geology you can see in the structures of every city.

For forty years, Andy Goldsworthy has worked with an extraordinary range of natural materials, often at their source. On an almost daily basis, he makes works of art using the materials and conditions that he encounters wherever he is, be it the land around his Scottish home, the mountain regions of France or Spain, or the pavements of New York City, Glasgow, or Rio de Janeiro. Out of earth, rocks, leaves, ice, snow, rain, sunlight and shadow he makes artworks that exist briefly before they are altered and erased by natural processes. They are documented in his photographs, and their larger meanings are bound up with the conditions, forces and processes that they embody: materiality, temporality, growth, vitality, permanence, decay, chance, labour and memory. Ephemeral Works features approximately two hundred of these works, selected by Goldsworthy from thousands he has made between 2001 and the present, and arranged in chronological sequence, capturing his creative process as it interacts with material, place, and the passage of time and seasons.

Private Investigator Sharon McCone goes undercover to investigate the murders of two Indigenous women in remote Northern California in this gripping, atmospheric mystery in the New York Times bestselling series. When the bodies of two Indigenous women are found in the wilderness of northern California, it is only the latest horrific development in a string of similar crimes in the area. Despite all evidence to the contrary, officials rule the deaths isolated incidents, which soon join the ranks of countless other unsolved cases quickly dismissed by law enforcement. In a town where too many injustices are tolerated or brushed under the rug, only a few people remain who refuse to let a killer walk free. But Private Investigator Sharon McCone is one of those few. She is hired by an organization called Crimes against Indigenous Sisters to go undercover in Meruk County—a community rife with secrets, lies, and corruption—to expose the truth. In an isolated cabin in the freezing, treacherous woods, McCone must work quickly to unravel a mystery that is rooted in profound evil—before she becomes the killer’s next target.