Stirring My Soul to Sing: Overcoming ADHD Through Song shares the personal events of W. Ian Walker’s life as an arts consultant, musician, “singer-actor,” chorister, and music director. His life story is one of faith and arts awareness in overcoming many obstacles associated with attention deficit hyper-activity disorder—ADHD. Behind the lyrics, melodies, and ovations, Ian experienced verbal abuse, school bullying, poor academic standing, employment instability, financial hardship, and divorce. Offering insight into an “artistic life” as an alternative to medication, Ian shares very personal details of the joys and sorrows of adapting to this disorder.

In this special seasonal edition, bestselling author Robert J. Morgan shares the incredible stories behind traditional holiday hymns of faith, including Christmas, Easter, and more. Is there a festive season of the year that is complete without one of your favorite hymns? Not only do hymns connect you to great memories, but they also reveal the faith of those who lived throughout history. As Robert Morgan explored the stories behind some of the best-loved hymns, he found fascinating accounts of tribulations, triumphs, struggles, and hope—ordinary people who connected with God in amazing ways, sharing their experiences through song. Included inside this special edition are: 150 devotional-style stories with the words and music to each hymn Includes hymns for holidays including Christmas, Easter, Thanksgiving, and more Jagged edged paper, giving it a classic feel Includes a complete hymn index by title, first line, and songwriter Perfect for use as a daily devotional, teaching illustration, or for song leaders and music ministers Discover the inspiration behind your favorite hymns. Find new favorites as you relate to the people whose walk of faith led them to write these classic songs of praise. Share these stories with your family, friends, and church, and find more depth and meaning as you worship God through song.

This anthology introduces the African literature of incarceration to the general reader, the scholar, the activist and the student. The visions and prison cries of the few African nationalists imprisoned by colonialists, who later became leaders of their independent dictatorships and in turn imprisoned their own writers and other radicals, are brought into sharper focus, thereby critically exposing the ironies of varied generations of the efforts of freedom fighters. Extracts of prose, poetry and plays are grouped into themes such as arrest, interrogation, torture, survival, release and truth and reconciliation. Contributors include: Kunle Ajibade, Obafemi Awolowo, Steve Biko, Breyten Breytenbach, Dennis Brutus, Nawal El Saadawi, M J Kariuki, Kenneth Kaunda, Caesarina Kona Makhoere, Nelson Mandela, Emma Mashinini, Felix Mnthali, Augustino Nato, Ngugi wa Thiong'o, Kwame Nkrumah, Abe Sachs, Ken Saro Wiwa, Wole Soyinka, and Koigi wa Wamwere. Although an often harrowing indictment of the history, culture and politics of the African continent and the societies from which this literature comes, the anthology presents excellent prose, poetry and drama, which stands up in its own right as serious literature to be cherished, read and studied.

The weekly source of African American political and entertainment news.

The idea of this women's magazine originated with Samuel Williams, a Cincinnati Methodist, who thought that Christian women needed a magazine less worldly than Godey's Lady's Book and Snowden's Lady's Companion. Written largely by ministers, this exceptionally well-printed little magazine contained well-written essays of a moral character, plenty of poetry, articles on historical and scientific matters, and book reviews. Among western writers were Alice Cary, who contributed over a hundred sketches and poems, her sister Phoebe Cary, Otway Curry, Moncure D. Conway, and Joshua R. Giddings; and New England contributors included Mrs. Lydia Sigourney, Hannah F. Gould, and Julia C.R Dorr. By 1851, each issue published a peice of music and two steel plates, usually landscapes or portraits. When Davis E. Clark took over the editorship in 1853, the magazine became brighter and attained a circulation of 40,000. Unlike his predecessors, Clark included fictional pieces and made the Repository a magazine for the whole family. After the war it began to decline and in 1876 was replaced by the National Repository. The Ladies' Repository was an excellent representative of the Methodist mind and heart. Its essays, sketches, and poems, its good steel engravings, and its moral tone gave it a charm all its own. -- Cf. American periodicals, 1741-1900.