Called "a feminist classic" by Judith Shulevitz in the New York Times Book Review, this pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later. "Gilbert and Gubar have written a pivotal book, one of those after which we will never think the same again."--Carolyn G. Heilbrun, Washington Post Book World

This is THE book on anger, the first book to explain exactly why we get mad, what anger really is - and how to cope with and use it. Often confused with hostility and violence, anger is fundamentally different from these aggressive behaviours and in fact can be a healthy and powerful force in our lives. What is anger? Who is allowed to be angry? How can we manage our anger? How can we use it? It might seem like a day doesn't go by without some troubling explosion of anger, whether we're shouting at the kids, or the TV, or the driver ahead who's slowing us down. In this book, the first of its kind, Dr. Ryan Martin draws on 20 years plus of research, as well as his own childhood experience of an angry parent, to take an all-round view on this often-challenging emotion. It explains exactly what anger is, why we get angry, how our anger hurts us as well as those around us, and how we can manage our anger and even channel it into positive change. It also explores how race and gender shape society's perceptions of who is allowed to get angry. Dr. Martin offers questionnaires, emotion logs, control techniques and many other tools to help readers understand better what pushes their buttons and what to do with angry feelings when they arise. It shows how to differentiate good anger from bad anger, and reframe anger from being a necessarily problematic experience in our lives to being a fuel that energizes us to solve problems, release our creativity and confront injustice.

Why You’re Still Single is not about chasing men, so you will not need a butterfly net. It is not about making them chase you, because they are not wolves and you are not a bunny. Relationship experts Evan Marc Katz and Linda Holmes do not suggest that you treat men like hostile alien presences, pretend you don’t understand football, buy padded bras, or refuse to call people back. But the benefit of other people’s experience might point out a few things that are tripping you up, no matter how much of an amazing, smart, hot, totally worthwhile ass-kicker you may be as a general rule. They recommend: Honesty (usually), playing fair, shutting up (sometimes), speaking up (other times), respecting that voice in your head that says "You’re doing WHAT?", making compromises, knowing when to cut bait, good sex, giving yourself a break, being needlessly generous, and periodically leaving your apartment. They don’t recommend: Pretending to like what you don’t like, treating winking and giggling like a Get Out Of Jail Free card, testing people, stubbornness, martyrdom, talking everything to death, and convincing yourself that you’re desperate.

The behind-the-scenes story of the making of the iconic movie Network, which transformed the way we think about television and the way television thinks about us "I'm mad as hell, and I'm not going to take this anymore!" Those words, spoken by an unhinged anchorman named Howard Beale, "the mad prophet of the airwaves," took America by storm in 1976, when Network became a sensation. With a superb cast (including Faye Dunaway, William Holden, Peter Finch, and Robert Duvall) directed by Sidney Lumet, the film won four Academy Awards and indelibly shaped how we think about corporate and media power. In Mad As Hell, Dave Itzkoff of The New York Times recounts the surprising and dramatic story of how Network made it to the screen. Such a movie rarely gets made any more—one man's vision of the world, independent of studio testing or market research. And that man was Paddy Chayefsky, the tough, driven, Oscar-winning screenwriter whose vision—outlandish for its time—is all too real today. Itzkoff uses interviews with the cast and crew, as well as Chayefsky's notes, letters, and drafts to re-create the action in front of and behind the camera at a time of swirling cultural turmoil. The result is a riveting account that enriches our appreciation of this prophetic and still-startling film. Itzkoff also speaks with today's leading broadcasters and filmmakers to assess Network's lasting impact on television and popular culture. They testify to the enduring genius of Paddy Chayefsky, who foresaw the future and whose life offers an unforgettable lesson about the true cost of self-expression.

"In the year 2018, it seems as if women's anger has suddenly erupted into the public conversation. But long before Pantsuit Nation, before the Women's March, and before the #MeToo movement, women's anger was not only politically catalytic--but politically problematic. The story of female fury and its cultural significance demonstrates the long history of bitter resentment that has enshrouded women's slow rise to political power in America, as well as the ways that anger is received when it comes from women as opposed to when it comes from men"--

In God we trust but all the rest have to pay.

• Introduction to crime in the city • Headline cases In New York City, crime is big--big in newspaper headlines, big to politicians who win and lose jobs because of a flux in crime, and big in the lore of the city itself. This book begins with a survey of crime in the Big Apple and then focuses on its landmark cases, including the sixteen-year terrorism of the Mad Bomber, the bystander effect in the fatal stabbing of Kitty Genovese, the Son of Sam serial killings, the assassination of John Lennon, the fall of mob boss Paul Castellano, and the murder of Jennifer Levin by Preppie Killer Robert Chambers Jr.