The good thing about being my age is that if you haven't grown up already, you don't have to.What do you do when you start talking to yourself on the bus? If you're the writer Brigid Lowry, you change tack and write a book about what it means to be an ageing woman in the 21st century.In Still Life with Teapot Lowry offers advice, observations, hope and reality checks in equal measure. She drops us straight into the writer's world into the nuts and bolts of writing practice and into the art of life and ways to write about it.Still Life with Teapot is an essential brew for people who love to make lists, for people who love to write and for people who love to read about writing.

"The vibrant late paintings of Pierre Bonnard (1867-1947) are considered by many to be among his finest achievements. Working in a small converted bedroom of his villa in the south of France, Bonnard suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand-usually everyday scenes taken from his immediate surroundings, such as the dining room table being set for breakfast, or a jug of flowers perched on the mantelpiece - Bonnard rarely painted from life. Instead, he preferred to make pencil sketches in small diaries and then rely on these, along with his memory, once in the studio." "This volume, which accompanies the first exhibition to focus on the interior and related still-life imagery from the last decades of Bonnard's long career, presents more than seventy-five paintings, drawings, and works on paper, many of them rarely seen in public and in some cases, little known. Although Bonnard's legacy may be removed from the succession of trends that today we consider the foundation of modernism, his contribution to French art in the early decades of the twentieth century is far more profound than history has generally acknowledged. In their insightful essays and catalogue entries the authors bring fresh critical perspectives to the ongoing reappraisal of Bonnard's reputation and to his place within the narrative of twentieth-century art."--Jacket

"When the curtain goes up on The Teapot Opera there is no music. There are no people, either. But there are plenty of characters: there's the teapot, of course, and a white plastic stallion, a china harpist, a skull, an expresso machine, chess pieces, fruit, the Michelin Tire man, fragments of a classical sculpture, ancient books, a souvenir bust of Teddy Roosevelt, valves and gauges of all kinds, a Shriner's fez, a glass eyeball, billiard balls, and so much more."--Jacket flap.

Mom is very angry. Her very favorite teapot is broken, and no one is 'fessing up. Was it Dad, sitting in his underwear reading the paper? Was it Cat, who was all tangled up in a ball of yarn? Was it Baby perched in his highchair? Or is there a surprising twist to this mystery that teaches Mom a little lesson in anger management? Bill Slavin takes a sly poke at parents in their less-than-finer moments in this funny and energetic story.

Carl Schmitt expressed the beauty of truth in painting in the way that the deepest spiritual writers expressed in words the truths about God and creation. In 43 paintings selected to show the broad range of his work, this book presents not only art, but his ideas about art and life. Scepter is proud to join with the Carl Schmitt Foundation to present a selection of his work for the first time, from private and public collections. It arrives just ahead of the 125th anniversary of the author¿s birth in Warren, Ohio.Carl Schmitt (1889¿1989) produced hundreds of paintings from landscape and still life to portraits of his wife and nine children as well as poets, artists, and Marian and religious themes. His over 500 works painted in the U.S. and Europe are scattered through museums from the National Gallery in Washington DC to private collections worldwide. His painted with extreme precision to present art as an expression of the beauty that lies within all creation. He was a man of deep faith, a lifelong Catholic, who saw God in everything he studied and drew.

Written by a well-known artist and best-selling art-instruction author with almost rock-star popularity in the contemporary world of representational art, Beginning Drawing Atelier, with its unique workbook/sketchbook approach, and high-quality paper, offers a comprehensive and contemporary twist on traditional Atelier art instruction practices. Atelier education is centered on the belief that working in a studio, not sitting in the lecture hall, is the best place to learn about art. Every artist needs to learn basic drawing skills. In this elegant and inspiring workbook, master contemporary artist and best selling author Juliette Aristides breaks down the drawing process into small, manageable lessons; presents them progressively; introduces time-tested principles and techniques in the Atelier tradition that are easily accessible; and shares the language and context necessary to understand the artistic process and create superior, well-crafted drawings. What makes this approach unique is the fact that it includes blank pages for copying and practicing within each lesson, facilitating traditional Atelier methods. Ateliers have produced the greatest artists of all time--and now that educational model is experiencing a renaissance. These studios, in a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Beginning Drawing Atelier is like having an atelier in a book--and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of Old Masters and today's most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, the approach in this new book offers serious art courses for serious art students.

A book that illustrates the impressionist art collection at the National Museum of Wales, with a history of how the collection was formed.