Originally published in 1989 by Ticknor & Fields, Brian Kiteley's Still Life with Insects is the intensely focused chronicle of Elwyn Farmer, an amateur entomologist, who uses the field notes of his insect sightings to examine and reweave the tattered fragments of his life. In a series of visually powerful and emotionally breathtaking vignettes Kiteley distills the transient beauty of the natural world and lays bare the suffering and joy of one man's life from his maturity in the post–war years to very old age in the 19809's. His striking narrative technique aptly captures the experience we all have as we struggle to make sense of what it means to be human in the face of the inevitable passage of time.

How do the objects in a still life reflect the customs, ideas and aspirations of the time? This is one of the questions which Schneider asks in this book. Still lifes chart the history of scientific discoveries and their acceptance as well as the gradual replacement of the mediaeval concept of the world.

How the picturing of insects inspired new ideas about art, science, nature, and commerce

Explores the 'still life spirit' in modern painting, prose, dance, sculpture and poetryChallenges the conventional positioning of still life a 'minor' genre in art historyProposes a radical alternative to narratives of modernism that privilege speed and motion by revealing forms of stillness and still life at the heart of modern literature and visual cultureProvides the first study of still life to consider the genre across modern literature, visual cultures and danceUncovers connections and cultural exchange between networks of European and American artists including the Bloomsbury Group and Wallace StevensThe late nineteenth and early twentieth centuries have been characterised as the 'age of speed' but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examining the potential for movement and transformation in the idea of stillness and the ordinary. It ranges widely in its material, taking Czanne and literary responses to his still life painting as its point of departure. It investigates constellations of writers, visual artists and dancers including D. H. Lawrence, Virginia Woolf, David Jones, Winifred Nicholson, Wallace Stevens, and lesser-known figures including Charles Mauron and Margaret Morris. Claudia Tobin reveals that at the heart of modern art were forms of stillness that were intimately bound up with movement: the still life emerges charged with animation, vibration and rhythm; an unstable medium, unexpectedly vital and well suited to the expression of modern concerns.

Drawing upon a wide range of scholarly enquiry into early music, queer musicology, ethnomusicology, performance practice, music education and technology, Aesthetics and Experience in Music Performance provides a lively forum for the articulation of varied perspectives on the role of music, its interpretation and function in contexts supported by those who practice or experience it. The formal and shorter discussion papers included in this scholarly collection were presented at the National Workshop of the Musicological Society of Australia, held at the University of Queensland, Brisbane in October 2003. The themes of aesthetics and experience are central to this publication and each paper engages in a scholarly dialogue on the technical, expressive and embodied aspects of performance. The papers included in this publication bring together the research of a wide community of scholars (e.g., musicologists, anthropologists, ethnomusicologists and linguists) working in the field of performance studies and collectively reflect the musicological issues being debated in Australia today.

A richly illustrated guide to the astonishing variety of beetles around the world Beetles make up about a quarter of known animal species and are arguably the most diverse group of organisms on Earth: almost 400,000 species have been formally described so far, and it is likely that this number merely scratches the surface. In Beetles of the World, Maxwell Barclay and Patrice Bouchard—two of the world’s foremost beetle experts—celebrate these remarkable creatures in all their variety, from their size and appearance to their ecological importance. Providing concise accounts of all the major families and subfamilies of Coleoptera, Beetles of the World explores beetle anatomy, life cycle, fossil history, feeding habits, role in the food web, habitats, relationship with humans, and classification—as well as the essential part that beetles play in the global ecosystem, and the ways humans can help protect them. Features 300 stunning color photographs Presents family profiles with a distribution map, table of information, and commentary Includes a comprehensive introduction that provides insight into the astonishing diversity of beetles and their histories