The 13 stories in this collection by Japanese writer Junzo Shono are linked by the daily life of a husband and wife and their children. The stories are like the back of a tapestry where threads seem to cross randomly. Births, weddings, school activities, a suicide attempt - all occur out of view. Readers understand crucial events through ordinary days. But these quiet tales have a cumulative power. Toys, birds, and playing cards relate to human lives as portents, parallels, parodies. The mother, with her secret sorrows, and the puzzled, bemused father savor reveries and survive unexplained misfortunes. Shono's vivid snapshot technique, the layering of images, events, and conversations, creates an effect Western readers may find more akin to an Ozu film crossed with haiku than to traditional short stories.

Intelligence comes from ignorance as wisdom comes from naivet and there is nothing like gathering both from people who represent a diverse swath of nations throughout the world. As cultures require contact with each other in order to grow and remain viable, and not succumb to atrophy, man too requires contact with men of different beliefs and practices. No one nation or culture or religion has a hold on logic or is immune to extremism. I feel blessed that Ive had the opportunity to absorb and learn about aspects of life that Im sure I wouldnt have learned otherwise. In fact, my whole belief system was changed over the past forty-five years through this contact. I began to do some research on my family and what I learned, coupled with what I had experienced in my life, literally brought me to tears in gratitude and admiration, and hopefully in wisdom. If you like to sit down and listen to stories told by, say, an old friend, an uncle, or a person with wrinkles on his face, grey in his hair, and a sparkle of wisdom in his eyes, coupled with a smile on his face, then you should so bother. If you dont, then stop right here and go pick up and read a book on vampires or loves lost or whatever turns your fancy. My life has been tragic and wondrous and I have what I call life lessons that I believe you will find helpful in your life. Ill even go so far as to say that, given even a fraction of introspection in you, your life will be significantly altered after youve read this book. I know that doesnt sound humble but I also know this to be true. I have learned, forgot, and made up many a good story. Keep this in mind when you read these chapters (stories) compiled within this book. Are they all true? Mostly, with only the most embarrassing events removed. An old retired Air Force fighter pilot once told me I have secrets only God and I know and thats the way it will remain.

This book explores the ways in which English writer A. S. Byatt’s visual still lifes (descriptions of real or imagined artworks) and what are termed “verbal still lifes” (scenes such as laid tables, rooms and market stalls) are informed by her veneration of both realism and writing. It examines Byatt’s adoption of the Barthesian concept of textual pleasure, showing how her ekphrastic descriptions involve consumption and take time to unfold for the reader, thereby highlighting the limitations of painting. It also investigates the ways in which Byatt’s still lifes demonstrate her debts to English modernist author Virginia Woolf, French writer Marcel Proust, and the Pre-Raphaelite Brotherhood of nineteenth-century Britain. A number of Byatt’s verbal still lifes are read as semiotic markers of her characters, particularly with regard to economic status and class. Further, her descriptions uniting food and sexuality are perceived as part of her overall representation of pleasure. Finally, Byatt’s employment of vanitas iconography in many of her portrayals of death is discussed showing how her recurring motif of Keats’s “Ode on a Grecian Urn” teases out the still life’s inherent tension between living passion and “cold” artwork.

The Fuss About Queens and Other Stories, a brilliant collection of short stories by Darius Cooper, delves into disparate universes, including the charming world of the Parsis in Mumbai, caught in a cultural and historical time warp, with the fire temple, the tower of silence, dusty tomes of Dostoevsky, and the British monarch’s portrait in a drawing room, set up with period furniture a truly stunning mosaic. Talking Points: Includes some of the finest short stories by the authorEach story provides a glimpse into the humanistic outlook of the writerEncompasses a variety of socially relevant themes that are close to the writer’s heart

In Dear Science and Other Stories Katherine McKittrick presents a creative and rigorous study of black and anticolonial methodologies. Drawing on black studies, studies of race, cultural geography, and black feminism as well as a mix of methods, citational practices, and theoretical frameworks, she positions black storytelling and stories as strategies of invention and collaboration. She analyzes a number of texts from intellectuals and artists ranging from Sylvia Wynter to the electronica band Drexciya to explore how narratives of imprecision and relationality interrupt knowledge systems that seek to observe, index, know, and discipline blackness. Throughout, McKittrick offers curiosity, wonder, citations, numbers, playlists, friendship, poetry, inquiry, song, grooves, and anticolonial chronologies as interdisciplinary codes that entwine with the academic form. Suggesting that black life and black livingness are, in themselves, rebellious methodologies, McKittrick imagines without totally disclosing the ways in which black intellectuals invent ways of living outside prevailing knowledge systems.

The 20th century witnessed several major cultural movements, including modernism, anti-modernism, and postmodernism. These and other means of understanding and perceiving the world shaped the literature of that era and, with the rise of feminism, resulted in a particularly rich body of literature by women writers. This reference includes alphabetically arranged entries on 58 British women writers of the 20th century. Some of these writers were born in England, while others, such as Katherine Mansfield and Doris Lessing, came from countries of the former Empire or Commonwealth. The volume also includes entries for women of color, such as Kamala Markandaya and Buchi Emecheta. Each entry is written by an expert contributor and includes an overview of the writer's background, an analysis of her works, an assessment of her achievements, and lists of primary and secondary sources. The volume closes with a selected, general bibliography.