Lilly Gray Corbett loves living on Troublesome Creek, but she would much rather play with her best friend than watch her little brother and the twins. Her mama, Copper, is often gone helping to birth babies, and Lilly has to stay home. When Aunt Alice sends a note inviting her to visit in the city, Lilly is excited to go, and Copper reluctantly agrees to let her. Later, when they hear the news that the train crashed, Copper and her husband, John, rush to find out if their daughter is injured . . . or even alive.

This collection brings together two of Jan Watson’s historical novels in one e-book for a great value! Sweetwater Run In 1891 in the mountains of eastern Kentucky, two young women stand at a crossroads. Both are protégées of the same mentor, Copper Brown, yet they couldn’t be more different. Darcy Whitt falls in love with the town’s handsome yet unscrupulous attorney who plots to take not only Darcy’s land but that of her sister as well. Meanwhile, her beautiful sister-in-law, Cara Whitt, suddenly finds herself alone and afraid, living in a rickety cabin on the backside of nowhere. As they struggle with the realities of life, both women learn to rely on their faith above all else. Still House Pond Lilly Gray Corbett loves living on Troublesome Creek, but she would much rather play with her best friend than watch her little brother and the twins. Her mama, Copper, is often gone helping to birth babies, and Lilly has to stay home. When Aunt Alice sends a note inviting her to visit in the city, Lilly is excited to go, and Copper reluctantly agrees to let her. Later, when they hear the news that the train crashed, Copper and her husband, John, rush to find out if their daughter is injured . . . or even alive.

For over a century, the town of Gossamer Grove has thrived on its charm and midwestern values, but Annalise Forsythe knows painful secrets, including her own, hover just beneath the pleasant fa ade. When a man is found dead in his run-down trailer home, Annalise inherits the trailer, along with the pictures, vintage obituaries, and old revival posters covering its walls. As she sorts through the collection, she's wholly unprepared for the ramifications of the dark and deadly secrets she'll uncover. A century earlier, Gossamer Grove has been stirred into chaos by the arrival of controversial and charismatic twin revivalists. The chaos takes a murderous turn when Libby Sheffield, working at her father's newspaper, receives an obituary for a reputable church deacon hours before his death. As she works with the deacon's son to unravel the mystery behind the crime, it becomes undeniably clear that a reckoning has come to town--but it isn't until another obituary arrives that they realize the true depths of the danger they've waded into. Two women, separated by a hundred years, must uncover the secrets within the borders of their own town before it's too late and they lose their future--or their very souls.

In 1891 in the mountains of eastern Kentucky, two young women stand at a crossroads. Both are protégées of the same mentor, Copper Brown, yet they couldn’t be more different. Darcy Whitt falls in love with the town’s handsome yet unscrupulous attorney who plots to take not only Darcy’s land but that of her sister as well. Meanwhile, her beautiful sister-in-law, Cara Whitt, suddenly finds herself alone and afraid, living in a rickety cabin on the backside of nowhere. As they struggle with the realities of life, both women learn to rely on their faith above all else.

“A sharp, funny, and eccentric debut … Pond makes the case for Bennett as an innovative writer of real talent. … [It]reminds us that small things have great depths.”–New York Times Book Review "Dazzling…exquisitely written and daring ." –O, the Oprah Magazine Immediately upon its publication in Ireland, Claire-Louise Bennett’s debut began to attract attention well beyond the expectations of the tiny Irish press that published it. A deceptively slender volume, it captures with utterly mesmerizing virtuosity the interior reality of its unnamed protagonist, a young woman living a singular and mostly solitary existence on the outskirts of a small coastal village. Sidestepping the usual conventions of narrative, it focuses on the details of her daily experience—from the best way to eat porridge or bananas to an encounter with cows—rendered sometimes in story-length, story-like stretches of narrative, sometimes in fragments no longer than a page, but always suffused with the hypersaturated, almost synesthetic intensity of the physical world that we remember from childhood. The effect is of character refracted and ventriloquized by environment, catching as it bounces her longings, frustrations, and disappointments—the ending of an affair, or the ambivalent beginning with a new lover. As the narrator’s persona emerges in all its eccentricity, sometimes painfully and often hilariously, we cannot help but see mirrored there our own fraught desires and limitations, and our own fugitive desire, despite everything, to be known. Shimmering and unusual, Pond demands to be devoured in a single sitting that will linger long after the last page.

Eleven-year-old Oliver enjoys tormenting insects, but his life takes a turn when his family moves into an old house which an assortment of animals doesn't want to vacate.

Twelve-year-old Jessie spends the summer with her family on Quicksand Pond, a New England vacation spot, where she develops a star-crossed friendship with independent Terri, and meets a reclusive old lady whose connection to a murder that took place decades ago still informs her present and affects Terri in ways that Jessie gradually comes to understand the more time they spend together.