The essential edition of one of modern poetry’s most distinctive voices: all Stevie Smith’s flabbergasting poems, now in paperback Stevie Smith is among the most popular British poets of the twentieth century. Her poem “Not Waving but Drowning” has been widely anthologized, and her life was celebrated in the classic movie Stevie. This new and updated edition includes hundreds of works from her thirty-five-year career. In addition to the poems and illustrations from all her published volumes, the Smith scholar Will May discovered never-before-published verses and provides fascinating details about their provenance. Satirical, mischievous, teasing, disarming, Stevie Smith’s poems take readers from comedy to tragedy and back again, while her line drawings are by turns unsettling and beguiling.

Poems with drawings spanning the artists lifetime.

Stevie's alter ego Pompey is young, in love and working as a secretary for the magnificent Sir Phoebus Ullwater, Bt. In between making coffee and typing letters for Sir Phoebus, Pompey scribbles down - on yellow office paper - her quirky thoughts. Her flights of imagination take in Euripedes, sex education, Nazi Germany and the Catholic Church in England, shattering conventions in their wake.

Designed especially for students but also for the general reader, this selection draws on the whole of Smith's output in poetry, prose, and drawings from Novel on Yellow Paper (1936) to Scorpion (1972), complemented by biographical and textual notes.

The author explores the connections between Smiths work and mass media production; twentieth-century historical events; her romantic and Victorian predecessors; and such contemporaries as Virginia Woolf, Dorothy Parker, Aldous Huxley, and Evelyn Waugh. By presenting Smith in the cultural milieu surrounding World War II, Severin illuminates the still dark period of British womens writing from 1930 to 1960. Focusing on the complete works of Stevie Smith, Severin suggests that Smiths boundary-crossing art forms, which transgress genres and even media, represent an attempt to undo the coherence of femininity as defined in the conservative period of World War II.

The British poet Stevie Smith, as her many readers well know, sprinkled her drawings throughout her poetry collections. In this sketchbook, Some Are More Human Than Others, she did the opposite--she spiced her drawings with words. Together they resound with what Robert Lowell described as Smith's "unique and cheerfully gruesome voice" and open up a little world of peculiar experience: something somber and something gay, innocent and cruel--truths of our world trapped off guard.

Celia works at the Ministry in the post-war England of 1949 and lives in a London suburb. Witty, fragile, quixotic, Celia is preoccupied with love - for her friends, her colleagues, her relations, and especially for her adored cousin Casmilus, with whom she goes on holiday to visit Uncle Heber, the vicar. Here they talk endlessly, argue, eat, tell stories, love and hate - moments of wild humour alternating with waves of melancholy as Celia ponders obsessively on the inevitable pain of love. In everything she wrote, Stevie Smith captured the paradox of pain in all human affections - nowhere more so than in this wry, strongly autobiographical tale.