Published to coincide with the exhibition Steve McQueen 30 January - 21 March 1999, Institute of Contemporary Arts, London and 12 June - 15 August 1999, Kunsthalle Zürich.

During his lifetime, Steve McQueen embodied the rebel image. Rough around the edges, driven with a passion not found in ordinary men, he was at once a loner and a leader. When McQueen arrived in Hollywood, even the biggest names had to learn fast that McQueen s hard edge was no mere act, and before long then troubled street kid from Indianapolis was among the highest-paid movie stars in the world. The man many called crazy , who raced motorcycles and lived every day as if it were his last, was also deeply respected by his fellow artists. Edward G. Robinson, Paul Newman and Dustin Hoffman, among others, ranked him among the best actors in film history. Steve McQueen was an original and a natural. Steve McQueen: Portrait of an American Rebel chronicles the life and times of a man whose power both on- and off-camera is legendary. From the list of his female friends to the love of his life, actress Ali McGraw, McQueen seemed to have it all. Marshall Terrill relates vivid, first-hand acco

The author presents a collection of chronologically-ordered quotes from actor Steve McQueen on many subjects, drawn from both print and audio sources, and accompanied by photographs and images of memorabilia spanning McQueen's life and works.

An intimate look at movie star Steve McQueen's reckless life of fast cars, women, and drugs all the way up to his dramatic life-change and terminal cancer diagnosis. Join Greg Laurie as he takes a cross-country drive in his 1968 Highland Green Ford Mustang 390 GT through the canyons of Malibu, the alleys of Hollywood, the wide and open roads of the Midwest, and the streets of New York as he traces the woolly geography of actor Steve McQueen's life, relationships, career, and spiritual journey. This iconic muscle car was the vehicle McQueen drove in his most raucous and enduring film, Bullitt. In the 1960s, McQueen was, according to box office receipts, the biggest movie star of his generation and one of the coolest men to ever walk the planet. Greg Laurie was a teen at the time and an ardent fan of "The King of Cool," first mesmerized by McQueen in 1963's The Great Escape. Like millions of cinema fans, Greg developed a lifelong fascination with the actor. Now he has a chance to tell McQueen's story. McQueen was a complex, contradictory man who lived the same way he drove his motorcycles and cars: fearlessly, ruthlessly, and at top speed. After a lifetime of fast cars, women, and drugs, McQueen took a surprising detour. In this book, Laurie thoughtfully interviews Steve McQueen's friends, co-stars, associates, widow, and pastor to tell of the dramatic life-change for the actor in the spring of 1979--six months before McQueen was diagnosed with terminal cancer. What were the critical steps that led McQueen to make such a life-altering decision? Perhaps more importantly, why is that part of his story so rarely told? This book answers these questions. Greg Laurie will follow the seeds of Christianity that were sown throughout McQueen's improbable life where a Light finally shone into the darkness of his troubled life. These seeds miraculously germinated, allowing McQueen to see that redemption through Jesus Christ is a lasting truth more glittering and real than any magic of the entertainment industry.

Barbara McQueen recalls life with her famous husband Steve McQueen. The book is a revised edition of her previous volume, Steve McQueen, The Last Mile with corrections and six additional chapters. It also includes a section on the Asbestos Disease Awareness Association, drawing attention to ways to prevent the disease that killed McQueen.

Artists’ Film offers a lucid, accessible account of artists’ unique contribution to the art of the moving image in the twentieth and early twenty-first centuries. International in scope and accessibly written by a renowned authority on the subject, Artists’ Film is an introductory guide to the exciting and expanding field of artists’ film and an alternative history of the moving image, chronicling artists’ ever-evolving fascination with filmmaking from the early twentieth century to now. From early pioneers to key artists of today, writer and curator David Curtis offers a vivid account of the many creators who have been inspired by the cinematic medium and who have felt compelled to interpret and respond to it in their own way. In doing so, Curtis discusses these artists’ widely differing achievements, aspirations, theories, and approaches. Featuring over four hundred international moving-image makers and drawing on examples from across the arts, including experimental film, video, installation, and multimedia, this generously illustrated account offers an incomparable introduction to this continually evolving art form. A perfect read for anyone with an interest in the intersection of contemporary art and film.