One of the leading poets and cultural icons of the 20th century, Stephen Spender was a prominent writer, literary critic, and social commentator--and close friend of some of the best-know creative talents of his day. Now, in this penetrating biography, John Sutherland paints a vivid portrait of Spender and of the glittering literary world of which he was a part, drawing on exclusive access to Spender's private papers. This briskly paced, compelling narrative illuminates the vast range of Spender's literary, political, and artistic interests. We follow Spender from childhood to his days at Oxford (where he first became friends with W.H. Auden, Christopher Isherwood, and Isaiah Berlin); to his meteoric rise as poet in the 1930s, while still in his twenties; to his later years as cultural statesman, at home in both Britain and America. We witness many of the century's defining moments through Spender's eyes: the Spanish Civil War, World War II, the Cold War, the 1960s sexual revolution, and the rise of America as a cultural force. And along the way, we are introduced to many of Spender's accomplished friends, including Dylan Thomas, Sylvia Plath, Cecil Day-Lewis, Joseph Brodsky, Lucian Freud, George Orwell, Virginia Woolf, and T.S. Eliot. Perhaps most important, Sutherland has been granted exclusive access to Spender's private papers by his wife Natasha Spender. Thus he is able to provide a far more intimate look at the poet's personal life than has appeared in previous biographies. Featuring 36 unpublished photographs, Stephen Spender: A Literary Life throws light not only on this supremely gifted writer, but also on the literary and social history of the twentieth century.

Presents the British poet's autobiography, including portraits of friends Virginia Woolf, T.S. Eliot, W.H. Auden, W.B. Yeats, and Christopher Isherwood.

British poet Stephen Spender (1909-95), through his life spanning the 20th century, befriended, collected or was otherwise connected to a pantheon of artists such as Arp, Auerbach, Bacon, Freud, Giacometti, Gorky, Guston, Hockney, Moore, Morandi, Picasso and others. Including examples of their work as well Spender's poems chosen by Auerbach, this publication is addressed to what Spender termed the "shared subject matter" of art and literature. Interweaving poetry, essay, artwork and generous archival photographs, The Worlds of Stephen Spender: I Think Continually of Those Who Were Truly Great takes for its inspiration themes that preoccupied Spender and which have taken on a renewed urgency: art's movement across borders; collaboration between artists and writers; solidarity against their censorship; and the moral responsibility of the creative individual in times of social crisis.

"Beyond the wonderful insights ... there is a portrait of the world in the eye of the storm between two world wars. It is a novel of awakening -- awakening to sex, yes ... but also an awakening to the presence of evil in the world and to the possibilities of love and friendship." -- The Bloomsbury Review

Stephen Spender, the son of a journalist, was born in London in 1909. He was educated at University College, Oxford, where he met, among others, W. H. Auden, Christopher Isherwood and Louis MacNeice, with whom he was to develop a poetics of engagement, writing powerfully of the confusion and alarm of 1930s Europe. He visited Spain during the Civil War, in 1937, where he assisted the Republican cause with propaganda activity. His post-war memoir World within World was recognised as one of the most illuminating literary autobiographies to have come out of the 1930s and 1940s, distilling a distinctively personal, humanistic socialism. His poetry has been praised for its exploratory candour, its personal approach to the stresses of modernity, and its exact portraiture of social and political upheaval. Grey Gowrie's new selection offers a timely and incisive revaluation of Spender's substantial poetic corpus.

Stephen Spender, along with his friends W. H. Auden, Louis MacNeice and C. Day Lewis, rose to prominence in the 1930s, writing powerfully of the fear and paranoia of a continent heading towards war. By the time of his death in 1995 he had established a distinguished reputation as a poet, critic, editor and translator. This New Collected Poems, edited by Michael Brett, gathers seven decades of verse from Poems (1933) to Dolphins (1994) and the late uncollected work. Reordering the thematic principle of the 1985 Collected Poems, this edition returns to a book-by-book chronology and allows the reader to experience, for the first time, the full development and range of his career.

Private faces in public places Are wiser and nicer Than public faces in private places. W.H. Auden, dedication to Stephen Spender, 1932 Stephen Spender wrote almost a million words of journal entries between his September Journal in 1939 and his death in 1995. In choosing from these voluminous journals for the new edition, the editors have tried to provide a picture of the various lives Spender brought together in autobiographical form. The earlier 1985 edition of the Journals was overseen by the author, and it privileged his thoughts about poetry - his own and other people's. The new edition includes the final ten years of Spender's life and provides access to the more intimate thoughts and feelings of the private man, but equally documents his life as a public intellectual who played a part in shaping the European literary and intellectual culture of his age. As we look back on the dramatic events of the twentieth century, we find that Spender was involved in many of them: the reconstruction of Germany and the construction of Europe (as Unesco's first Literary Councillor), the development of the cultural Cold War (as editor of Encounter), the founding of Israel, the anti-Vietnam movement in America. The Journals provide a personal version of sixty turbulent years of the twentieth century, hovering between diary, autobiography and history.