Black girl magic takes the solar system in Stella's Stellar Hair, a celebration of hair, family, and self-love from debut author-illustrator Yesenia Moises! It’s the day of the Big Star Little Gala, and Stella's hair just isn't acting right! What’s a girl to do? Simple! Just hop on her hoverboard, visit each of her fabulous aunties across the solar system, and find the perfect hairdo along the way. Stella’s Stellar Hair celebrates the joy of self-empowerment, shows off our solar system, and beautifully illustrates a variety of hairstyles from the African diaspora. Backmatter provides more information about each style and each planet. An Imprint Book

Sharon M. Draper presents “storytelling at its finest” (School Library Journal, starred review) in this New York Times bestselling Depression-era novel about a young girl who must learn to be brave in the face of violent prejudice when the Ku Klux Klan reappears in her segregated southern town. Stella lives in the segregated South—in Bumblebee, North Carolina, to be exact about it. Some stores she can go into. Some stores she can’t. Some folks are right pleasant. Others are a lot less so. To Stella, it sort of evens out, and heck, the Klan hasn’t bothered them for years. But one late night, later than she should ever be up, much less wandering around outside, Stella and her little brother see something they’re never supposed to see, something that is the first flicker of change to come, unwelcome change by any stretch of the imagination. As Stella’s community—her world—is upended, she decides to fight fire with fire. And she learns that ashes don’t necessarily signify an end.

When lines are drawn how do you find courage in the face of hate, and what does it truly mean to take a stand? Stella and Farida have been best friends forever, but lately things have been tense. It all started when Stella's brother came home from his latest tour with the US Marines in Afghanistan paranoid and angry. But Stella won't talk about it, and Farida can tell she's keeping something from her.Desperate to help Rob, Stella thinks she just needs to get him out of the house. She definitely didn't expect going to the movies to end with Rob in handcuffs for assaulting one of her classmates after his anger spiraled out of control.When a video of the fight goes viral, everyone has an opinion of Stella and her "violent vet" brother.The entire school takes sides, the media labels Rob a terrorist sympathizer, and even Farida is dragged into the mess despite not being there. As the story continues trending, Stella will have to decide just how far she's willing to go for the truth, even if it means admitting her own failures.

Romance and Rights: The Politics of Interracial Intimacy, 1945–1954 studies the meaning of interracial romance, love, and sex in the ten years after World War II. How was interracial romance treated in popular culture by civil rights leaders, African American soldiers, and white segregationists? Previous studies focus on the period beginning in 1967 when the Supreme Court overturned the last state anti-miscegenation law (Loving v. Virginia). Lubin's study, however, suggests that we cannot fully understand contemporary debates about “hybridity,” or mixed-race identity, without first comprehending how WWII changed the terrain. The book focuses on the years immediately after the war, when ideologies of race, gender, and sexuality were being reformulated and solidified in both the academy and the public. Lubin shows that interracial romance, particularly between blacks and whites, was a testing ground for both the general American public and the American government. The government wanted interracial relationships to be treated primarily as private affairs to keep attention off contradictions between its outward aura of cultural freedom and the realities of Jim Crow politics and anti-miscegenation laws. Activists, however, wanted interracial intimacy treated as a public act, one that could be used symbolically to promote equal rights and expanded opportunities. These contradictory impulses helped shape our current perceptions about interracial romances and their broader significance in American culture. Romance and Rights ends in 1954, the year of the Brown v. Board of Education decision, before the civil rights movement became well organized. By closely examining postwar popular culture, African American literature, NAACP manuscripts, miscegenation laws, and segregationist protest letters, among other resources, the author analyzes postwar attitudes towards interracial romance, showing how complex and often contradictory those attitudes could be.

Stunning and difficult, Stella Goldman is programmed for maximum nuisance capacity, but when she discovers both her father's affair and her boyfriend's infidelity on the same day, she flees into the arms of kindly Pen, who speaks as though he's stepped out of Brief Encounter. Meanwhile, her friend Ellen struggles to come to terms with the death of her sister, Lydia, whose ghost haunts not only her and her father Roland, but the beloved Goldmans (from Brother of the More Famous Jack), too. Along with eccentric professors, wicked monks, and the titular travelling hornplayer, their lives collide in a breathtaking finale.

Beth was covered in blood and ashes. Unable to stand up and walk in the slick pool of blood, she crawled to her grandfather. Her nightgown, heavy with blood, slid along the floor, leaving a trail of red behind her. She was crying uncontrollably. Samson took her in this arms, cradling her close to his chest.