When a friend drags Agatha “Aggie” Bowles to a romance convention, all she wants to do is find some new authors and a quiet spot to read. Instead of relaxing with a book, she ends up kidnapped by a steampunk cyborg. Which is as exciting as it sounds. Except for the fact he’s more interested in the cog hanging around her neck than Aggie herself. He’ll do anything to get his hands on it. Problem is other people want it, too. Can this cyborg relinquish a priceless treasure for love? Genre: cyborg romance, steampunk romance, science fiction romance, abduction romance, alien contact, space opera

In a deadly circus competition, even hearts are on the line. Gwendolyn Grimm intended to seduce men and women across the galaxy while working as a ship tinkerer on the finest vessels in the Crescent Star System. Alas, terminal illness is a buzzkill. When a life-saving opportunity struts into her life dressed in a pinstripe suit, she is made an offer she can’t refuse: become a cyborg and work as a tinkerer for Cirque du Borge, the once renowned cyborg circus. The problem is, a new law has banned the creation of new cyborgs and becoming one means execution if caught. Thus, no one cares to see the wonders of man and machine anymore. Ticket sales continue to fall as the circus announces a competition to determine which acts will perform for the emperor on his home planet—an opportunity with the potential to save the circus from bankruptcy. But the competition has deadly consequences. Losing acts have their cyborg implants forcibly removed, and those who survive the extraction are banished from the circus. As the tinkerer, Gwendolyn is forced to perform the revolting task of removing the cyborg implants from the losing performers. When she falls for both the man running the competition and a woman competing in it, she must decide who to protect. But can she risk having to harvest the people she loves the most? Readers of Sarah J. Maas will enjoy this LGBTQ+ steampunk romance set in a deadly Treasure Planet-esque galaxy. TRIGGER WARNINGS: This novel contains graphic violence, sexual content, inappropriate language, and references to eating disorders. Reader discretion is advised. WHAT READERS ARE SAYING “The Cyborg Tinkerer puts the ‘steam’ in steampunk and subverts romantic tropes in the most refreshing and unexpected way possible.” – Jenna Moreci, Bestselling Author of The Savior’s Champion “The Cyborg Tinkerer is an epic sci-fi, steampunk mash-up of intergalactic proportions. Full of love, lust, battles, and seduction. It will keep you turning the pages all night long.” – Sacha Black, Bestselling Fantasy and Nonfiction Author and Podcaster "A twisty thrill-ride crackling with sexual tension and macabre secrets. Combining a high-stakes competition, steampunk spacefaring, and an undercurrent of dark fairy tales, this is an adventure you don't want to miss!" – Claire Winn, Author of City of Shattered Light “In The Cyborg Tinkerer, Cinder [The Lunar Chronicles] is all grown up and finds herself in the middle of a Hunger Games-esque, steampunk, action-packed adventure." – Elliot Brooks, Author of Peace and Turmoil and BookTuber "Meg LaTorre is a writer to watch." – Michael Mammay, Author of Planetside

Steampunk Film: A Critical Introduction is a concise and accessible overview of steampunk's indelible impact within film, and acts as a case study for examining the ways with which genres hybridize and coalesce into new forms. Since the beginning of the 21st century, a series of high-profile and big-budget films have adopted steampunk identities to re-imagine periods of industrial development into fantastical histories where future meets past. By calling this growing mass-cultural fetishism for anachronistic machines into question, this book examines how a retro-futuristic romanticism for technology powered by cogs, pistons and steam-engines has taken center stage in blockbuster cinema. As the first monograph to consider cinema's unique relationship with steampunk, it places this burgeoning genre in the context of ongoing debates within film theory: each of which reflecting the movement's remarkable interest in reengineering historical technologies. Rather than acting as a niche subculture, Robbie McAllister argues that steampunk's proliferation in mainstream filmmaking reflects a desire to reassess contemporary relationships with technology and navigate the intense changes that the medium itself is experiencing in the 21st century.

Get transported in this vivid sci-fi romance that will take you across the galaxy on a quest for the Mecha Origin. Includes previously released titles: Steampunk Cyborg ~ When Aggie’s best friend drags her to a romance convention, all she wants to do is find a quiet spot to read. Instead of relaxing with a book, she ends up kidnapped by a steampunk cyborg. As the Cog Turns ~ Wulff’s cogs are in a jam because of Ursy, his best friend’s little sister. Only she’s not so young and bratty anymore. And she’s got a nice set of gears. Spinning Gears ~ Best friends Zak and Ray have only one goal in life: find more gears to upgrade their bodies. To find the treasures, they acquire a seer who can predict the future and decipher the past. First Gear ~ When Jool stumbles upon a hidden temple, he won’t just find salvation and a cure for his wife, he’ll becomes the first prophet to serve the Mecha Gods. genre: science fiction romance, space exploration, galactic quest, genetic engineering, first contact

Co-winner, Ray & Pat Browne Award for Best Edited Collection in Popular Culture and American Culture Once a small subculture, the steampunk phenomenon exploded in visibility during the first years of the twenty-first century, its influence and prominence increasing ever since. From its Victorian and literary roots to film and television, video games, music, and even fashion, this subgenre of science fiction reaches far and wide within current culture. Here Rachel A. Bowser and Brian Croxall present cutting-edge essays on steampunk: its rise in popularity, its many manifestations, and why we should pay attention. Like Clockwork offers wide-ranging perspectives on steampunk’s history and its place in contemporary culture, all while speaking to the “why” and “why now” of the genre. In her essay, Catherine Siemann draws on authors such as William Gibson and China Miéville to analyze steampunk cities; Kathryn Crowther turns to disability studies to examine the role of prosthetics within steampunk as well as the contemporary culture of access; and Diana M. Pho reviews the racial and national identities of steampunk, bringing in discussions of British chap-hop artists, African American steamfunk practitioners, and multicultural steampunk fan cultures. From disability and queerness to ethos and digital humanities, Like Clockwork explores the intriguing history of steampunk to evaluate the influence of the genre from the 1970s through the twenty-first century. Contributors: Kathryn Crowther, Perimeter College at Georgia State University; Shaun Duke, University of Florida; Stefania Forlini, University of Calgary (Canada); Lisa Hager, University of Wisconsin–Waukesha; Mike Perschon, MacEwan University in Edmonton, Alberta; Diana M. Pho; David Pike, American University; Catherine Siemann, New Jersey Institute of Technology; Joseph Weakland, Georgia Institute of Technology; Roger Whitson, Washington State University.

Blank sheet music staff paper book, 100 sheets, 8.5 x 11 inches (21.59 x 27.94 cm). Each sheet is double-sided with 12 staves. Has a futuristic robot, cyborg, steampunk themed cover. Science fiction fans may love this notebook as well.

This collection of essays explores the social and cultural aspects of steampunk, examining the various manifestations of this multi-faceted genre, in order to better understand the steampunk sub-culture and its effect on--and interrelationship with--popular culture and the wider society.