Poses the question, 'What possibilities for agency exist in the age of corporate globalisation?' This book delves into varied terrain to locate answers in this inquiry. It explores arguments about copyright via peer-to-peer (P2P) platforms such as Napster, free speech struggles, debates about access to information and open content licenses.

The Stolen Empire series is a decedent journey through the eras of Russia's most scandalous queens, Catherine the Great and Empress Elizabeth. Beginning with the humble origins of young Sophie—the girl destined to become Catherine—and culminating with her coronation, this series offers a fanciful glimpse inside the life of the dynamic, strong young woman who won the hand of a king, the heart of a nation, and, ultimately, sacrificed her own innocence on the throne of an empire. The trials and tribulations of court left their scars on young Sophie, but she faced down every obstacle with the courage and grace of a queen. But before Catherine was great, there was Elizabeth, daughter of Peter the Great, whose claim to the sovereignty of Russia was thwarted at every turn. Passed over time and again, she battled a corrupt council, distant and unhinged relatives, and even her own desires to seize the throne that should have been hers. Surviving personal tragedies, unimaginable losses, and political sabotage, Elizabeth clawed her way to the top, becoming the first woman to lead the Romanov Empire—but also the one who laid the groundwork for its eventual destruction. Don’t miss this scandalous series about the tenacious women who rose up to rule in infamy, and, in doing so, changed the fate of Russia forever.

Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.

Alexander the Great's soldier, Lydias of Miletus, has survived the final campaigns of the king's life. He now has to deal with the chaos surrounding his death. Lydias throws his lot in with Ptolemy, one of Alexander's generals who has grabbed Egypt as his personal territory. Aided by the eunuch Bagoas, the Persian archer Artashir, and the Athenian courtesan Thais, Ptolemy and Lydias must take on all the contenders in a desperate adventure whose prize is the fate of a white city by the sea, and Alexander's legacy.

I Mix What I Like is a study of the hip-hop mixtape as a tool of emancipatory journalism. Looking at colonialism, the media, education, intellectual property, and popular culture Jared Ball examines the ways in which the grassroots history of the rap music mixtape can encourage new forms of political organization and struggle.

American Invasions: Canada to Afghanistan, 1775 to 2010 is a thought-provoking analysis of the reasons for American invasions and warmongering over the last two centuries. Contrary to the views expressed by the Western media and Western historians the American Empire is not a force for the promotion of free thinking and democracy but instead a force for imperial conquests and imposed dictatorships through the use of a military-industrial complex, fed by the American Empire outspending the rest of the world combined, on weapons of mass destruction. The American Empire has used and will continue to use the most sophisticated weapons, from nuclear bombs to bunker-busting bombs to land mines to chemical and biological weapons, on defenseless men, women, and children to feed its insatiable appetite for warmongering and imperial expansion. It combines military bases around the world with military prisons used for torture and extraction of information. Its navy patrols every corner of the globe, and its planes can rain down bombs from the heavens on every civilian on the planet.

Protecting her identity means life or death in this immersive epic fantasy inspired by the Mughal Empire. In a different life, under a different name, Razia Khan was raised to be the Crown Prince of Nizam, the most powerful kingdom in Daryastan. Born with the soul of a woman, she ran away at a young age to escape her father’s hatred and live life true to herself. Amongst the hijras of Bikampur, Razia finds sisterhood and discovers a new purpose in life. By day she’s one of her dera’s finest dancers, and by night its most profitable thief. But when her latest target leads her to cross paths with Arjun Agnivansha, Prince of Bikampur, it is she who has something stolen. An immediate connection with the prince changes Razia’s life forever, and she finds herself embroiled in a dangerous political war. The stakes are greater than any heist she’s ever performed. When the battle brings her face to face with her father, Razia has the chance to reclaim everything she lost…and save her prince.